[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

L'eternità e un giorno

Titolo originale: Mia aioniotita kai mia mera
  • 1998
  • T
  • 2h 17min
VALUTAZIONE IMDb
7,9/10
15.468
LA TUA VALUTAZIONE
POPOLARITÀ
1505
6390
L'eternità e un giorno (1998)
Drama

Il famoso scrittore Alexander è molto malato e ha poco tempo da vivere. Incontra per strada un ragazzino, immigrato illegalmente dall'Albania, e intraprende un viaggio con lui per riportarlo... Leggi tuttoIl famoso scrittore Alexander è molto malato e ha poco tempo da vivere. Incontra per strada un ragazzino, immigrato illegalmente dall'Albania, e intraprende un viaggio con lui per riportarlo a casa.Il famoso scrittore Alexander è molto malato e ha poco tempo da vivere. Incontra per strada un ragazzino, immigrato illegalmente dall'Albania, e intraprende un viaggio con lui per riportarlo a casa.

  • Regia
    • Theodoros Angelopoulos
  • Sceneggiatura
    • Theodoros Angelopoulos
    • Tonino Guerra
    • Petros Markaris
  • Star
    • Bruno Ganz
    • Isabelle Renauld
    • Fabrizio Bentivoglio
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    15.468
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1505
    6390
    • Regia
      • Theodoros Angelopoulos
    • Sceneggiatura
      • Theodoros Angelopoulos
      • Tonino Guerra
      • Petros Markaris
    • Star
      • Bruno Ganz
      • Isabelle Renauld
      • Fabrizio Bentivoglio
    • 44Recensioni degli utenti
    • 29Recensioni della critica
    • 80Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 9 vittorie e 4 candidature totali

    Foto25

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 18
    Visualizza poster

    Interpreti principali43

    Modifica
    Bruno Ganz
    Bruno Ganz
    • Alexandros
    Isabelle Renauld
    Isabelle Renauld
    • Anna
    Fabrizio Bentivoglio
    Fabrizio Bentivoglio
    • The Poet
    Ahilleas Skevis
    Ahilleas Skevis
    • The Child
    Lazaros Andreou
    Lazaros Andreou
      Aristotelis Aposkitis
      Aristotelis Aposkitis
        Despoina Bebedeli
        Despoina Bebedeli
        • Alexandros' Mother
        • (as Despina Bebedeli)
        Iris Chatziantoniou
        Iris Chatziantoniou
        • Alexandros' Daughter
        Dimitris Fotsinos-Safrantzas
        • Kid
        • (as Dimitri Fotsinos-Safrantzas)
        Eleni Gerasimidou
        Eleni Gerasimidou
        • Ourania
        Rony Gianari
        Milena Giannakidou
          Mihalis Giannatos
          Mihalis Giannatos
          • Ticket Inspector
          • (as Mihalis Yanatos)
          Themis Gousoulis
          Themis Gousoulis
          • Kid
          Yorgos Halaris
          • Kid
          Maria Hatziioannidou
            Giannis Karabinis
              Vassilia Kavouka
              • Regia
                • Theodoros Angelopoulos
              • Sceneggiatura
                • Theodoros Angelopoulos
                • Tonino Guerra
                • Petros Markaris
              • Tutti gli interpreti e le troupe
              • Produzione, botteghino e altro su IMDbPro

              Recensioni degli utenti44

              7,915.4K
              1
              2
              3
              4
              5
              6
              7
              8
              9
              10

              Recensioni in evidenza

              8runamokprods

              Flawed, but moving and beautiful

              The most Bergmanesque of Angolopoulos's films. Simpler and less epic than most of his work, with fewer of his trademark breathtaking images and grand themes. Yet this story of a dying writer spending his last day before entering the hospital -- never to leave -- has a deeply elegiac melancholy, and his attempts to find meaning by saving an Albanian street urchin are often moving, if occasionally sappy. The same is true of Bruno Ganz' (unfortunately dubbed) relationship with his wife and family, told mainly in flashback, Much is moving, some is hokey and forced. But Ageloupolus' use of images to make film a poetic medium is always worth watching, even when flawed.
              zweimann

              No words

              Since I traveled to Prague in 2003 and bought Eleni Karaidrou's album "Eternity and a Day" I was wondering when and where could I get this movie.

