Sweet Home

First off, to anyone who sees the version I did. The film starts out with a commercial of the video game based on the movie. They show some scenes from the movie, and pretty good ones at that. So, if you start the flick and see a video game commercial I'd turn my head away just so you don't ruin anything for yourself.

Japanese Horror is something of a hit or miss with me. I'm not a fan of the jerky ghosts who walk like they have rheumatoid arthritis, or the pale-faced long hair girls. I'm not saying those movies can't deliver a chill or two, but overall it's a very played out scare-tactic and it's almost eye-rollingly cliché nowadays. Well, back in 89' there was a movie called Sweet Home, and this flick suffers from zero of these problems. It's unique in it's scares and chills, and that's what I really commend it for.

With a story revolving around a family/team heading to a abandoned mansion to investigate whether the house has a rare painting the story plays out like any haunted house flick. There may be something wrong, but no one really cares or believes. Well, after a little bit, they finally do begin to realize the mansion is cursed, but by the time they realize, the wheels of horror are in motion, and it's now a fight to stay alive.

Sweet Home, isn't a perfect flick, there are some drags in the film, and I personally think the movie could have been a lot scarier. They had perfect set-ups mixed with perfect camera-shots, but only used them for the creepy factor instead of the scare-factor. You're presented with a sense of dread, but rarely do they ever really try to scare you. Nevertheless, the film does offer chills and enough of them to satisfy the viewer.

But with a cool story, good acting, fantastic atmosphere/cinematography and great fx, the movie more than delivers enough for an entertaining and unique little haunted house flick. If you're into Japanese horror/haunted house flicks, give this flick a shot. It's worth it.

Not the best horror film. But not everything is bad, production design and shot composition are actually pretty good. And music was good at times and really bad at some others. It was a bit too long for what it was in the end but nonetheless interesting to watch.

This is a fun movie directed by Kiyoshi Kurosawa and produced by Juzo Itami, who also appears in his last acting role as an Early Times whiskey-swilling mysterious good 'ol boy alongside wife and frequent star Nobuko Miyamoto. In the doc Building the Inferno from Criterion's 'Jigoku' disc, Kiyoshi Kurosawa mentions that he tried to get Jigoku's production designer Haruyasu Kurosawa to work on Sweet Home.

It's a shame that didn't happen, however it still has fx by Dick Smith and Kazuhiro Tsuji. But don't let those names fool you, it is not an art-house film for the international market but an atmospheric pop flick. They manipulate shadows and use practical fx in a manner that suggests an appreciation for Bava, particularly in one sequence involving a medieval poleaxe and a wheelchair.

The movie was made concurrent to the Famicom game of the same name by Resident Evil/Biohazard game designer Shinji Mikami. This is a key film in the development of the survival horror genre, so why is it only available on unsubbed VHS or crappy DVD-Rs of the old VSoM tape? There were major cuts and reshoots by Itami following the release of Kurosawa's theatrical cut, shaping it into a more commercially viable film. So Toho has that cut locked away, and following Itami's suicide and Kurosawa's relative success as a very different sort of storyteller there is probably little economic motive to release either cut in a restored version.

It's a delightful bit of trivia to learn that 'Sweet home' had a companion release in 1989 in the form of a videogame by Capcom, effectively serving as the origin of the acclaimed 'Resident evil' series. The very premise alone suggests "survival horror," and as the film progresses, one most definitely can see how it became a source of inspiration. More importantly, though - putting aside that kernel of knowledge, from the very beginning this is fantastically captivating, and it only ever gets better.

I immediately love the great attention obviously given to set design and decoration, costume design and characters' appearances, and instant, gathering uneasy atmosphere. Outstanding use of lighting and shadow, effects, camerawork including unconventional angles and fetching shots, sound design, and set pieces cement that atmosphere even before events truly begin to pick up. The art direction and production design is phenomenal; filmmaker Kiyoshi Kurosawa has clearly assembled a highly experienced, expert crew, and all the effort readily pays off.

Well-rounded and diverse characters are portrayed a bit ham-handedly in early scenes of exposition, and that slant is echoed in all aspects including composer Masaya Matsuura's score. But initial playfulness shifts deftly as eerie incidents begin to manifest, and the music lends much to the disquieting ambience, building excitement, and acutely jarring moments. Likewise - it would require an overabundance of words to expound on all the ways in which the cast excels, but suffice to say that all involved dexterously keep in step with the shift in tone, and masterfully realize their roles with marvelous range, nuance, and physicality. Every meticulous detail and delicate touch in the film's craft is fully and ably employed in the execution of a feature at once greatly suspenseful, unsettling, and yet most definitely fun.

Some horror movies take so long to move towards disturbing and frightful imagery that the viewer feels a bit bereft. In that vein, 'Sweet home' takes its time to advance toward concrete dread and terror such that the narrative flow feels perfectly natural. To my pleasure, however, it's so intent on eliciting visceral reaction that the majority of the runtime fulfills our craving for the genre instead of just setting up the course of events. What we get is more fiercely realized exercise of all those elements that had already initially impressed. Visual and practical effects, makeup, lighting, and props are all employed with exquisite results, including considerable blood and gore. Truthfully, the concept and design of most instances of the horror-laden specifics remind of the work of John Carpenter (a tall comparison if ever there were one). Fear is subjective, but scenes are unquestionably chilling, jolting, wonderfully unnerving, and at times genuinely horrifying.

At that - while the film's focus is certainly on horror, Kurosawa's skill as a writer squarely matches his eye as a director. The screenplay is magnificent in every regard - strong characterizations, dialogue, scenes, and an absolutely solid overall narrative, with turns and surprises that feel as vividly alive as the Mamiya mansion and all within. At its absolute core 'Sweet home' may be a haunted house flick, but it's a grave mistake to dismiss it as just another slice of spooky goings-on in an old home - this is so, so much more than the root premise portends.

I excitedly sat to watch with marginally high expectations but no meaningful foreknowledge, and I've been totally blown away. This is utterly exceptional. I claim no perfect knowledge, but in my opinion this is one of the very best horror movies I've ever seen, and I'm flabbergasted that from where I stand it seems to be such a comparatively obscure title. In my mind it at least stands toe to toe with the very best horror that the storied US or British film industries have ever had to offer, and I firmly believe it far exceeds most genre pictures one could name.

I could continue but I'd start repeating myself and exhausting the thesaurus. Kiyoshi Kurosawa has made a riveting, nearly unrivaled treasure of horror. Anyone who enjoys this type of movie needs to watch it immediately. There's little more to be said; this gets my utmost, profound recommendation: 'Sweet home' is a masterpiece.

A television crew enter the sprawling Mamiya mansion to film the restoration of a fresco painted by the artist who lived there decades before.They discover not one but several frescoes including one that seems to depict the death of a young child in some kind of furnace.That night the temperamental presenter wanders out into the grounds of the house and digs up a coffin containing the charred remains of an infant.It soon becomes apparent that the child's mother,although dead herself has not left the house and is still angered by her loss."Sweet Home" is obviously inspired by Tobe Hooper's "Poltergeist" and Robert Wise's "The Haunting".The special effects made by Dick Smith are spectacular and there is a good amount of grue including dismemberments and melting faces.The action is fast-paced,the script is well-written and the characters are engaging.8 out of 10.A hidden gem.