The Suburbans - Ricordi ad alta fedeltà

Almost every comment or review you will read about this one is accurate. Whether you like it or not is up to you. You might also see someone write something about the team making a good effort. This is true too.

You'll see some people saying there's just too much dialogue. This is true as well. And they'll mostly say Amy Brenneman is the one that stands out. And that's true too.

But the movie drags. For all the good intentions, for all the clever skits, it drags - and that's unfortunate. It's fun to watch - Bierko is a riot and Hewitt is gorgeous, and let's not forget the Stillers in a wacky portrayal - but it's bits and pieces, it's too disparate, it doesn't grab you through a well organised and successful plot - it's bits and pieces with a thread someone tried to sew through it all afterwards. The story doesn't have momentum of its own and the plot mechanisms seem contrived and arbitrary. And you don't feel any empathy for any of the characters - not even for Amy's. Not enough to keep you enjoying, really enjoying the movie, on the edge of your seat, and so forth and so on. And stylistically it tries to attack everything at once - and that's never going to work.

You may enjoy this one - minimally. And it isn't for their not making an effort. But there are important ingredients missing. The acting's mostly great, the writing too - there just isn't enough good plot packed story. It drags on.

I actually turned this movie off after an hour, when my wife suggested, "Maybe Oprah has something interesting on." No amount of booze could make this movie tolerable. I'm not sure what algorithm Netflix is using to suggest this film to me, but they need to hire some new mathematicians. Ben Stiller proves yet again he is a one-trick-pony here. Jennifer Love is...Jennifer Love. Will Ferrel -- god help me -- is under-utilized. Decent enough premise. Perhaps different editing could have helped? Maybe some T&A? If not, less adult-oriented humor so I could have played Candyland with the kids while suffering through the last 20 minutes? And for god's sake, a movie abut musicians sure could use a decent soundtrack!

there are just some things Long Islanders love: good pizza/bagels, mafia movies, the beach, and hearing shout-outs to towns and landmarks on our beloved home. Goodfellas takes care of the mafia movies and the shout-outs, and the Suburbans basically use the latter to keep me watching the sorry piece of film. I was practically jumping out of my seat when they said "sunrise mall" and the house that was in Wantagh... so all that being said, that was the only part of the movie that was in any way enticing or watchable. And Will Ferrell was pretty funny, but definitely needed to be featured better. Forget this movie. Oh wait, you've never heard of it and never will....for God's sake im only watching it cause it's on some secondary HBO channel and they know no one's watching.

Four guys Danny (Donal Lardner Ward), Rory (Tony Guma), Mitch (Craig Bierko), and Gil (Will Ferrell) are 30something friends who were once a big 80's one-hit band called The Suburbans. When they perform at Gil's wedding to help Mitch with a hot fan, a record company scout (Jennifer Love Hewitt) in the audience gets them a comeback show for their nostalgia showcase.

Donal Lardner Ward wrote/directed/star in this movie. Quite frankly, I don't know how he got so many then and future stars in this one movie. Ben Stiller and his dad try to ham it up as record studio suits. Will Ferrell is channeling an idiot bass player. However Will can't save this. The fact is the band doesn't have the comedic chops. Craig Bierko is fitting for the lead singer jerk. But the two writers Donal Lardner Ward and Tony Guma should not be lead actors. They really need to search for better comedians to do those roles. The writing is broadly unfunny, and the performances are generally flat.

Fans of That Thing You Do will probably want to rent The Suburbans, a pseudo-satire about the comeback of a one-hit-wonder band from the 1980s. While Craig Bierko, Donal Lardner Ward, Tony Guma, and Will Ferrell had hope for their future back in the day, fifteen years later they've traveled down different paths. Will has a successful tech business, Donal is a beach lifeguard and won't commit to his girlfriend Amy Brenneman, Tony has children with Bridgette Wilson but won't marry her, and Craig is still his girl-crazy self. When a music executive, Jennifer Love Hewitt approaches them with the idea for a comeback on television, they decide to give it all a second chance.

All in all, this movie was entertaining, but it's not one I would really recommend or want to watch again. The humor was surprisingly crude at times, and the plot felt a little thin. I loved the comedy Music and Lyrics, which has a similar '80s-comeback band theme, and this one didn't hold a candle to the 2007 film. The brief flashbacks to '80s hairstyles are funny, and the 1999 style personified by Jennifer really take you back in time. When else can you find blue lipstick, glitter eyeshadow underneath the eyes, and twisted, spiky hair? Only in 1999, when it was actually cool to look that way.

DLM Warning: If you suffer from vertigo or dizzy spells, like my mom does, this movie might not be your friend. The interviews feature a handheld shaky camera, and right after the tv promo for the reunion, the camera tilts back and forth as it zooms into the garage, and that will make you sick. In other words, "Don't Look, Mom!"