Balla la mia canzone

I commonly feel that too much attention is paid to the semantics of what I consider to be "convenient designations" for complex conceptions (i.e. handicapped, disabled) but after reading various journal articles regarding the power of metaphorical language, I have come to pay much closer attention to the use of language. In the summary, the reviewer refers to Julia as being trapped inside of a twisted body. This opening statement struck me nearly as much as the opening scene of the movie. For someone to label a body as 'twisted' not only idealizes a certain conception of the physical body, but also disempowers any person with any type of physical disability or difference from the 'normal.' This metaphor devalues and insults human beings and at the same time sets up inescapable prison bars on the other side of which lie acceptance. This language is in fact powerful, and some metaphors are more than simply, "convenient designations."

What an excellent film. I had the opportunity to see it at Roger Ebert's overlooked film festival in Champaign, Illinois on April 22, 1999. It at this time does not have a distributor in the United States. This is unfortunate because the film is so much better than much of the crap we make here in the US. Heather Rose's performance is heartwarming and I fortunately was able to see her as a guest on the panel after the film was shown. She helped write and direct this movie and is only able to speak through a computer voice machine. The film is about the character she plays and how she is dependent on someone to care for her constantly because she is unable to do anything for herself. She unfortunately is abused by her caretaker. This is something that happens in the US (the film takes place in Australia) too often and this is a reason why this film should be shown in as many theatres as possible to raise awareness of this problem. I'm fortunate to have seen it and not wanting to give much of it away I will only say that I think it is something many people would get a lot out of.

Rolf de Heer is a brave director, as those who've seen Bad Boy Bubby and The Quiet Room will know. In this film he braves the sensitive subject of cerebral palsy. Julia, a severe sufferer, is bound to her wheeelchair and can only communicate via her voice machine. Her heartless carer Madeline, is downright cruel to her. When the kind and loving Eddie enters Julia's life a strange menage a trois begins, but not quite as you would imagine. The film avoids mawkish sentimentality, and is a tribute to the triumph of the human spirit. Julia's strengths and weaknesses are all on display, as well as her sharp wit. Heather Rose who plays Julia also wrote the screenplay and gives us a unique insight into her world. This new Australian film is a must for anyone who wants to be confronted and amazed by a subject not often tackled on screen.

Although quite difficult to watch because of some of the violence, it is a very realistic portrait of a young handicapped girl and her care-giver. Having taught children and adolescents with these kinds of handicaps, I and my wife were completely enthralled and could not leave our TV screen. Yes we winced at some of the violence and hoped for a good ending, but this is a must movie. Ironically, this kind or movie does not show up on English TV but was shown on Canada's French language "life" network! What a pleasure! An excellent picture. Oh, I forgot... the movie, even though shown on a French language network, was not dubbed, so if you wish to view this excellent picture, please watch "Aime-moi telle que je suis". An experience you won't forget!

It appears that previous reviewers have failed to pick up upon a central theme of this unique film. Why didn't Julia just get rid of Madeline, they say? ... cardboard characters and doesn't make any sense, they say ... must be because good housekeepers are hard to come by, they say.

Of course this is a crude simplification, and what they have missed is that Julia, despite her crippling physical disability, was able to empathise with Madeline's hopelessness and despair and through a sense of unreciprocated friendship and sense of duty, refused to cut the relationship short. This is evidenced in two key scenes: Firstly, in the initial abandonment scene, there is a lingering shot of the emergency button as Julia contemplates pressing it. Later, as a post date rape follow-up, Madeline cuddles Julia and looks to her for support in bed, where a careful eye should read the compassion in Julia's face. To me this exemplifies the most compelling aspect of the film, namely, Madeline, despite her good looks and seductive sexuality, was the emotional cripple juxtaposed with the warmth and love of life displayed by Julia.

This film has given me a new perspective ...