              I got it and it was incredible for me. Poetry, photography (I think it is the best photography I've ever seen in a movie) and music in an amazing movie THAT I DID NOT UNDERSTAND because it's in Greek (no English subtitles in the release I've got).

              You don't need to understand their words to feel it, to cry and to laugh when the moment comes. Angelopoulos has made, in my honest opinion, a master piece of theater-movie.

              Buy it, keep it, show it to your children, to your parents...
              9l_rawjalaurence

              Masterly Meditation on Life, Literature and Death

              The basic plot of ETERNITY AND A DAY is straightforward enough - an aging writer Alexandre (Bruno Ganz) meets a young illegal Albainian immigrant (Achileas Skevis) and takes his home. As he does so, the writer reflects on his own life; his past; his relationship with his mother and his wife; and what he has achieved in his life. Yet Theodoros Angeloploulos' film is at heart a meditation on the act of writing: when we set down words on the page, do they actually record our experiences, or can they only provide an approximation of what we are feeling at any particular moment? Alexandre is perpetually tormented by this thought - although successful in his chosen career, he believes that he has been a failure, simply because of the notion that words can only allude to experience, not record it. The child, in his innocence, believes that words can be found, or bought; but however much one pays for that word (in terms of buying a book, for instance, or when a writer receives royalties for what they have done), those words are still inadequate. They are both allusive - in the sense that their relationships to actions and things are contingent upon circumstances - and elusive (in the sense that such relationships are only approximate). With such uncertainties in his mind, Alexandre comes to understand that there is no "final" distinction between "life" and "death" (after all, they are only words); he has to experience both as a continuum, without the support of anyone. Visually speaking, the film is full of stylistic ironies: Angelopoloulos' camera is perpetually tracking forwards; we see cars in the traffic-choked streets driving off to somewhere, or traveling on the freeway; while the characters are seen crossing the frame from left to right. All suggest some kind of forward movement, a desire to go from one place to another. However such movements are not "progressive" at all, but rather suggest a desire not reflect on life's futility (as Alexandre discovers through his words). In a sense such movements are an evasion rather than an engagement with existence. The same also goes for the "narrative" of the film: Angelopoloulos shows that it is not particularly significant: what matters more is for viewers to reflect on the mise-en-scene within individual frames; to listen to the words, focus on the actors' expressions and body movements, and understand Alexandre's state of mind. A long and complex film, ETERNITY AND A DAY befits repeated viewings.
              varkaris

              year 98:dedicated to dionysios solomos,the national poet of greece

              Thessaloniki this day. A very sick bearded man leaves his seaside house to go to the hospital for the few days remaining. Suddenly he decides to search the area. He rescues a small Albanian boy chased at the traffic lights by the police while cleaning car windows for a living. He saves the same kid when ready to be sold to foreigners. This happens in Greece but it can happen anywhere. He makes a tour with the kid. He visits the frontier looking like a Nazi camp with spectators watching while hanging on the wire fence. He speaks with Dionysios Solomos,the poet of the 'Hymn to liberty' and 'Free begieged'.A poet that used to pay people in Zakynthos to buy a word for poetic exploitation. Theo Angelopoulos plays an important sociophilosophical role as a very talented director in expressing the human relation,the national language and many other concepts. Angelopoulos purports to open a new road for understanding the world,life,death,love,poetry,music,child innocence,a man to die very soon,a wedding with the married couple dancing in circle movements. This movie has a faster mode than previous ones by the

              same director. First prize in Cannes in competition with Benigni's 'life is beautiful'. A film with the warm performance of Bruno Ganz. A film with the magnificent music of Eleni Karaindrou. A masterpiece for 10 out of 10.
              pmaniatis

              Theo Angelopoulos Philosopher / film-maker

              Review of the film eternity and a day – mia aiwnioteta kai mia mera By Peter Maniatis

              THEO ANGELOPOULOS THE PHILOSOPHER / FILM MAKER

              The issues that this film addresses are "time" and "logos". The question "how long is tomorrow" involves the concept of time.

