South Park il film - Più grosso, più lungo & tutto intero

I was not a fan of South Park before I saw BL&U, nor was I a fan of movie musicals. Well, I'm still not a fan of musicals, but I'm a fan of *this* musical, and am grateful to Parker and Stone for demonstrating that it's still possible to make a great movie on one's own terms.

For this movie, unlike the usual feature-length adaptation of a pop culture phenomenon, not only lives up to its pedigree, it wildly exceeds it. Yes, the movie does recycle many of the show's jokes, but it does so in new yet relevant contexts that keep the material funny if you are familiar with the South Park world. If you aren't familiar with that world (as I wasn't before seeing the movie), the gags are simultaneously accessible yet often subtle.

Subtle? Yes, many of the gags are. Indeed, one of the pleasures of owning a copy of the movie is having the ability to review the movie, in slo-mo if necessary, and discover throwaway sight gags that one has missed in the delirium of watching this anarchic satire the first time through. (And if you have the DVD, you can add subtitles to catch many of the songs' often elusive lyrics.)

Then there's the music. What is it about movie musicals that attracts great satiric minds? Not since Pynchon's "Gravity's Rainbow" has a work of art so subversively exploited the conventions of the movie musical as South Park. From the droll opening strains of Mountain Town, to the Disneyesque "Up There," to the Les Miserables spoof, "La Resistance," South Park simultaneously sends up the genre while paying homage to it, and still finds room to use the songs to score delicious points against its myriad targets.

One last thing: this movie is not cynical. Beneath the scatological humor, the cartoon violence, the scathing portrayals of Wynona Ryder et al, and the backdrop of adult xenophobia, sexual repression and political opportunism, is a sensibility that exalts childhood as an island of honesty and idealism, if also of id-like impulse and frequent selfishness. In this they share space on the shelf of great satires with "Candide," "Gulliver's Travels," "Tom Sawyer" and especially "Huckleberry Finn"--classics that, like BL&U, also exposed the hypocrisies of the adult world "through the eyes of a child."

Elvis Costello once sang, "I want to bite the hand that feeds me/I want to bite that hand so badly/I want to make them wish they'd never met me." That BLU was shut out at the Academy Awards (having only garnered a nomination for the relatively tame "Blame Canada", which lost, appropriately enough, to the execrable Phil Collins) only vindicates the film's take-no-prisoners send-up of nearly everything that annoys in this suffociatingly focus-group-tested, PC-policed, cynically sentimental, violence-ridden, love-starved modern world. See this movie, and see the persistence of hope and possibility sparkling like a diamond amid the pop culture detritus of a quiet little red-necked, white-trash, strait-laced, mesuggeneh, US mountain town.

South Park: Bigger, Longer and Un-cut is a great movie. Not only because the TV show (South Park) is one of the best animated shows of the 90's but also because of it's comedy, political and social satire, and though you can't see it right away, a look into censorship and what bad and good qualities it's doing to American life. And it also shows that Trey Parker and Matt Stone seem just like a bunch of comedy writers and composers, but that they could be truly freedom fighters by show-casing this film.

The story is about the four boys of South Park (Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman) and after they go into a rated R Terrence and Phillip flick, they start to use their new founded dirty words to excessive use. Since the film is Canadian, a war breaks out between Canada and America. Kenny dies (thats not a giveaway because on the TV show Kenny dies in every episode) and winds up in hell to find Sadaam Hussein and Satan as gay lovers. Both plot sides are very hilarious (depending on if you watch the show) and it's very satirical (if you don't believe me, just look at Bill Gates getting shot in the movie).

The Movie seems quite content in it's dirty foul-ness and funny comedy musical type way to make us laugh (not that thats a bad thing), but I think that Matt and Trey are tying to tell us something with this film. It is a wakeup call to America that if censorship doesn't change soon, we might actually go to war with a country over something as arbitrary as censorship and freedom. Or... it's just a good old fashioned comedy with fart jokes, sex humor, and a Winona Ryder playing ping-pong in her private area. Of course that's just my opinion, I could be wrong. Never-the-less, this film is one of the best of the year. A++

What can I say but OH MY GODS!!!!!!!!!!!!!!!!!!!! I had heard rumors about this movie's extremities (no pun intended) and that it was much more...ahem...wild than the t.v. show. Now, I've only seen a handful of the television shows, and they're pretty racy and raunchy, but I've always liked what I've seen. It's definitely not a show (or movie!) for kids. Or the faint of heart, or the easily offended. But then again, if you know that you're an easily offended person DON'T GO SEE THIS MOVIE!

I loved this movie. Granted, I have to admit that I was shocked and surprised through 95% of it. But it was great nonetheless. It was funny and vulgar and said pretty much everything in a manner that was NOT politically correct. But then again, aren't we all getting pretty sick of political correctness?

I think one of the things that gets most of us, (at least myself) is that when we were kids that age, we never would have gone around saying half of what those kids did. Or, if we did, we did our best not to get caught! Of course, I was only ever threatened with getting my mouth washed out with soap...not my mother starting a war with a foreign country!

The musical numbers were great! They were very upbeat and will stick in the minds of viewers for years to come. In the future, when we're all sitting behind our desks (or whatever jobs we may have), we'll notice that we'll be humming certain catchy tunes and when we stop to wonder what it is, we'll remember the songs from South Park both with humor and with horror that we're actually humming them out in the "civilized" world. The scene I think the best for musical numbers was where several of the different songs were going on at one time. It was very "Les Miserables" like (I saw the musical so I know what I'm talking about) in a very sick and twisted sort of way. It was simply funny and light hearted.

