L'isola in capo al mondo

This low budget sex-exploitation film was unusual in many different ways. For starters the budget couldn't get any lower with just four actors running around a desert island. On the other hand these four actors are not the usual no-name individuals common in so many of these sex campers. Here you are dealing with three ladies which had already established themselves as serious actors in European and Hollywood films (Rosana Podesta, Dawn Addams, Magali Noel) and a young stud who had appeared in several respectable classics and would later become an accomplished director...Christian Marquand.

I saw this film when I was a totally innocent 13 year-old and it made quite a dent on me. I have not seen it again but it remains forever in my mind. It woke me up to sex and its power on human beings. It also taught me that things about sex are not always black and white. Gray prevails. Of course, of the quartet, only Magali Noel plays the sex-crazed lunatic and this was an inspired casting. Noel in any film role always has that decadent insane look on her beautiful eyes and that is probably why she showed up in so many Fellini movies later on. In any event, those three ladies are a sight with those scanty beach outfits and there's a definite amount of suspense in their relationships with the only man in town.

It'd be nice if this film ever makes it to home video. I, for one, would like to see how the movie holds up in time and if it was really the source of so many fantasies one experienced in those early days.

Probably one of the lowest budgets ever seen till Reservoir Dogs, since only five people appear, with one location--the island--and two props--a life boat and an M1 carbine.

A sort of "onanist" fantasy essentially, where one virile man is marooned with three desirable women. However, one of the three is not all that pleased about having to share him with the other two.

The jealous one, Magali Noel, is the principal in an underwater nude scene incomprehensible in a movie from 1959 Bear in mind too: I was watching it on free-to-air TV in the mid sixties, albeit late at night. Evidently the censor had gone to bed early.

Anyone who knows where to come by a copy is invited to tell me.

As to similar viewing I can only think of the work of Henry Clouzot "The Wages of Fear", "Les Heroes sont Fatigue" (a.k.a. "The Heroes and the Sinners"), with Yves Montand as the sweating, stranded French expatriate loser...and other 50's French movies glimpsed similarly on late night television but not long enough to cite. Whether there was ever a name given to the genre I would be curious to hear.

As with many persons who saw this movie in the late 1950s or early 60s, it was an unforgettable experience for me during my adolescence. I just remember it was erotically intense, not graphic, with three very beautiful female stars of those years and the 50s version of a hunk, all alone in an island. There is a funny visual reference to it in T.G. Alea's "Memorias del subdesarrollo", when a film director (Alea playing himself) shows to the protagonist several scenes and shots that had been cut by Cuban censorship, and that he was planning to add to one of his own films. One of these clips belongs to this motion picture, when Christian Marquand is kissing one of the women and adjusts his body on top of hers, between her legs. It is funny to see it has three costume designers, when they were hardly dressed; three producers and so many composers! I would love to see it again. And it also had a sexier title in Spanish, "The Island of Desire".

I have been trying to track this movie down for decades. Again, like our other friend in Australia, I saw it in Sydney (late-night) on free-to-air as part of an "adult" movie festival on Channel 10 it was, and I still remember it's haunting musical theme and have been trying to trace that too. I know it's not a great film but to me there is just something about it, maybe due to the music so if anyone can throw any light on the subject, I would appreciate it.I'm off to Amazon France to see what I can find. Something tells me that after looking at the movie's credits here, I think that maybe another composer did the English version, it HAS been known to happen before.

Why Podesta, Addams, Noel and Marquand got involved in this absurd film is beyond me. Some reviewers may have erotic memories of it, but I saw it for the first time by buying recently a French and Italian DVD from Italy. Eroticism was difficult to find, except for one underwater shot of a female body, and for those who like hirsute hunks Marquand walks around in his skimpy underwear for most of the film. It all looked dreadfully coy. I was intrigued by the talent involved, but Greville in my opinion is a poor director ( he made the trashy ' Beat Girl ' after it ) and the actors did not survive his direction. Short resume of equally skimpy plot; man is rescued from drowning by three nurses during I think the Korean war, although it could have been any old war as it is not touched on much. Arriving on the inevitable remote desert island it is up to the four of them to get along to survive. Three women and a man, and a supposedly heady feeling of lust is meant to pervade the scenario, as both Addams and Noel succumb to Marquand's underwear charm. Podesta with great fortitude resists, and anyway she proves to be marginal to the core of the plot. Magali Noel has killing on her mind, and because of ' mental ' problems is a danger to them all. End of spoilers. The portrayal of mental illness was crassly portrayed, the problems of mental illness an anathema to the director and everyone else involved. As the film crawled to its ( to me ) predictable ending the more I thought about what I was watching both offended and disturbed me. Anyone with concerns about the complexities of mental illness should give this trash the dustbin it deserves. Dawn Addams gives the most sensitive performance and for her I give it three stars. Noel gives in to melodrama, and Marquand relies on his ( seductive to some ) body. As for Podesta she was there for her beauty, and not the fine actor she proved to be in ' La Red, ' a much better film that should be more available than it is.