              Since by the expression of "tomorrow" we understand both, the day after today and an eternity, we require the force of "logos" to resolve this chaotic situation. For Alexandros, the use of logos, the accumulation of word-wealth, brings order to his troubled world. It sheds light to his past, present and future.

              Defining time as A-series and B-series We can look at the concept of time as Past, Present, and Future. Lets call this an A-series, Past Present Future. Alexandros' past is when he was young, his wife, his friends, his young family, his job, his present is that he is old, and alone, and his future, his tomorrow, is death.

              Now let us look at P. P. & F. in relation to each other. The arrival of Captain Cook in Australia is a past event. The destruction of Earth or the Second Coming if you wish, is a Future event. But there was a time that the arrival of Captain Cook was a Future event, and there will be a time that the destruction of the Earth will be a Past event. So we can say that Past Present and Future can be viewed in relative terms, without defined boarders.

              In the film, we see Alexandros in his present form, with his rain coat and seemingly old, intermingling with people in spaces of his past, in the form of the time that the events took place at a present time.

              With this perspective, we view past, present, and future, relatively to our position in space that we find ourselves at the time (space time). Alexandros does just that.

              DEFINING TIME BY WAY OF CHANGE:

              Dimension of change in the sense of coming to be and passing away.

              Alexandros came to be, he was born, he grew old (changed from young to old) and then tomorrow he will pass away. It is the same with everything in nature. The young child is young at the present time, he too will get old and eventually pass away.

              Changes in space, variations we experience in space. When we say that the road changes from being narrow to become wide we speak metaphorically. Philosophers connected with the theory of relativity do not see that there is a difference in the change of the road becoming wider and in the changes of the person becoming older. Events deemed past in one frame of reference are deemed future in other frames. The difference is only subjective, experiential, rather than reflecting an ontological fact.

              Events of Alexandros past are viewed from a spatial position in the present, and according to Agelopoulos, those past events are at the same time present events. Alexandros wears the same raincoat and is the same age. Past events are present in his mind. One can say that looking at time, from space time perspective, time is static.

              Static view of time: According to Parmenides and Zeno, appearance of temporal change is an illusion.

              Dynamic view of time: Heracletus and Aristotle, held that future lacks the reality of present and Past. Reality continuously is added to as time passes.

              The theory of relativity allows that some events are past or future no matter which frame of reference is selected. The relativity of simultaneity, looking at past present and future at the same time, only requires us to revise our conception of the present.

              Alexandros, I think, does just that. He revises is conception of his present situation relatively, from space –time perspective.

              THE THREE BIKE RIDERS DRESSED IN YELLOW

              The Fates, Klotho, Atropos and Lachesis, the daughters of Necessity, are the three forms of time out of which human life is woven. In the film, the three bike riders we see in the distance and dressed in yellow represent them.

              In the ancient Greek myth, there is a cosmic spindle where all strands of human life exist separately. In the film, Alexandros', Ana's, his mother, his daughters', and the child's lives all exist separately.

              Klotho spins them together at some present time, the wife with the husband, the father with the children in their young years, the old man and the child refugee.

              Atropos, the future, will unravel them as to give the illusion of freedom. The future of the child seems to be free. He does not go back to his grand mother, he goes of to seemingly freedom, but all the time his life is determined by Lachesis the Aloter.

              In this chaotic situation, it is only logos that brings order, that gives some sense to seemingly world of fate or chance.

              LOGOS:

              Logos in its multiple meanings, word, speech, dialogue, language, debate, account, etc. makes the above thoughts possible. It is the uniting force. In the chaotic world of change, logos comes to give some comfort by ordering things, by putting events and actions in their right place.

              Alexandros, in order to make sense of his life, wants as many words as he can find, to make sense of the time he spend being alive. And in the spirit of Capitalism, he is prepared to buy the words. He is prepared to buy them and gain his freedom, freedom from the tyranny of time, from the tyranny of death. Like his predecessor, Dionysios Solomos who was buying words to write the Ode to Freedom that became the Greek National Anthem.

