The Taking of Pelham One Two Three

Although it's been a while since I watched this, I seem to recall enjoying it more than the 4.+ rating it has here. However, I also remember thinking "why?" Aside from some minor updates (the original's $1,000,000 ransom isn't much in 1998; more racial & gender diversity among the main players; the expunging of the Mayor character entirely which served only as comic relief in the original) the movie stuck so closely to the original that I had to wonder "why?" Why remake a great thriller unless you have something new to add? (Cape Fear for instance) While this certainly wasn't a waste of my time, and was in fact an entertaining evening of television, if given the choice, just watch the original. My only guess as to why this was made as it was, is because there are people who refuse to watch anything "old" and thus would rather watch a "new" version with current actors.

I don't think this 1998 remake was too bad, provided you regard it as a straightforward hostage film.

It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.

But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).

The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally Matthau

Certainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.

The final scene is worth the wait (in both versions)

What a tedious load of drivel this is. It tries for "suspense", instead it achieves "stilted" and "boring". Almost as if the director was saying "OK, guys, freeze for five more seconds" in almost every scene.

Walter Matthau was great in the original. I saw him as a serious actor, in the original of this one and in "Kill Charlie Varrick" long before today's kids saw him as a "Grumpy Old Man" actor. And he really makes the original movie shine. But I suspect that even he, had he been somehow edited into THIS load of rubbish, could not have saved it.

One of my all time favorite movies was this movie back in the theatrical version in 1974. This TV version was awful. It was a perfect example of a movie that did not need to be remade. I could not wait for it to end as I was bored silly. There was absolutely no chemistry between the characters. I hope this movie gets "shelved" forever.

I've been a super-fan of the original 1974 flick for a very long time. (I grew up in NYC; in fact, I walked through Astor Place where the accident delays delivery of the money, every day on my way to school.) So I was skeptical of a remake - a Canadian remake, set in safe, comfortable Toronto rather than in rough, chaotic NYC! - and when I first saw it, I didn't like it.

But now, almost a quarter of a century later, I'm finding it much more palatable. James Gandolfini does really excellent job playing the Mayor obviously modeled on Rudy Giuliani; every shot of him is fun to see. (One wonders: did he (Gandolfini) really hate his job, or was he just pretending, in order to build up his image in some weird way?)

Don't overlook another very notable member of the cast: Ingrid Veninger, whom fans of the Sci-Fi Channel's amazingly cheesy late-80s fantasy-horror TV-series "Friday the 13th: the series" (which has nothing at all to do with the slasher movies) will remember as "Helen Mackie", the awkward high-school girl who enchants boys with a magical compact and leads them to their deaths. Now, ten years older, she plays a graduate student on the subway.

Just to see these two performances is worth the price of admission. The late-1990s blaring-metal music is also cool, an interesting update from the tough 1970s street-beat from the original.

Certainlly worth seeing once, at least.