Aggiungi una trama nella tua linguaA teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80's prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid b... Leggi tuttoA teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80's prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid brother. Looking forward to a life based on her passion for art, she nevertheless gets in w... Leggi tuttoA teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80's prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid brother. Looking forward to a life based on her passion for art, she nevertheless gets in with the partying crowd which causes her to miss deadlines and poor grades which jeapordize... Leggi tutto
- Regia
- Sceneggiatura
- Star
- John Woods
- (as John G. Connolly)
Recensioni in evidenza
The peer pressure to do drugs, smoke, and have crazy meaningless/meaningful sex, all induced by the young idiots around her, happens to most American kids. Anna's dreams of art school are nearly crushed by the combination of her friends, her lonely, pathetic mother, and the usual teenage self-deprecation. It's not hard at all to relate to this character.
It seems that this movie was too subtle for some viewers. Perhaps some people don't want to know the female side of stories we've seen the male counterparts of (quite redundantly) through the years. I welcomed the fresh point-of-view the film possesses. My only true beef would be that it may have been a little too long, but then again, wasn't this writer/director Susan Skoog's first film?
A good film with fine direction of realistic performances (with the exception of the "nerdy" teacher - ugh) and a nice accompanying soundtrack. Overall, I liked it quite a bit.
I was rather taken aback by the honesty of this tale. To quibble about the automobiles or the Hardee's cups shows such a lack of perception as to what was attempted here, that it truly boggles the mind.
The dissenting voices here clearly prefer the artificial, rose-colored-glasses view of high school as offered by "Sixteen Candles" or other films of John Hughes. But, for most, and maybe this realization only becomes apparent once one has some significant distance from one's high school experience, for most the high school experience is NOT a star-spangled memory a la "Ridgemont High", "Dazed and Confused", or even "American Graffiti".
These formulative years, more often than not, are times of discovery, of embarrassment, of confusion. and of long stretches of boring and mundane matters.
Writer/director Skoog captured, with no illusion whatsoever, the awkwardness of this period, with the realism and honesty worthy of of a Ken Loach or Mike Leigh. For most people, life is NOT "Ten Things I Hate About You", it is about self-discovery and awareness, and sorting out one's rightful place in the human equation. Skoog's two main characters superbly realized this human comedy.
Anna is a beautiful, talented young girl who has not come to grips with either her talent nor her beauty. She is so easily buffeted by the forces surrounding her, be it her bad-girl best friend or the men who are more than willing to introduce her to the awkwardness of sexual initiation, that it is often heartbreaking to watch.
The fact of the matter is that bad things happen to good people, and in watching Anna attempt to navigate her way through her voyage of discovery, the film subtly explores its themes with rare honesty.
The treatment of sexuality is amongst the film's strongpoints. The peer pressure to conform and the curiosity of the unknown is explored with sensitivity. The bare boobs approach of most teen films is abandoned here for a heartfelt examination of the myriad of forces that are involved in human sexuality...the various dynamics, be they sexual or power, that make the experience a lot more than just a procreative act.
These aren't "characters", these are living, breathing people with inexplicable, self-destructive urges as well as a completely realistic complacency that often allows them to be drawn into situations that are not in their best interests.
This is one of the finest coming-of-age films I have ever seen. If you are a mature, perceptive cinema lover without need for an artificial, romanticized approach to the teen experience, do yourself a favor and check out, "Whatever".
Synopsis: The story takes place in a working class new jersey suburb set in 1981 and centers on a young woman, Anna Stockard played by newcomer Liza Weil. Anna, in her senior year of high school, comes from a broken family, hangs out with the party crowd and is uncertain of her future. Although seemingly intelligent and artistic, she lacks focus. It's unclear if Anna will end up like her hard drinking and drugging friends or fulfill her ambition to go to art school in New York City.
The film was written and directed by New Jersey native Susan Skoog and unlike other films about the 80's (e.g., Boogie Nights), "Whatever" provides a very realistic view of this era. The clothing, hair styles, slang, and music all represent the suburban early 80's not the Hollywood version.
Although many of the characters are unappealing, the film still manages to capture you. I was both riveted and disturbed by it. Weil carries the film by playing Anna with a stoic integrity - you sense that she is a survivor. Skoog has created a film where you feel as if there was a hidden camera viewing a real teenager's life back in 1981. Skoog and Weil appear to have promising careers ahead of them.
If you want to see asteroids, bombs, fireballs and explosions, the 10 plex has a whole bunch of them. If you want to see a movie that is affecting, albeit, slightly disturbing, drive a little further and checkout "Whatever ".
Mr. Stanley was like my maths teacher and the art teacher just like my art teacher; enthusiastic, encouraging, and all round fantastic teacher.
I think the strong leading female character, Anna, was well acted and portrayed very realistically. Both female actresses are very talented and deserve all good that has come out of this film.
Lo sapevi?
- BlooperSam can be seen in at least two scenes wearing Batman: The Animated Series pajamas. BTAS debuted in 1992. Whatever takes place in 1981.
- Curiosità sui creditiNew Jersey [played by] West Virginia
- Colonne sonoreMystery Achievement
Written by Chrissie Hynde
Performed by The Pretenders
Courtesy of Warner Music UK Ltd.
By Arrangement with Warner Special Products
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- Whatever
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- Vedi altri crediti dell’azienda su IMDbPro
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- Budget
- 1.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 307.037 USD
- Lordo in tutto il mondo
- 307.037 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore