VALUTAZIONE IMDb
7,1/10
10.375
LA TUA VALUTAZIONE
Un gruppo d'individui molto diversi e con idee diverse su come affrontare la fine, si riunisce mentre il mondo dovrebbe finire in sei ore all'inizio del secolo.Un gruppo d'individui molto diversi e con idee diverse su come affrontare la fine, si riunisce mentre il mondo dovrebbe finire in sei ore all'inizio del secolo.Un gruppo d'individui molto diversi e con idee diverse su come affrontare la fine, si riunisce mentre il mondo dovrebbe finire in sei ore all'inizio del secolo.
- Regia
- Sceneggiatura
- Star
- Premi
- 12 vittorie e 23 candidature totali
Chandey Michaels
- Streetcar Daughter
- (as Chandra Muszka)
Bryan Renfro
- Angry Driver
- (as Brian Renfro)
Recensioni in evidenza
What can I say about Last Night that hasn't already been said? Well, to start, I feel this is the kind of Canadian film we Canadians have been BEGGING to see for years. However, because of the fact that the film saw limited release in arthouse theatres across the country, and is just appearing on video now, chances are good that Last Night will not be seen by a large majority of the public if not sent in to full release across the United States.
This movie is Canadian -- without shoving the fact that it is down your throat.
Now, on to the actual guts of the movie. I find the understatement of the fact that the world IS ending in six short hours to be so uniquely Canadian. There is an odd, somewhat macabre scene in the movie where McKellar's character is being harassed by his mother for showing up late for "Christmas" dinner. Not once does mother mention the end of the world. McKellar's response? "... and in case you haven't noticed the world is going to end today, and I've had a lot on my mind."
Getting off my maple leaf waving-high-horse, I will say this: the performances by McKellar, Sandra Oh and Callum Keith Rennie are nothing short of superb. They portray characters you at times love, hate, and fear, because there are times (many times) that we see ourselves in these characters.
The soundtrack for Last Night (available on the Sony Classical label) is a mixture of both the corniest music on the face of the earth (Burton Cummings' live performance of Glamour Boy) to great oldies (Last Night [I Didn't Get to Sleep at All]) to songs few (if any people) have ever heard before (i.e. the Defranco Family's "Heartbeat, its a Lovebeat")
The story moves at a graceful pace, there are no surprise endings, and the characters are human(e). Last Night is a masterpiece.
This movie is Canadian -- without shoving the fact that it is down your throat.
Now, on to the actual guts of the movie. I find the understatement of the fact that the world IS ending in six short hours to be so uniquely Canadian. There is an odd, somewhat macabre scene in the movie where McKellar's character is being harassed by his mother for showing up late for "Christmas" dinner. Not once does mother mention the end of the world. McKellar's response? "... and in case you haven't noticed the world is going to end today, and I've had a lot on my mind."
Getting off my maple leaf waving-high-horse, I will say this: the performances by McKellar, Sandra Oh and Callum Keith Rennie are nothing short of superb. They portray characters you at times love, hate, and fear, because there are times (many times) that we see ourselves in these characters.
The soundtrack for Last Night (available on the Sony Classical label) is a mixture of both the corniest music on the face of the earth (Burton Cummings' live performance of Glamour Boy) to great oldies (Last Night [I Didn't Get to Sleep at All]) to songs few (if any people) have ever heard before (i.e. the Defranco Family's "Heartbeat, its a Lovebeat")
The story moves at a graceful pace, there are no surprise endings, and the characters are human(e). Last Night is a masterpiece.
i never realized how beautiful a song Guantanamera was, until i heard it in this movie. Whenever i hum the tune nowadays, i can't help but think of Last Night(and the last scene). Ihighly recommend seeing Miracle Mile, after you've see Last Night. It is as close to an American version of this film as you are ever going to see. It is almost just as good. In my opinion, the best line in the movie comes when the old woman makes the very politially incorrect statement, that she tired of hearing about the children,because they are too young to miss anything. If the world weren't ending in a few minutes, you know she wouldn't be exposing her true feelings. I loved this film, beginning to end.
