Entropy - Disordine d'amore

Seldom is there a movie produced which can incorporate the personal, immediate feeling of a play with the abstract and subtle strokes of cinematic genius; yet here it is.

The script alone is genius, and with a few minor snips here and there, it could have easily been a theatre piece. But the way that the cinematics (camera angles, rate of motion, "intoxication effect", etc) were able to bond with the work is what really elevated the film. I've never had a movie imbue me with a sense of serenity with nothing more than an accelerated frame rate and a minimal sound use, but here it is.

The problem with the whole of the piece is that it's driven towards the writer, not the audience; being a reflective piece, that is understandable. And even admirable, because there's not a doubt in my mind that when this movie was produced, Janou knew it wasn't going to endow him with financial success, only artistic. A blockbuster this is not, but a brilliant work of art it is, proving once again that with just a twist of lemony liberty, life is the best form of art.

Steven Dorff has also reached a pinnacle in my mind with this film, and again, on an artistic level--not financial. The brooding character struggling with his adolescence, once played by the typecast Christian Slater and now by Dorff, has matured. Dorff was able to take the character into an autumnal growth, transplanting the brilliance and detatchment into the shoes of an adult who sees the world for what it is, yet at the same time is able to maintain his edge.

I could go on about the supporting cast, but really, this movie is about the main character, and how he deals with near-success, utter failure, and realistic romance. Definitely not one to miss.

I don't understand how people can say that this film wasn't good or lacked depth. The main character wrestles with career challenges, prioritizing work and friendship/love, abortion, etc.

And that's not deep how . . . ?

Secondly the directing was brilliant. The editing was more than interesting, very fluid. Great music and movement from scene to scene was always eye catching. I thought the narrator approach was original. Yeah it's been done before. But this was very tasteful and established a relationship between the audience and Jake.

Steven Dorff and and the beautiful Judith Godreche did an excellent and believable job as characters that I think anyone who's ever been in love could identify with. Or at least been in love and lost that love for whatever reason. The last line of the movie says it all.

So to Phil Joanou for this extremely under rated movie . . . Great job! The movie hit close to home and could not have come at a more appropriate time in my life.

Okay, maybe I just have a sentimental attachment to this movie. It's not the best film ever made, but it's worth the time to watch it. This is a rather quirky movie, and it is quite slow in parts; but Steven Dorff is great as Jake, a film maker who is struggling with his career and his love life. His love interest, Stella, is charming. If for no other reason, watch this movie for the last line. It won't change your life, but if you've ever let THE ONE get away, you will appreciate this parting wisdom.

This was one of those movies that I caught by accident while flipping through the channels on a lazy Saturday afternoon, and I must say that it was a plesant surprise. Being a single college guy (for now, anyway), I can appreciate both the situations and the humor in this movie. The attractive characteristic of this film is that it does well portraying the lifestyle that any male 25-35 would like to have: Hottie for a girlfriend, making movies, and traveling with the greatest band ever. (Sweet loft apartment, by the way) Dorf does a good job playing an everyday character in a not-so-everyday career with a gorgeous girlfriend. (where did she come from? woo hoo!) Though a little quirky at times, this was a fun and entertaining movie made in that High Fidelity-like male perspective on relationships, full of narratives and quoteable lines

"Relationships like Russian Roulette, or the lottery, depending on how you look at it. Either way, you can't win. "

It captures that swept off your feet feeling that we can all identify with and what it's like to juggle attention between love and life and work and how unbelievably powerful the attraction to a person can be. Good directing, decent editing, better plot, laughed my butt off (get rid of the stupid cat scene). Great film!

Lots of nice minimal jokes. Surreal amusing look at a young Hollywood director's search for the perfect partner. His life falls apart, in an affable way - he's likable. My scratched rental DVD jammed appropriately enough about half way, where there's a turning point. The picture blocked and jittered (almost a technique used in the movie) and ten minutes later the fun began, for me, with the introduction of the gorgeous Kelly Macdonald. If you've ever felt your work or love life's collapsing, and seen the irony of it, you might enjoy this film. It's a sweet story, nothing gruesome or sleazy. Music's minimal and appropriate. No sentimentality - not a trace. Just a nice bloke trying to find love.