Big Daddy - Un papà speciale

Casting five year old twin boys as Adam Sandler's costars in this 1999 Columbia Pictures release was a very good idea. After all, Sandler's usual man-child character had to have somebody that he could relate to. Sandler portrays Sonny Koufax, a man who just might be the pure epitome of somebody who's not responsible. However, if that theory wasn't tested then there would be no film. In an effort to possibly win back his girlfriend (Kristy Swanson) who has left him because of his being irresponsible and has since taken up with another man, he offers to be a guardian for his traveling roommate's (Jon Stewart) son, Julian (portrayed by twins Cole and Dylan Sprouse). Agreeing to assume full responsibility for a child makes Sonny think that Swanson just might change her mind about leaving him. It doesn't happen and now child services won't let him return Julian. Sonny learns to grin and bear the situation by attempting to bond with Julian and in so doing, he gradually begins to feel more like an actual responsible father figure. Of course things get complicated when Stewart eventually returns home and a custody battle begins (Julian has grown attached to Sonny by this time). Even this dramatic seeming scene evolves into more adolescent comedy. Sandler's fans should enjoy this film but since I was never especially a fan of Sandler, I consider it to be just another crumbled up piece of paper in the sorry recent film comedy wastebasket.

Big Daddy- Sonny Koufax (Adam Sandler) is the irresponsible guy - he has no manners, and no clue. Although Sonny has somehow managed to get a girlfriend, she is tired of his aimless ways, and gives him an ultimatum - do something with your life or I leave. Fate steps in with a ready-made 'solution': Sonny will raise the little boy who was dropped off at the apartment with a note proclaiming his roommate (Jon Stewart) the father, his girlfriend will realize his newfound responsibility, and all will be well. Plausibility this movie doesn't have. But we are talking about Adam Sandler, the man who has given us such brainteasers as Happy Gilmore, and Billy Madison. Sandler's frat-boy humor - childish and, scatological - has however, drawn a huge following as evidenced by The Waterboy's huge box office, (a movie that I myself enjoyed and will surely be pilloried for). I expected one thing from this movie - a good laugh. And it delivered. The obligatory tearjerker scenes were painful, but thankfully few and far between. If you are in the mood for some humor-light on cheap Tuesday, give this movie a chance.

While all of the somphoric pre-teens will be giggling silly at the childish potty jokes shown in AUSTIN POWERS 2, the real adults will be laughing their heads off in a much funnier film called BIG DADDY. This is Sandler's sixth starring role feature, and it seems that the sixth time is a splending charm. This is Sandler's best work yet! Now in case you are wondering, I enjoyed both HAPPY GILMORE, and THE WEDDING SINGER. But there's something charming and wonderful on why I enjoyed BIG DADDY more. Perhaps it's seeing a over-grown kid taking care of a little boy. Or it's Sandler mixing his in your face attitude that he gave in HAPPY GILMORE with his soft-spot attiude from THE WEDDING SINGER. Whatever it is, it works, and it works very well! The simple plot of BIG DADDY is a 5 year old child is left on the doorstep of Sandler's apartment. It turns out to be the child of his roommate (Jon Stewart), who's on his way to China for a legal case. So what is Sandler to do, but to give him to the child protective service. But it's a holiday, and they are closed, so Sandler keeps him for a day, then another day, and... well you get the picture. But the plot doesn't matter much with this film, it's the laughs, and you do get plenty of those. But you also get a wonderful supporting cast. There's a good support from Jon Stewart, the always wonderful and beautiful Joey Lauren Adams, Leslie Mann, and Kristy Swanson (the original Buffy the Vampire Slayer). And what's a Sandler movie like if you don't have his usual character actor friends in small comic roles; Rob Schrieder, Steve Buscemi, Josh Mostel, Allen Covert (the caddy from HAPPY GILMORE who was also the limo driver friend in THE WEDDING SINGER), and Jonathan Loughran (the lazy-eyed football player in THE WATERBOY). There's even a funny cameo role by director Dennis Dugan, as the man who refuses to answer the door on Halloween, while Sandler is taking his adopted son trick or treating. This film was a lot more funnier that THE WATERBOY, it was also funnier than THE WEDDING SINGER and HAPPY GILMORE. It was believe it or not, more touching. You can understand why Sandler doesn't want to let this boy go, since he reminds him so much of himself. And Sandler sees that being a father figure isn't only fun, but it redeems himself from the lost of his girlfriend. I have to give both Sandler and director Dennis Dugan (the same director of HAPPY GILMORE) a round of applause. They teamed up for a comedy that is not only successful, but will make A LOT of money. Sandler and Dugan are the best comedian/director team since the late John Belushi and John Landis. I'm just hoping that they will continue to do films together in the futrue. Until then, take your date, your friends, or heck just go alone and enjoy one of the funniest comedies (next to ANALYZE THIS, ELECTION, and RUSHMORE) of this year. This is a wonderful treat! ****1/2 (out of five)

