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The film follows two orphans, a sister and her younger brother, separated when the youngest is stolen for his magical ability to feel gold, something which at the same time tortures the young boy. The sister runs, looks, even sees him at a distance, but her struggles only continues. Luckily she gets aide from a philosopher and healer, who in many ways serves as the film's main comic relief, but his journey is not a happy one either.

From the very beginning, as the camera closed in on the town, as the music played, as the colors exploded, I knew I would love this film. Almost every frame was perfect, and they drew up the magical world we are visiting in the most perfect way imaginable. This is a beautifully dark and twisted fairytale, in the way only Eastern Europeans can make them. It created it's own world with an amazing eye for details, and managed to be absurd and funny, at the same time as it told a very, very bleak story. It could be described as an odyssey, a tragic chase, a voyage into strange lands, and visions we will see.

And beyond it all, there is color. Nearly every image seems perfectly crafted. The full glory of soviet cinematography. It was so masterly directed and shot I bookmarked all films directed by Aleksandr Mitta, and even looked into other films by the cinematographer, Valeri Shuvalov. Two names I had never heard of before. This was a truly amazing discovery, and I can't wait to search out more.

A good movie but certainly not suitable for children. Some episodes can give nightmares even to a grown-up. More of that, though "The Story of the Voyages" is sort of a magic tale, it has some complicated psychological themes in it that only an adult can comprehend. It's a weird movie to say the least, filled with strange images that seem to have come from a hallucination of some kind. But it's still very, very good. The acting in this movie is superb. Andrey Mironov playing Orlando is one of the best Soviet actors, that's all one needs to say. And Tatiana Aksiyuta is very touching and believable as Martha, the girl in search for her little brother. The atmosphere is dark, haunting and heartbreaking, filled with hope that shines through despair.

I can think only of one movie that "The Story of the Voyages" resembles me: "The Labyrinth" with David Bowie. They are alike in some ways, I think. Probably because of the dark and bizarre atmosphere and psychological implication. But "The Story of the Voyages" is much, much more grim and dark. This movie is unique, so it's worth watching at least for that. Though you probably wouldn't want to re-watch it for a long time after.

This is the story of a girl, Martha, whose brother, Mai, possesses a unique gift, he can find buried treasures. But it makes him very ill, and Martha prefers to live in poverty rather than make her little brother suffer. However, not everybody is just as concerned about Mai's wellbeing, and one Christmas, Mai is kidnapped. Martha decides to search for her brother, and her story begins. On the way, she meets a genius inventor, Orlando, and they travel together meeting various people, and most of these encounters threaten disaster to Martha and Orlando.

This is, indeed, a dark fantasy. Yet it is extremely, breath-takingly poignant and poetic. It has a great score by Alfred Shnitke, and the music heightens the emotional impact of the film. I was a child when the film came out, and I was utterly captivated. Yes, it is scary, but the poignancy of the film far outweighed the scary bits for me. Even though it is essentially a fantasy film, the characters are more complex than in most "real life" dramas. They are sometimes likable, sometimes exasperating, and always human (that does not include the Plague who does make an unforgettable impression, not for the faint of heart for sure). An excellent film overall.

One reviewer said that you won't want to watch this film twice, because it is so dark. And she was right. Ironically, over the summers of '83-84, this movie was shown CONSTANTLY at my camp, which was located in New York for all Soviet kids. I guess because we had so few Soviet films in our library. And yes, the scene with the "chuma" -- plague -- I had to watch, through my fingers -- more than once. This movie was so horrifyingly scary for a child, so dark and unbelievable that I would have rather watched "Hellraiser" at that age. No joke. Yes, the special effects are silly, but they're beside the point. From the scene in which Marta's brother is kidnapped (absolutely chilling) to the journey through the dark plague-ridden land (really, beyond words) and many other scenes, the film never ever lets you off the hook. There are some light moments, but darkness is never far behind. The plot, however, makes sense, psychedelic as it is. It is like a fantasy realism. I haven't seen it in its entirety since I was a kid, and I wonder if I should just leave it that way...

This movie is supposed to be a fairytale. Is not. I saw it some years ago and I tell you: it's really dark, dark fantasy. The plague, personalized as a female beggar or beautiful lady brought me several nightmares. Well, this movie is really good! But don't allow your children watch it!