"Last Day" is a really good film that shouldn't be watched by persons suffering from clinical depression. The first rate acting from a cast of Canadian regulars really draws the viewer in from the onset, totally absorbing you into their doomed world. I remember getting the same feeling during this film as I did with "The Day After" as both are able to make you forget very quickly that everything will be fine when the movie's finished. The excellent character development, sharp sense of irony, and stylish subtlety of the film create a near perfect calling card for the director whose future work will be much sought after.
Don McKellar directs/wrote/stars in one small movie that asks us... what is REALLY important?
The world is about to end (how is irrelevant) and we follow a (seemingly) random bunch of people as they fill there last hours.
On one level they all want to make dreams/desires/fantasies they've held onto happen. Our main character, Patrick Wheeler is caught between fulfilling his parents plans and his own.
I don't want to give too much of this simple, beautiful and heartfelt movie away, but I think it boils down to a question of opening ourselves up - to be less alone - and to let love in. I think that one thing Mr. McKellar is trying to say is that the power of love- true love (NOT lust) will get us through - no matter what the obstacle.
I've seen this movie several times, and am the last person to be swayed by big Hollywood films that try to "steer" you to "feel" for their characters. Last Night is NOT an action picture. It moves slowly, and builds to an ending that never fails to bring a tear to my eye. I hope you enjoy it is much as I do.
The world is about to end (how is irrelevant) and we follow a (seemingly) random bunch of people as they fill there last hours.
On one level they all want to make dreams/desires/fantasies they've held onto happen. Our main character, Patrick Wheeler is caught between fulfilling his parents plans and his own.
I don't want to give too much of this simple, beautiful and heartfelt movie away, but I think it boils down to a question of opening ourselves up - to be less alone - and to let love in. I think that one thing Mr. McKellar is trying to say is that the power of love- true love (NOT lust) will get us through - no matter what the obstacle.
I've seen this movie several times, and am the last person to be swayed by big Hollywood films that try to "steer" you to "feel" for their characters. Last Night is NOT an action picture. It moves slowly, and builds to an ending that never fails to bring a tear to my eye. I hope you enjoy it is much as I do.
I found LAST NIGHT quite thought-provoking and moving the first time I saw it and its impact on me has only grown over time. This is an amazingly sophisticated and well-executed film for a first-time director. What I find thrilling about it is both the fine balance it finds between ideas and emotional resonance and its sense of tonal unity and control. The images and music have stayed with me for years. Despite the melancholic events of the story and the sense of loss that permeates the film (after all, we are talking about the end of the world here), a mordant sense of humour and finally a romantic, optimistic heart leavens the story's darkness, without pushing the movie into cheap sentimentality or melodrama (Armageddon, anyone?). All this and only one of the most memorable closing images in modern film! Seek it out. It's worth it.
Lo sapevi?
- QuizThis film was a result of director Don McKellar's invitation to participate in a challenge to make a movie about the imminent Millennium. Instead of making a movie that he felt might date itself too quickly, he opted to make it about the end of the world rather than just the end of the Millennium.
- BlooperWhen Craig agrees to lend his car to Sandra and explains what kind of car it is, he tells her it's a 1970 Lime Green Super Bee with dual overhead cams. The Super Bee was never available with an engine using dual overhead camshafts. In 1970 the Plymouth Super Bee was available with three choices of engines. Base engine was the 383 Magnum, then as options there was the 440 "Six Pack" and the famed 426 "Hemi". All of these used the Overhead Valve design or "OHV" design.
- Curiosità sui creditiSpecial thanks to the director's exploited friends.
- Colonne sonore(Last Night) I Didn't Get to Sleep at All
Written by Tony Macaulay
Performed by The The 5th Dimension (as 5th Dimension)
Courtesy of Polygram Music Publishing Ltd.
Reproduced courtesy of Arista Records Inc. and BMG Music Canada Inc.
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 591.165 USD
- Lordo in tutto il mondo
- 591.165 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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