VALUTAZIONE IMDb
5,3/10
2632
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaBette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.Bette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.Bette Midler and Nathan Lane star in this comedy about Jacqueline Susann, the ambitious woman of dubious talent who wrote Valley of the Dolls, a best-selling novel that became a sensation.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Christopher McDonald
- Brad Bradburn
- (as Christopher MacDonald)
Dina Spybey-Waters
- Bambi Madison
- (as Dina Spybey)
Dan Ziskie
- Guy's doctor
- (as Daniel Ziskie)
Recensioni in evidenza
In my opinion, this movie was just "ok". There was something about the acting that just wasn't right. I can't put my finger on it. Perhaps it was the roles that Midler and Lane played. They seemed very superficial. I wasn't convinced that they were the characters. I did like the actor from "Frasier". Although it was not a total "bomb", I would not watch this movie again.
This movie is supposedly about Jacqueline Susann (Bette Midler) and husband Irving Mansfield (Nathan Lane). It chronicles how they met, fell in love and how she got "Valley of the Dolls" published. But this movie is a mess...and completely inaccurate.
For starters, Midler doesn't even remotely look like Susann or act like her. I've read at least 3 books on Susann as well as various articles - she was an ambitious, intelligent, driven woman. As Midler portrays her she is stupid, obnoxious, VERY loud and foul-mouthed. I'm no prude but there's way too much swearing from her in this--I have my doubts that Susann ever talked like that. Also they take actual events from Susann's life and fictionalizes them. When she is told in the movie to edit her book she acts like an idiot and refuses to help. In real life, Susann agreed to help make the book better with no fuss. And, Susann had a "Wishing Hill" (as she called it) in Central Park. It was basically a huge pile of rocks where she sat to clear her mind and relax. Here it's turned into a giant tree (????) and we have sequences with Lane and Midler talking, yelling and swearing at it. It's a wonder that those two managed to pull it off without looking like idiots.
As you can see, this is a bad film--but just so much FUN to watch! The incredible costumes and set design are just great--colorful and very true to the period. Some of the lines are actually very funny. Nathan Lane is great as Mansfield and Stockard Channing (as her best friend) and David Hyde Pierce (as her publisher) are hysterical and offer strong support. And Christopher McDonald and John Larroquette throw in cameos. Also John Cleese is on hand but he's wasted. Then there's Midler....she's AWFUL! Loud, shrill and thoroughly unlikable. When she was dying at the end I could have cared less. If she had toned down her performance and not played every scene at full tilt this might have worked. But she doesn't. However, she is fun to watch--a textbook example of how NOT to play a role.
The studio (understandably) threw this film away. It came and went VERY quickly and was a commercial disaster. Still, I'm giving it a 7--it's so incredibly bad that it's fun to watch! A must-see on that level.
For starters, Midler doesn't even remotely look like Susann or act like her. I've read at least 3 books on Susann as well as various articles - she was an ambitious, intelligent, driven woman. As Midler portrays her she is stupid, obnoxious, VERY loud and foul-mouthed. I'm no prude but there's way too much swearing from her in this--I have my doubts that Susann ever talked like that. Also they take actual events from Susann's life and fictionalizes them. When she is told in the movie to edit her book she acts like an idiot and refuses to help. In real life, Susann agreed to help make the book better with no fuss. And, Susann had a "Wishing Hill" (as she called it) in Central Park. It was basically a huge pile of rocks where she sat to clear her mind and relax. Here it's turned into a giant tree (????) and we have sequences with Lane and Midler talking, yelling and swearing at it. It's a wonder that those two managed to pull it off without looking like idiots.
As you can see, this is a bad film--but just so much FUN to watch! The incredible costumes and set design are just great--colorful and very true to the period. Some of the lines are actually very funny. Nathan Lane is great as Mansfield and Stockard Channing (as her best friend) and David Hyde Pierce (as her publisher) are hysterical and offer strong support. And Christopher McDonald and John Larroquette throw in cameos. Also John Cleese is on hand but he's wasted. Then there's Midler....she's AWFUL! Loud, shrill and thoroughly unlikable. When she was dying at the end I could have cared less. If she had toned down her performance and not played every scene at full tilt this might have worked. But she doesn't. However, she is fun to watch--a textbook example of how NOT to play a role.
The studio (understandably) threw this film away. It came and went VERY quickly and was a commercial disaster. Still, I'm giving it a 7--it's so incredibly bad that it's fun to watch! A must-see on that level.
ISN'T SHE GREAT (2000) ** Bette Midler, Nathan Lane, Stockard Channing, David Hyde Pierce, John Cleese, Amanda Peet. Before there was Jackie Collins and Amazon.com there was Jacqueline Susann. That is prior to the subgenre of 'trashy romance' novels found in your neighborhood pharmacy and the glut that is now the conglomerate superbookstore i.e. marketing and focus groups for the masses! there was Jacqueline Susann, whose bawdy, vulgar and tasteless novels were ultimately candy for the average American reader who gobbled her tomes faster than she could churn them out. In Andrew Bergman's look at the queen of the acquired taste, who else could portray a larger than life figurehead than the estimable Divine Miss M herself, Bette Midler.
Midler gives it her all with her trademark ball-breaking brio as the celebrity craven author whose indefatigable image fashioning was only matched by par by her long-suffering but ever devoted husband and business partner Irving Mansfield (touché Lane, making their onscreen presence a once in a lifetime pairing to appreciative audiences), who used all his show biz savvy no matter how gauche or seemingly stooping manners of barnstorming the country to every podunk backwater stationery store or spreading the word to a busload of school children to make Susann a giantess among the mortals in the writing field.