This movie poked fun at just about everything in the book. Nothing was spared. Not Christianity, not different racial stereotypes, and certainly not the gay community. But none of it was handled in a fashion to be hateful or humiliating. In my opinion, all the jabs were meant to get people to see that there shouldn't be the divisions that there are and when people get separated, they leave themselves open to ridicule and criticism. Rather if we all came together and put aside the divisions and stereotypes, then perhaps we could all see the humor in remarks and jabs like the ones made in this movie.

As for the political statement: it's true, you know. This country (as are many others) is always looking for something or someone else to blame for all the "troubles." We as a nation are hypersensitive to every little thing and just about everything is taboo. From swearing to being able to purchase certain adult oriented "toys," a person can't do anything in this country without being censored or "forbidden" to. It's sad when a state's laws or a person's hysteria keeps people from their constitutional right of free speech and the like. And this is what this movie was trying to point out. I agree with the person who is his review of this movie wrote, "They're just words" about the swearing in the movie. And that's all they are.

I give this movie a 10 for its humor, its musical numbers and its obvious statements. I think that everyone (who has an open mind) should go see this movie...and then go again and take someone who doesn't have an open mind so that it can be opened by the hilarious things said and done in this movie.

Nothing can prepare you for this film. It's a one off. Undoubtedly the best film I have ever seen. I truly laughed until I cried in the cinema showing, bought the video and the soundtrack - which I never do - and have watched it several times over. The political undertones are frighteningly poignant. The idea is brilliant. It's the antidisney. It's a fart in the face of those who wage war in the name of decency. It's a bunch of foul mouthed kids spewing profanity. It's better than good versus evil; it challenges us to asses the criteria upon which we judge good and evil. It pokes fun at everyone, white, black, Jewish, Christian - but particularly the stupid and the bigoted. by ridiculing the fuss that is made against profanity, the writers have safeguarded themselves against adverse publicity from complaints. It's what the film is about in the first place. My only complaint is that this film is so brilliant that it made Team America seem tame.

When "South Park" first appeared on the scene, I dismissed it without ever really watching it. I wasn't too interested in watching little kids yell and curse at each other. When "Baseketball" opened last July, it was there and then that I began to understand the humor and musical styling of "Park" creators Trey Parker and Matt Stone. Last year also saw the release of the duo's "Orgazmo" and "Cannibal : The Musical", both made prior to the "South Park" phenomena. I became a fan. With "South Park : Bigger, Longer, and Uncut", the television show makes the giant leap to the big screen with a completely over the top feature that will probably end up as the one summer film that gives the audience the most pop for it's coin. To synopsize the film would be too painful (and boring). It's so packed with plot and characters that a one sentence generalization would do the film no justice. I'll put it this way : If you don't know, get, or find "South Park" funny, DON'T GO SEE THE FILM. There might be droves of walkouts as soon as the opening sequence ends by people who thought that a cartoon could never be "that bad". The R rating and the "Uncut" of the title are there for a reason. Heed the signs. Paced like a bat out of hell, "South Park" is the funniest film to come around in some time. While most of the jokes might seem stale to real "Park" devotees, Director Parker knows exactly how to keep the film flowing, and in the process, show us new sides and characters that used to be unattainable on Comedy Central. The movie is vulgar and offensive, that's the idea. But Parker and Stone never once get meanspirited about things, always making sure everybody get a slice of the laughingstock pie. The dreaded "bleeping" of the curse words is finally gone, leaving Parker and Stone their first chance to show the world just how far they can take this concept. After hostilities with the ratings board over the NC-17 given to "Orgazmo"(which was harmless fun), this new film( which is far more raunchy than "Orgazmo") can be easily viewed as one big middle finger to the ratings board. It's the first film I have ever seen that purposely goes unbelievably far just to see what they can actually get away with. It's very interesting to compare this film, which made it out with a R rating, to others that were slapped with the NC-17. I believe that this is what Parker and Stone had in mind. Watching the antics of Stan, Kyle, Cartman, and Kenny on the silver screen does have it's advantages. The film is decidedly cinematic, often jumping to show-stopping musical numbers that I love Parker for. Working with Marc Shaiman, Parker brings us a whole new load of songs that are equal parts silly, and yet retain some musical respect. A just world would find evil Canadians Terrence and Phillip's "Uncle Fu**a" at the number one spot on the charts. Like "Cannibal", the songs stay in the head. They move beyond their comic foundation and feel like real songs, Parker has a musical gift and this "South Park" feature really showcases it. But don't fret fans, the film is jammed packed with comedy that represents what "South Park" is all about. Canadians, African-Americans, Jews, Catholics, the poor, the wealthy, gay, straight, bi, men with voiceboxes, men with puppets on their hands... Everyone is made fun of here. And every moment of this 80 minute film is comedic gold. Like the "Beavis And Butthead" film, this movie comes out just as people are beginning to write off the TV series. And similar to "Butthead", this film has made a true fan out of me. No other flick this year will have the stamina, the audacity, and the sheer momentum to please like this little "South Park" film. I give Parker and Stone endless credit for crafting a film that nobody will expect, and that every fan will relish.--------- 9