Aggiungi una trama nella tua linguaA woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.A woman working in the B movie industry begins examining the industry and the damaged, desperate people who work in it.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 1 candidatura in totale
Charles Philip Moore
- Self
- (as Chuck Moore)
Melissa Moore
- Self
- (as Melissa Ann Moore)
Recensioni in evidenza
Ms. Springer obviously has a bone to pick with the industry and she has her right to do so, of course.
However, not all B erotic movies are filled with sex coupled with violence to the extreme, as she seems to suggest. Some are well done with fairly high production values for the genre, excellent acting, and even decent plots; for example, "Secrets of a Chambermaid," "Testing the limits," "Lolita 2000," "Virtual Encounters," and many more. I believe some actresses, such as Nikki Fritz, take their roles with a professional attitude and are to be admired; there are others, such as Kira Reed, Amber Newman, Brandy Davis, Jacqueline Lovell, Samantha Phillips, and Regina Russell, who also do quite well and need not be ashamed of their work. These women, after all, have not gone into hardcore, although I'm sure many of them could have.
I notice that Stephanee LaFleur. one of the better actresses in this category who either voluntarily or under pressure has her breasts grossly augmented through surgery, provides a negative comment below though
I don't think I am way off base here, but if so, send me a response.
However, not all B erotic movies are filled with sex coupled with violence to the extreme, as she seems to suggest. Some are well done with fairly high production values for the genre, excellent acting, and even decent plots; for example, "Secrets of a Chambermaid," "Testing the limits," "Lolita 2000," "Virtual Encounters," and many more. I believe some actresses, such as Nikki Fritz, take their roles with a professional attitude and are to be admired; there are others, such as Kira Reed, Amber Newman, Brandy Davis, Jacqueline Lovell, Samantha Phillips, and Regina Russell, who also do quite well and need not be ashamed of their work. These women, after all, have not gone into hardcore, although I'm sure many of them could have.
I notice that Stephanee LaFleur. one of the better actresses in this category who either voluntarily or under pressure has her breasts grossly augmented through surgery, provides a negative comment below though
I don't think I am way off base here, but if so, send me a response.
The documentary offers an inside view at the making of low grade sexploitation and slasher films. It features many clips of films in the genre and as well as interviews with stars and directors. The Director of this film is a sound worker who has done a number of the actual films. She is a victim of sexual abuse as a child and weaves her tale lightly into the movie. The film has a feminist "awareness" but is not a feminist indictment of the genre because it is too honest the director herself uses MANY graphic film clips so much that this documentary becomes a part of genre that she wishes to criticize! In fact this was probably done on purpose because as the interviews reveal T & A and violence sell. The interviews with directors and stars (including Roger Corman) are light, Frank and very honest. Some of the clips show the directors working styles and are interesting and sometimes hilarious. Topics include Objectification and film, The hollywood system and the pressure on the actors to go along with the B movie Directors whims, The directors thoughts on the films, psychological links between Fear, sex and violence, Sexual abuse and sexual ambivalence, and more. The film is a "must see" for B Movie fans with an interest in the film industry, film students, and Feminists. Overall it is a highly enjoyable (but Graphic) informative piece of work.
Some Nudity Required is one of those documentaries that reveal as much as the person trying to create the documentary as it does the subject. What does it reveal about B movies? Odette Springer's focus is definitely negative about the industry, but it's the words of the B-movie mavens that do the most damage, revealing the rampant and violent mysogyny prevalent among makers of B movies. What does it reveal about Odette? A lot...and proves she has a lot that she has a lot that she wants to let out.
The story of Maria Ford was also telling, and another great reason to see the movie.
The story of Maria Ford was also telling, and another great reason to see the movie.
Director's look at the B-Movie industry is thought-provoking, at its best, but spends a good deal more time with her own interpretations of her experience than really trying to show us what the industry is like.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
Odette Springer is in many ways embarrassed about her involvement in the industry, and attempts to explain both her attraction to such work and the involvement of people in the industry in terms of personal weakness.
A great deal of time is spent making the argument that women are 1) discriminated against based on looks 2) intentionally kept out of good roles and 3) only like the industry if they are mentally disturbed.
This documentary (which watches like a TV movie for Lifetime TV) really, really begs some questions, such as: Did any of the "exploited" women portrayed take any acting classes? Did any of these women explore other, more "tasteful" options like dinner theater?
The underlying, unquestioned premise here is that "Any woman should be able to get tasteful roles which do not require nudity in 'A' grade films." Had the director worked on questioning this a bit (by interviewing women with acting ability or in live theater), this would be a 7. Without ever explaining or questioning that, it is a 5.
I think this documentary only focuses on the negative side of the b-movie industry.I don't think there is anything wrong with these movies but I know some people with disagree with that. I collect alot of B-movies/exploitation movies from the 70's to the present that's why I rented this documentary. I won't lie I did feel a bit guilty after viewing this because it seemed like it was targeting men in general, because guys like me rent or buy this kind of thing.How am I different than any other guy? How many guys don't like to look at beautiful women? Believe it or not I do respect these women who act in these kind of movies.I have met Brinke Stevens and a few other scream queens in person. I thought they were very nice people as well as being beautiful women. I have nothing against Odette Springer or Maria Ford,if they want out of the business good for them. In alot of ways I don't think mainstream hollywood is any better,sex is a commodity no matter where you go. I happen to like Fred Olen Ray's & Jim Wynorski's movies,does that make me a bad guy? It shouldn't but there are alot of closed minded people out there who only understand what the hell is really going on in the world.If you like b-movies like so many people do ,you may want to see this just for your own piece of mind. I wouldn't let it influence your opinion of these movies. All I can say is see this documentary and decide for yourself.Remember one thing sex & violence will not disappear in our society it hasn't yet. You can't blame movies for the worlds problems, you have a brain use it.To all the b-movie director/producers out there,Keep Up The Good Work!!
Lo sapevi?
- QuizIn interviews, Odette Springer said that while working on the documentary, she realized the true nature of the business' alarming fascination. It was not until she was well into production that she realized her excursion into this "over-the-top world that Fellini couldn't have made up" was taking a personal toll. Compiling the clips, she found herself inexplicably obsessed with and aroused by the very images she considered violent and degrading. "First, I was irate at some of this stuff," she said. "I watched these movies and I hated them. But my body was telling me something different. I didn't realize I had such a shadow side to my own sexuality. I found myself getting turned on, and it horrified me." The clips also awakened long-suppressed memories of being sexually molested as a child, the pleasure of being touched coupled with the fear of being controlled by adults. This connection is made clear in the movie by home movie footage of her as a young girl cavorting about naked. The irony was not lost on Springer that movies she considered damaging helped her to grow and "become stronger." "That's a very confusing thing," she said. "This is the last place I would have looked for healing, believe me."
- ConnessioniFeatures The She-Creature (1956)
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- Hollywood avklätt
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Botteghino
- Lordo Stati Uniti e Canada
- 5853 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3082 USD
- 18 ott 1998
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By what name was Some Nudity Required (1998) officially released in India in English?
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