Die Siebtelbauern

This film is not about an idealized, bucolic, peaceful country life. Rather it portrays the harsh reality of the feudal system that continued n Europe until well into the 20'th century. Peasants were considered "uppity" if they dared to believe they could be the equal of Farmers, and women were so victimized that a woman reporting her violent rape could be sent to prison for having the audacity to accuse her employer of a crime. In fact, European peasants were in many ways as ill treated as the slaves of the Deep South. I enjoyed this film for its cultural realism and historical value, but the story is quite depressing. I rate it a 7.

As I watched "Die Siebentelbauern", I was reminded of the film, "Gosfard Park", with its theme of class struggles among the "helpers" or servants and the upper class at that time. In both films, the moral of not judging another person by their position within society, such as if they are a cook or maid, but viewing them for their true personality, is something which can and should be applied to today's world. In terms of a "real world" application, one could view the abuse of a employee by their bose similiar to the kind of abuse, which occured between some servants and masters. Class struggles exist today, just in a different light-the work world.

The Inheritors (Die Siebtelbauern), as I remember it, was amusing and also thought-provoking about general socio-economic changes of the past two centuries or so that today many people in Western countries probably take for granted. Perhaps in vague way, it reminds me of an allegory such as Orwell's Animal Farm in the sense of seeing political theory in an intimate, emotional story rather than in some abstract manifesto.

While the film might not be the most "profound" work of art ever made, it nevertheless deserves a viewing. I say it is quite entertaining and in short, thumbs up.

When a farmer is murdered he unexpectedly wills his farm and all his belongings to his 10 peasants, 7 of which decide, even more unexpectedly, to keep the farm and try to run it themselves despite the scorn and outrage of the "legitimate" farmers. Thus, they become the "one-seventh farmers" in this second feature length movie by prominent Austrian writer/director Stefan Ruzowitzky. A beautifully made movie about class struggles, injustice and vain arrogance (among other things), Die Siebtelbauern is also not a film that unravels the way you'd like it too (thus, it isn't really for everyone). This is quite a bleak film, but it is also extremely engaging as you truly feel for the characters, who were all wonderfully acted. Also serving the film perfectly is its beautiful music, consisting mainly of haunting piano pieces which set the tone very well. Most amusing of all is a well-made nod by Ruzowitzky to First Blood (aka the first Rambo movie) towards the end of the film, which you're likely to appreciate if you've seen said film. All in all, while it isn't essential viewing, this is a splendidly crafted little film, very engaging, beautiful, realistic and dark, and at least on par with Ruzowitzky latest, the Oscar-winning WW2 prison film Die Fälscher (The Counterfeiters).

An extended demonstration that proletarian struggle is as likely in the pastures as in the steelworks. We side with the peasants as they first feel their way into owning the means of production, then fight the hovering capitalist class as they snipe from the sidelines. A bucolic fantasy overtaken by a sobering chill and a sickening end.