Defying Gravity

For the writer/director's first effort at creating a work of fiction, "Defying Gravity" is quite good. While one might quibble about too many plot coincidences, shots of actors held a little too long, or music that attempts to cover up some weaknesses, the film does tell an interesting story and uses good actors to do it. This is better than average film making. Gay coming out films are difficult to bring off for either a gay or a straight audience. This one succeeds very well in holding the interest of both audiences. I look forward to seeing more work by this film maker.

Griff's a frat boy. So is Pete. Griff and Pete are lovers. Griff still wants to be seen as straight; so does Pete, though Pete is on the verge of coming out. Griff doesn't like being pressured. But when Pete is injured in a gay bashing, Griff is forced to decide on which side of the fence he must ultimately stand.

DEFYING GRAVITY is like one of those moralistic religious shows they used to show on Sunday mornings, mini-soap operas like "Insight" where average people found themselves facing difficult choices. Only in GRAVITY, religion is avoided and gay sex has been added. It is sincere. It is sweetly, naively philosophical in its morality. It is likable, but it is simplistic. It is about a man who wants to do the right thing, but has to muster up the moral courage to sacrifice his comfortable life in order to do it. DEFYING GRAVITY is vanilla, both sexually and dramatically. As Griff and Pete, Daniel Chilson and Don Handfield are boy-next-door handsome and kid brother cute. Their sex is PG rated. They are given a mutual best friend (Niklaus Lange) who is unmistakably straight to let us know that it is all right to be gay friendly. Griff's coming to terms with his sexuality is aided by a lesbian acquaintance (Linna Carter) who is black, to better identify being gay with being marginalized. It is all a bit too predictable.

Yet, the film is sincere and it is well acted, especially by Chilson who underplays his part with the right amount of repressed, middle-class indecisiveness. And the film's most honest revelation is noting that most great changes in life come after slow deliberation and soul searching.

DEFYING GRAVITY is feather weight, though it hardly defies gravity. But as it comfortably sets there taking up space, it is pleasant and inoffensive and delivers it message with utmost politeness. That may make it seem inconsequential, but since most gay films wallow in angry ranting or outrageous camp, GRAVITY's low-key thoughtfulness makes it a little bit different and a little bit special.

Being a person that does not use the term 'WHATEVER' repeatedly, I can offer that I found the movie enjoyable. I do not find it far fetched that parents and friends can accept gay family and friends in their lives, while most frats are not so accepting, even in California.

I think the subject of being gay, and in a frat, is an important issue. Guys at that age are still trying to grow into their sexuality, and may gays males at that point have not learn to accept their own sexually. Believe me, I know. As a matter of fact this is an important issue, because it not uncommon for those not accepting of their sexually, to take out their discomfort on others (i.e., gay bashing).

The movie has some touching moments, attractive actors, and I thought it was worth the 90 minute investment of my time. During the move not once did I have an urge to throw the remote, but then again, I have never been accused of being a drama queen.

There's a gem of a script here. Clearly the filmmaker is working on a ultra low budget. Many of the supporting cast deliver their lines as if they are in a high school play -- they are painfully wooden. However the idea behind the film is an important one and the film will touch you on multiple levels. I somehow wish this script could get fine tuned and remade as a major production. I feel the film as a lot to say about the pressures of college life -- especially that of living in a frat house on a big ten campus and having to lead a double life.

Some of the material for the story appears to have been inspired by the Matthew Shepard story and the film feels extremely relevant.

In spite of the low budget nature of the film, see this picture!

I went with low expectations, and came out really having enjoyed this movie. Griff and Pete, members of a fraternity at USC, are having an affair. Griff is closeted, and still lives at the frathouse. Pete has left the frathouse, and is on the verge of coming out. He want more from Griff than just sex. Griff is unwilling to have a real relationship (complete with dating, dining, acknowledging a partner), but does not give up on pursuing Pete. Pete even gets Griff to meet him at a gay coffeehouse. Then comes the gaybashing incident that changes everything.

The guys in this movie are handsome and believable. The frathouse scenes seem real--they let you understand the camaraderie that make people want to be part of frats, but at the same time deprive them of the room to be themselves. The gaybashing is an overused plot device, but it works to make this into a poignant movie about the dilemmas faced by gays who want to fit in, don't want to risk being open, yet need affection along with sex from another man.