Based on a reminiscence by New Yorker's Michael Korda, the fact that the real Susann was no sweetheart and a real tough cookie with a few sad hurdles her ongoing bout with cancer and the institutionalization of her only child who suffered from autism are casually sugar-coated by Bergman (whose impeccable credits include a plethora of the comic pantheon including 'The In-Laws', 'The Freshman' and 'Blazing Saddles') and the sharply sticky screenplay by scathing scribe Paul Rudnick ('In & Out') wisely overlook her obvious flaws and instead center on the unlikely union of two borderline caricatures of the entertainment field, and their questionable romance. But Midler and Lane surpass the film's shortcomings with their theatrical overplaying, which is arguably suitable, as well as the always welcome Channing, one of our most underrated comic actresses, whose succor in her line readings are a stitch (when Susann belabors she doesn't know how to write a book, Channing says with aplomb, 'Talent isn't everything.'); she's like the salt in a margarita.
Also lending able support is Hyde Pierce in another variation of his tv persona from 'Frasier' as Susann's stuffed shirt editor and Cleese as the Nehru jacketed publisher, both in their element here.
The one thing that seems to be missing is it seems outdated and quite a lot to compress in a film that has the dubious distinction of telling the story of a woman who wasn't very nice nor well respected, but then again that hasn't been the case of celebrity history in this country, so I'm not even going to argue that!
Midler gives it her all with her trademark ball-breaking brio as the celebrity craven author whose indefatigable image fashioning was only matched by par by her long-suffering but ever devoted husband and business partner Irving Mansfield (touché Lane, making their onscreen presence a once in a lifetime pairing to appreciative audiences), who used all his show biz savvy no matter how gauche or seemingly stooping manners of barnstorming the country to every podunk backwater stationery store or spreading the word to a busload of school children to make Susann a giantess among the mortals in the writing field.
Based on a reminiscence by New Yorker's Michael Korda, the fact that the real Susann was no sweetheart and a real tough cookie with a few sad hurdles her ongoing bout with cancer and the institutionalization of her only child who suffered from autism are casually sugar-coated by Bergman (whose impeccable credits include a plethora of the comic pantheon including 'The In-Laws', 'The Freshman' and 'Blazing Saddles') and the sharply sticky screenplay by scathing scribe Paul Rudnick ('In & Out') wisely overlook her obvious flaws and instead center on the unlikely union of two borderline caricatures of the entertainment field, and their questionable romance. But Midler and Lane surpass the film's shortcomings with their theatrical overplaying, which is arguably suitable, as well as the always welcome Channing, one of our most underrated comic actresses, whose succor in her line readings are a stitch (when Susann belabors she doesn't know how to write a book, Channing says with aplomb, 'Talent isn't everything.'); she's like the salt in a margarita.
Also lending able support is Hyde Pierce in another variation of his tv persona from 'Frasier' as Susann's stuffed shirt editor and Cleese as the Nehru jacketed publisher, both in their element here.
The one thing that seems to be missing is it seems outdated and quite a lot to compress in a film that has the dubious distinction of telling the story of a woman who wasn't very nice nor well respected, but then again that hasn't been the case of celebrity history in this country, so I'm not even going to argue that!
There is a disclaimer near the end of the credits on this film that explain that the facts and characters present in this version of Jacquline Susann's life have been altered somewhat. That said, forget about the inaccuracies and have a good time with the campy dialog and beautiful 60s trappings that this film is wrapped in. No, this isn't the definitive biography of the authoress, but it does entertain. When Bette Midler is on the screen it is pretty hard to look away, and she is the whole show in this. She looks like Bette Midler going trick-or-treating as Jackie here, but never you mind. Bette always entertains. I defy you to have a dry eye after seeing the tearful finale. It seems that the makers were consciously trying to make this film look and sound like Valley Of The Dolls, right down to the candy-colors and Dionne Warwick singing the title tune! This film will getcha if you let it!
10SandyLiz
I wasn't a fan of Jackie Susann's books and didn't care for the movies based on them. But I LOVED this movie. It was done in a comedy format rather than totally serious, but it was wonderful. I loved her going to the park and facing up into the sky/tree to talk to God. And the bubbly Miss M brought a lot of excitement and energy to the role. As a wanna be writer, myself, I was impressed with Miss Susann's life story especially starting her writing career later in life and making herself into a best-seller and celebrity (with her husband's and publishers' help.) I am glad that she was able to get her books published and have the fame she craved. Everyone should be able to do that in whatever field they prefer. It is a very good book for writers to watch for education on marketing and publicity for your own books. Watch it. It would be a good movie even if it were based loosely on a real person and life.
Lo sapevi?
- QuizAs depicted in the movie, Truman Capote, when appearing as a guest on The Tonight Show Starring Johnny Carson (1962) in July 1969, announced that Jacqueline Susann looked "like a truck driver in drag". Capote later recanted his insult about Susann, apologizing to any truckers who may have been offended.
- BlooperTruman Capote's quote, "That's not writing, that's typing," was in reference to Jack Kerouac, not Jacqueline Susann.
- Citazioni
Florence Maybelle: [about a necklace] If a man ever bought that for me, not only would I have sex with him, but I would *enjoy* it!
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Worst Films of 2000 (2001)
- Colonne sonoreI'm On My Way
Written by Burt Bacharach and Hal David
Performed by Dionne Warwick
Courtesy of Platiunum Entertainment
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- Budget
- 44.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.962.465 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.368.705 USD
- 30 gen 2000
- Lordo in tutto il mondo
- 3.003.296 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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