Un sottomarino tedesco viene imbarcato da sottomarini americani che cercano di catturare la loro macchina cifratrice Enigma.Un sottomarino tedesco viene imbarcato da sottomarini americani che cercano di catturare la loro macchina cifratrice Enigma.Un sottomarino tedesco viene imbarcato da sottomarini americani che cercano di catturare la loro macchina cifratrice Enigma.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 4 vittorie e 10 candidature totali
Terrence 'T.C.' Carson
- Eddie
- (as T.C. Carson)
Recensioni in evidenza
I sometimes am lucky in matching my film experience to the audience I share it with, and this was such a case. I live near Norfolk, the world's largest collection of Navy people, and the heaviest concentration of US WWII submariners.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
I saw this on opening day, the heavy show (7:30) with the audience packed with young and old Navy. And I have to say, the film didn't work. The models were good, the explosions and all the underwater work nicely done. The boat, at least the US boat, was accurate, and the local paper reports that folks here helped with the specifications.
But these actors didn't seem like sailors, never remotely, and the mismatch was pretty obvious in that audience. Maybe Keitel could pull off a chief with better direction, but not here. And McConaughey and Bon Jovi could never reach believability. Submariners are clubby, superstitious and smelly. Submarines, especially the old boats, are confining. Das Boot gave us a feel for the closeness and the terror, and the high mental level of underwater warfare. This movie misses. It takes more than shaking the camera.
I have some familiarity with the crypto world. That dimension is spooky and could have been woven into the story to better effect. Instead we have a simple grab for an object. You may want to see this for the underwater effects, but otherwise, it is a miss.
First, don't call me crazy for the 7/10 rating. I over-rated this movie a bit, I figure I enjoyed it enough from a screenplay and acting prospective to give it only 4. I kept waiting for Bon Jovi to break out in song! However, I like Matthew M. and Harvey K. a lot (Bill P. not so much) and I thought in my mind they propelled (mind the pun) movie a bit for me. Also, my opinions on a film are based on the complete experience - story. screenplay, acting, effects, sound, etc. I find the soundtrack was great and so were the sets, camera angles etc. This created an enjoyable experience in my opinion. It's funny to observe, but if you read ratings on this title from home theater buffs - everybody thinks this is a great movie. But critics such as those on this site hate it. I'd like to think I appreciate films from all sides, therefore my 7/10 score.
As far as thrillers go, U-571 is a well made film. Although it's historical inaccuracies are awful, it still serves as a great theater experience. It won a well deserved Oscar for it's sound, which, in the right theater, makes the film well worth the admission. Sound is the key essential to U-571.
The characters are simple, the plot is simple, and the film probably won't haunt you long after you've seen it, but that's OK. Just sit back and enjoy the claustrophobic sets, the deafening sound effects, and the non-stop action for what it's worth.
The characters are simple, the plot is simple, and the film probably won't haunt you long after you've seen it, but that's OK. Just sit back and enjoy the claustrophobic sets, the deafening sound effects, and the non-stop action for what it's worth.
I saw this film on BBC TV tonight. Let's start by saying as a historical document it sucks - everyone knows that it was a British crew that found the naval Enigma machine and code books, fact. However, the second world war did happen and submarines sank ships. The film was quite well made and fairly well acted but the story should be taken with the proverbial pinch of salt. Robin Hood, Men in Tights was more historically accurate. There have been many submarine films including the superb German made "Das Boot" and an old British black and white film made on a shoestring budget - "Morning Departure" - based on the true story the sinking of HMS Truculent and the attempts made to rescue her trapped crew.
As a retired USN Master Chief I found the action scenes to be interesting and entertaining but was not convinced that the actors made their audience believe that they were submariners, or even- sailors. I know that a sailor would never get away with direct disobedience of an Officer's order as Palladino did without severe consequences during WWII. The underwater scenes were weak and the models just passable. Must not have had a real submariner for Technical Adviser....be I did get the feeling that the leaky, squirting episodes represented the condition of an old boat. The German sailors, on the other hand, seemed more realistic. For that matter, I doubt that the US Sailors could have put up much of an offense.
Lo sapevi?
- QuizThe caption before the end credits, detailing the fact that the Royal Navy captured the first Enigma machine, was only added after an outcry in Britain, where it was believed that Hollywood was trying to claim the credit for the Americans (whose forces captured no German Naval Enigma material until 1944).
- BlooperAt the beginning of the movie when the U-571 is under depth charge attack from the British destroyer, the order is given to surface the sub due to damage. When they surface, the Captain reports "All clear!" and orders lookouts to the bridge. What happened to the British destroyer that was just attacking them? It should have still been nearby and would have seen them surface.
- Citazioni
Chief Klough: You're the skipper now. And the skipper always knows what to do whether he does or not.
- Versioni alternativeAt least one version of the theatrical release contained no subtitles for the opening scene aboard the German submarine. This was possibly to increase dramatic effect, placing emphasis on the acting and visuals rather than the dialogue.
- ConnessioniEdited into U-429 - Senza via di fuga (2004)
- Colonne sonoreLover, Come Back to Me
Written by Sigmund Romberg, Oscar Hammerstein II
(performed at the wedding reception while Dahlgreen is talking to Tyler)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- U-571: La batalla del Atlántico
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 62.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.122.415 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.553.310 USD
- 23 apr 2000
- Lordo in tutto il mondo
- 127.666.415 USD
- Tempo di esecuzione
- 1h 56min(116 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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