Applause

Why Broadway, and Hollywood and Tv Fight to keep some of these American Gems off DVD or Tape bewilders me. This is all but forgotten by even the best memoried Baby Boomers. Well, digging through old tapes, I found this "APPLAUSE" STARRING: Lauren Bacall, Larry Hagman, et al.

Now WHO would not pay to see "APPLAUSE" with it's ORIGINAL LEADING STAR? "APPLAUSE" is great, even after 30 years tucked away on a shelf. This find made my day. From the brilliant writing adaptation of "All About Eve", to the effervescent score. This Musical retelling of the Bette Davis classic is overpoweringly Superb. Lauren Bacall at her best! The production was done true to the original. That alone is worth seeing it again. Even on tv. But, in a theatre, on a big screen would be even better.

"What is it that we're working for?, Applause, Applause..." Love those classic Musicals, or hate them, I think you'd all LOVE APPLAUSE! Now, let's get it released on DVD. I'd sell my soul to see the ORIGINAL "HELLO,DOLLY!" with Carol Channing on DVD. Perhaps if Hollywood stayed true to the original work, Musicals would have lasted as an art medium. If you ever get a chance to see this GEM, DON'T Pass it up!

I wanted to see this movie for years and finally found a copy this year. Well, the actual production left something to be desired. The sets seemed cramped, and the whole thing has kind of a thrown-together feeling to it, but that's easy enough to overlook. The musical was obviously a lot of fun to make and all of the actors seem to really be enjoying themselves.

Lauren Bacall shows her usual dramatic star-power, but (Tony Award or no Tony Award) the woman really can't sing. Fortunately, for her part at least, it really doesn't matter. She's a strong enough actress that she can put emotion behind the lyrics and it doesn't really matter if it matches the melody or not. Larry Hagman plays Bill - but he seems almost wasted, having very little to do until the end. Penny Fuller was a fairly good Eve, but she was definitely no Anne Baxter. Still, I doubt Anne Baxter could have sung as well as Fuller did. Her last number was very impressive.

The real surprise to me was English actress Debbie Bowen completely stopping the show with the title song "Applause." She nailed it. I never even knew she could sing, and she nearly steals the entire show with just that one number. Very impressive talent, too bad she seems to have disappeared from the entertainment world. She was the one to watch in this movie.

The rest of the supporting cast is mostly forgettable. The plot line is pretty faithful to "All About Eve" although the script does seem to nicey it up a little too much. Why did they get rid of one of the best characters in the movie - Addison DeWitt? George Sanders won the Oscar for that role, it was probably the most intelligent character in the whole story. For a long time the audience is kept sympathizing with Eve and hating Margo, which is not the way the story is supposed to go at all. The end is rather abrupt and doesn't really come across as satisfying. But the music alone is a great, great asset to this. It's worth watching if you can find it.

"Applause" was made as a TV movie in 1973 from the Broadway musical of the same title that ran for 896 performances from 1970 to 1972. The adaptation included most of the original Broadway cast, but Larry Hagman replaced Len Cariou in the role of Bill Sampson. The show and film are a musical version of the 1950 film, "All About Eve," that had an all-star cast and won six Academy Awards. It's a familiar plot which has been adapted a few times in other films over the decades.

The Broadway show won four Tony awards out of 11 nominations, including best musical, best direction of a musical, best choreography and best leading actress in a musical. It was Lauren Bacall's first of two Tony awards as best actress on Broadway. Although all of the cast are good, Bacall is the main reason to see this show, if one can find it. I saw it on DVD that was taped from its TV showing. The copy quality is very poor and the character images are not clear and crisp.

While Bacall and others of the cast can carry a tune, they are not professional singers. Ergo, this play and film don't have the punch and power of the great musicals that have featured professional singers or their voices. The music and dance numbers are good, and the choreography is very good. But, again, this film has the feel of a stage production and the star quality of performers doesn't match that of the great musicals that were made into movies.

'Applause' was a Broadway musical based on the cult movie 'All About Eve', but it differs significantly from that film. After Lauren Bacall starred as Margo Channing in 'Applause' on Broadway, she repeated her starring role in the West End production of that show in London. In one of the most ironic casting choices in history, Bacall was replaced in the Broadway cast by Anne Baxter. In the film 'All About Eve', Baxter had played Eve Harrington, the would-be actress who schemed to take over Margo Channing's life. In the cast of 'Applause', Baxter finally got that chance.

'All About Eve' and 'Applause' were indirectly based on a true incident in the career of European actress Elisabeth Bergner. Screenwriter Joseph L Mankiewicz borrowed the name 'Eve Harrington' from the Preston Sturges film 'The Lady Eve', in which a scheming woman named Harrington uses 'Eve' as her criminal alias.