Some movies are made for us to ponder questions of morality and ethics. Some are made for us to question reality. Some are made for us to find ourselves.

This movie is not one of them.

This movie was made for one reason and that is to make us laugh. And it does that very well.

Sandler plays an incredibly irresponsible derelict that has no real job or ambition in life. He gets a kid left on is doorstep and he is forced to care for him. The story needn't be described any more than that, we all know what happens. But it is what this movie does to our senses that makes it worth while. In short, it makes us laugh hysterically. This film is a whirlwind of jokes and hilarity and when it stops to let you catch your breath it still entertains you. I admire films like this. They aren't meant to be Instinct or The Siege ( two films that I absolutely love ) but all it aspires to do is entertain you; take you away from life for 90 minutes. And let's face it. Sitting in a cool theater with a bag of M&M's, a cold Coke and a funny movie is a perfect way to spend a lazy summer afternoon.

This is a great movie and it will make you laugh. That's all it is, nothing more, nothing less. And we should be thankful for that.

Sonny Koufax (Adam Sandler) is an unemployed layabout who claims that he is unable to work due to an accident he had involving a cab from 2 years ago. Sonny is a self-absorbed individual who generally thinks of no-one but himself much to the annoyance of his girlfriend. However, when a 5 year old boy named Julian (Cole Sprouse) ends up on his doorstep, Sonny claims to have adopted Julian in order to try and win back his girlfriend and prove himself worthy of her affections. Whilst Julian is in Sonny's care, Sonny does some growing up himself in the midst of some rather questionable antics as a caretaker parent.

The marketing for this film was always questionable; the film poster shows Sandler and the boy standing in front of a door and urinating against it. In this respect it does itself no real favours as there may be many people that decide not to watch it because it looks like it's going to be crude and juvenile from the poster. In fairness this isn't completely inaccurate as there are some aspects of the film that are a bit juvenile and crude, but the actual bulk of the film is quite charming and sweet and fairly enjoyable and I'm just puzzled as to why a fairly sweet-natured film was marketed so poorly. Anyway I digress...

Sandler's comedy films have sometimes proved problematic because some of the characters he has portrayed have been unlikeable or unsympathetic. In Big Daddy though, as things progress it becomes fairly obvious that Sonny's actually an OK person that just needed a bit of a kick up the backside. Looking after Julian gave Sonny a purpose in life and as mentioned it gave him the kick up the backside that he'd needed for the last 2 years. The chemistry between Julian and Sonny was also really good and the two of them share both funny moments and tender moments - I thought that Sonny telling Julian that wearing sunglasses meant nobody could see him was a funny idea and quite sweet as well.

There are some weaknesses to this film; firstly a lot of the acting here is rather mediocre (although Steve Buscemi was good fun in the limited screen time that he was given). The film was also a little too light on laughs for my liking - although the warmth and charm of the picture compensate slightly for the slight lack of humour. The film also gets very soppy towards the end and I also found some of the character shifts to be a bit dubious. The script offers few surprises and is fairly predictable, but I always say it doesn't matter if you know outcome B at point A as long as you generally enjoy everything in between and that pretty much sums up my feelings about this film. It's hardly Oscar-worthy, but it has some funny moments, it has some charm, and it surprised me by being better than I expected it to be.