              Alexandros, I think gained his freedom. At the end of the day he was making plans. "Tomorrow" after all, did not seem for Alexandros the end of time. It did not seem the end of his time.

              A very good film.

              Altri elementi simili

              Paesaggio nella nebbia
              7,9
              Paesaggio nella nebbia
              Lo sguardo di Ulisse
              7,6
              Lo sguardo di Ulisse
              La sorgente del fiume
              7,8
              La sorgente del fiume
              Il passo sospeso della cicogna
              7,5
              Il passo sospeso della cicogna
              Viaggio a Citera
              7,7
              Viaggio a Citera
              La polvere del tempo
              6,5
              La polvere del tempo
              Alessandro il grande
              7,4
              Alessandro il grande
              La recita
              7,8
              La recita
              Il volo
              7,2
              Il volo
              Eternity and a Day
              I cacciatori
              7,4
              I cacciatori
              Il sapore della ciliegia
              7,7
              Il sapore della ciliegia

              Trama

              Modifica

              Lo sapevi?

              Modifica
              • Quiz
                Bruno Ganz delivered his lines in German and was dubbed into Greek.
              • Blooper
                When the child goes to see his dead friend Selim in the morgue, we can see Selim's right eyelid slightly blinking just after the child closes the door.
              • Citazioni

                Alexandre: Why, mother, nothing happens as we wish? Why? Why does one have to rot in silence torn between pain and desire? Why did I live my life in exile. Tell me mother, why can't one learn to love?

              • Connessioni
                Featured in WatchMojo: Top 10 Inspiring Immigration Movies (2017)
              • Colonne sonore
                Asma asmaton
                Music by Mikis Theodorakis

                Lyrics Iakovos Kabanellis

              I più visti

              Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
              Accedi

              Domande frequenti18

              • How long is Eternity and a Day?Powered by Alexa

              Dettagli

              Modifica
              • Data di uscita
                • 28 ottobre 1998 (Francia)
              • Paesi di origine
                • Francia
                • Italia
                • Grecia
                • Germania
              • Sito ufficiale
                • Artistic License Films
              • Lingue
                • Greco
                • Inglese
                • Italiano
              • Celebre anche come
                • Eternity and a Day
              • Luoghi delle riprese
                • Salonicco, Grecia
              • Aziende produttrici
                • Paradis Films
                • Intermédias
                • La Sept Cinéma
              • Vedi altri crediti dell’azienda su IMDbPro

              Botteghino

              Modifica
              • Lordo Stati Uniti e Canada
                • 107.178 USD
              • Fine settimana di apertura Stati Uniti e Canada
                • 24.221 USD
                • 31 mag 1999
              • Lordo in tutto il mondo
                • 107.322 USD
              Vedi le informazioni dettagliate del botteghino su IMDbPro

              Specifiche tecniche

              Modifica
              • Tempo di esecuzione
                2 ore 17 minuti
              • Colore
                • Color
              • Mix di suoni
                • Dolby Stereo
              • Proporzioni
                • 1.66 : 1

              Contribuisci a questa pagina

              Suggerisci una modifica o aggiungi i contenuti mancanti
              L'eternità e un giorno (1998)
              Divario superiore
              By what name was L'eternità e un giorno (1998) officially released in India in English?
              Rispondi
              • Visualizza altre lacune di informazioni
              • Ottieni maggiori informazioni sulla partecipazione
              Modifica pagina

              Altre pagine da esplorare

              Visti di recente

              Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
              Scarica l'app IMDb
              Accedi per avere maggiore accessoAccedi per avere maggiore accesso
              Segui IMDb sui social
              Scarica l'app IMDb
              Per Android e iOS
              Scarica l'app IMDb
              • Aiuto
              • Indice del sito
              • IMDbPro
              • Box Office Mojo
              • Prendi in licenza i dati di IMDb
              • Sala stampa
              • Pubblicità
              • Lavoro
              • Condizioni d'uso
              • Informativa sulla privacy
              • Your Ads Privacy Choices
              IMDb, una società Amazon

              © 1990-2025 by IMDb.com, Inc.