I was peripherally involved in the London production of 'Applause', as a minor staffer in the producer's office. In 1973, I hadn't yet seen the film 'All About Eve', and I couldn't understand why there was so much fuss over this movie. One of the songs in 'Applause' is called 'Fasten Your Seat Belts (It's going to be a bumpy night)', but the song is performed at a party and has nothing to do with air travel. I didn't understand at the time that this song was inspired by a famous line in the original film.

'All About Eve' begins with a ceremony for the Sarah Siddons Award. This was (at the time) a fictional award named for a real stage actress; following the film's success, there is now a genuine Sarah Siddons Award. For the Broadway and London stage productions of 'Applause' (and this TV version), the trophy was changed to the Tony Award, with permission from the American Theatre Wing (who give out the real Tony Awards). In the opening scene of the stage musical, there was an awkward tech cue as we hear the thoughts of famed actress Margo Channing (Bacall) in pre-recorded voice-over. This was done much more easily in the TV version. Bacall waves a Tony Award overhead, wearing a sleeveless gown that gives us a full view of her shaved armpits. The camera shifts into slo-mo, to make sure we don't miss those armpits. She then goes to a party where the guests engage in peculiar scat-singing. ('Ba-ba-bee-ba!')

'Applause' is notable for having a script by Broadway veterans Betty Comden and Adolph Green but songs by Lee Adams and Charles Strouse, the team best known for the score of 'Bye Bye Birdie'. Comden and Green usually wrote the lyrics for their scripts; for 'Applause', they were brought into the project after Adams and Strouse had written a score.

What is it about gay men and aging actresses? For reasons that elude me, the movie 'All About Eve' is some sort of gay rite of passage. The musicals of Comden and Green contain large amounts of material that's gay-friendly, but not explicitly so. 'Applause' is the exception. With its background of Broadway musicals, the gay aspects of the New York theatre get far more than a look-in here. In the original film, Margo Channing's dresser was an older woman; in 'Applause', this character is a handsome young man named Duane Fox. She invites him to escort her to an after-theatre party. When Duane demurs that he's got a date, Bacall theatrically tosses her long tawny hair and says 'Bring him along!'.

The most bizarre scene in this TV special occurs when gayboy Duane brings Margo to his favourite bar in Greenwich Village, where lots of good-looking young men want to meet this aging actress. (Not another woman is in sight; I guess none of these guys can get a girlfriend.) Bacall performs a musical number in front of a wall of multi-coloured neon lights, each light forming a letter of the alphabet. These letters appear to be randomly scattered across the wall, but if you follow them in a knight's tour they spell out "GAY POWER", with one extra letter as a decoy. As Margo leaves, a young man named Danny shouts: 'I love her!'

A far more enjoyable number is the title song, performed by would-be actors who work as waiters and waitresses at Joe Allen's. (In the 1970s, this was a real restaurant in the Broadway theatre district, noted for its distinctive red and white tablecloths.) For Bacall's pleasure, all the boys and girls at Joe Allen's perform an elaborate dance number referencing other Broadway musicals, ranging from 'Oklahoma!' to 'Oh Calcutta!'.

There's some contrived dialogue here that wasn't in the movie. When Karen Richards feels guilt for draining the gas tank of Margo's car, she imagines she hears comments about this. ("You're a gas!" "T'anks!") More enjoyable is a scene that wasn't in 'All About Eve', with Karen and her husband Buzz (named 'Lloyd' in the movie) attending a party. All the guests wear signs on their backs, with each sign bearing the name of a famous person. Since no guest can read his own sign, they must respond to clues from other guests to learn who they are.

'Applause' is a good (but not great) musical, adapted from a movie that worked better as a film. The best elements here are direct references to Broadway's theatre community that weren't in the film, such as the gypsy-robe scene and the gay subculture. But 'Applause' can never be revived except as a period piece, since it makes absolutely no mention of Aids. I'll rate this enjoyable TV version 6 points out of 10, and I wish someone would explain to me why gay men are so fascinated by aging actresses.

Applause was a fun, sharp, sophisticated & very successful Broadway musical. What we are reviewing here is the tv version which is less successful. Some shows don't translate well to television. Applause is one of them. To have seen it in person & felt the joy of a live performance & then have to compare it to this version is slightly sad. It's still a tight show & Bacall is magnificent. (in spite of the nasty queen's insulting review here. He apparently has no taste. Just a viscous tongue & poor eyesight) But it's all we have & if we can stretch our imagination, we can still see how thrilling it must have been on Broadway. It won several Tony awards including Best Musical & Best actress for Bacall which it deserved. We have no other version left for us other than a cast album and so I am grateful for this flawed time capsule video version. Flawed? Yes but still, I love it.