The Passion of Ayn Rand

Having read almost all of Rand's works and considering her a brilliant philosopher and writer, I was apprehensive about seeing her personal side in a movie. I was not disappointed. I understand her work very well and was able to completely separate her personal conduct from her philosophy. Was her personal conduct in conflict or harmony with her philosophy? An esoteric question, and I don't care.

She was once quoted as saying that the character Kira, in her book 'We The Living', was the closest thing to an autobiography that she would ever write. Kira was a pure character with heroic characteristics. Ayn Rand in real life was probably not. Again, I don't care. None of this detracts from her philosophy. By the way, don't miss Rand's book-turned-into-film 'We The Living' starring Rossano Brazzi and Alida Valli filmed in Italy during WWII without Rand's knowledge or blessing. It is a cinematic feast. Italian actors, Russian setting, English subtitles and well adapted. Reportedly, Hitler had it canned after one showing because it criticized totalitarian dictatorships.

Back to this movie. It is reasonably well done and very interesting. Hoving subscribed to her newsletter, 'The Objectivist', I will never forget the short column she wrote therein, something to the effect "Nathaniel Branden is no longer associated with me, etc" (after she had dedicated Atlas Shrugged to him).

There is a human side to every hero.

Above all, read 'The Fountainhead', her greatest work. Forget the film, it was poorly adapted (by Rand?) and Cooper/Neal did not do the book's characters justice.

I agree with Wayne Tolmachoff's review, published here, and with director Christopher Menaul's statement that Ayn Rand probably would have been horrified by the intimate nature of Barbara Branden's fascinating biography of this highly individual and talented novelist/philosopher. I enjoyed and suffered along with Peter Fonda as Rand's pleasant but invisible husband Frank O'Connor and thought that the entire cast was commendable. Unfortunately, the captivating and powerful performance delivered by Helen Mirren in the title role hasn't been mentioned. Critic Geoffrey Gilmore wrote "...it's impossible to conceive of another actress playing Rand" and indeed, who but Mirren is capable of conveying Ayn Rand's sensual intensity and penetrating intelligence, not to mention heavy Russian accent? Helen Mirren shows, through the subtlest of gestures and expressions, Rand's extreme emotional repression and tyrannical control of the people around her. At the same time, Mirren's performance hints at the vulnerability, isolation and loneliness that Rand must have experienced as she destroyed or abandoned one important personal relationship after another. Whether you love Ayn Rand or hate her, this film makes a powerful impression.

I read Atlas Shrugged in 1964 and thought I'd discovered Atlantis or something. I learned that a friend had seen Ayn Rand speak at Ford Hall Forum was also excited by her ideas. It was a couple years before we learned that there had been a split between Ayn Rand, Nathaniel and Barbara Branden -and many more years before we learned the split had occurred years before we were told about it. (And it was clear that information was covered up, repressed for years.)

So when Barbara Branden came out with, The Passion Of Ayn Rand, and it later was made into the movie - I paid attention and compared what was presented with my memories. Most of what is in the movie corresponds to what I remember. I like the movie's frankness for it shows how damaging Rand was to other people's relationships and how disappointed she was with the men in her circle who consistently fell short of her fictional male characters.

It is notable that every biography of Rand starts with her terrible experience under the Soviets - but none make much of that experience's role in forming Rand's later attitudes and philosophical stance. Her resultant "anti-collectivism" is completely valid on its face but in practice it becomes an excuse for rank selfishness and coldness toward "inferior people."

Rand's fascination with men as fantasy heroes and sexual controllers of women has always been evident and was acknowledged by Rand herself. It is never mentioned how this contradicts Rand's forcefully promoted "principles." She punished all who violated her rules but never thought her own transgressions affected how she should be regarded as one promoting a moral system.

The movie should be seen by all those who have read Rand's works and know at least something of her actual history. It provides the balance of her human flaws to offset the alleged purity of her ideals. A balance she as a writer never accomplished.

"Ayn Rand wouldn't like this movie" said director Christopher Menaul prior to its premier at the Sundance Film Festival. Based on the biography by Barbara Braden, this film focuses on the later years of Ayn's life and her affair with an associate. It would be a difficult task to make a movie that would focus on the genius of Ayn Rand. It is necessary to read her books to find this. Her real passion was for freedom and creativity, a result of being an immigrant to America from post-Revolutionary Russia. Instead, this film covers the sexual passion, which is only a minute element of the complexity of Ayn Rand. Her background, books and Objectivism philosophy are only given brief mention peripheral to the sexual involvement. Approaching it this way does create a more commercial result. It was produced by Showtime, so it probably will not be released to theaters, but should appear on cable soon.

The acting in this movie was outstanding and makes it more memorable. Of particular merit are Julie Delpy as Barbara Braden and Peter Fonda accurately portraying the meek Frank O'Connor.

A movie should be judged by whether it is the best product that can be created by the elements being used. On this basis, it succeeds.

"The Passion of Ayn Rand" is an interesting film about the famous and controversial philosopher, adapted from a book by Barbara Branden.

Due to the fact that the script was derived from Branden's book, the emphasis is on her and her bad marriage and less on Rand and her philosophy.

In the movie, Rand (Helen Mirren) becomes involved with Nathaniel Branden (Eric Stoltz), a psychiatrist 25 years younger than she is (and Barbara's husband), and sets up the Nathaniel Branden Institute. When he becomes involved with another woman, she has him banned from the Nathaniel Branden Institute. The movie doesn't say that, but that's true. Stoltz is very good, if somewhat cold. He comes off as a smart man and a sex addict who is unethical.

Helen Mirren likes these roles that de-emphasize her glamour and beauty. She played Alma Hitchcock but she was too glamorous. Ayn Rand was a homely frump. Makeup and clothes did a great job, but Mirren never comes off as frumpy. Nevertheless, she is fantastic, sporting a Russian accent, tremendous passion, and an energetic personality.

As to why Nathaniel would be attracted to Rand, she was a brilliant woman and I imagine charismatic. Barbara, well played by Julia Delpy, was an insecure woman, and his marriage to her was not satisfying.

Peter Fonda does a fine job as Rand's husband, Frank O'Connor, a man Rand loved, but who himself just went along with her and concentrated on things like painting and gardening.

In the movie he becomes a hopeless alcoholic. Part of Rand's philosophy is that you think only of yourself but don't make anyone else unhappy. So she and Branden asked permission of both their spouses to start an affair. Don't tell me they weren't hurt. Branden becomes an integral part of her work until he starts seeing someone else. Not really rational thinking, is it?

When Barbara becomes ill and desperate for help, she calls Ayn, who is having sex with Nathan at the time. Ayn says, "Don't you ever think of anyone but yourself?" And hangs up. That's a true story, too.

I know something of Ayn Rand from reading The Fountainhead and seeing her interviewed. What has most impressed me about her is her prescience, as so much of what she wrote has come to pass.

However, whether she wanted to admit it or not, she was a woman and a human being despite aspirations to be something else. She championed selfishness, capitalism, and reason (you can't make something true just by wanting it to be true). A good example of her philosophy is the phrase "Ask not what your country can do for you but what you can do for your country" which she considered to be the wrong way around.

The problem with Ayn Rand's philosophy is that, like many philosophies, it's impractical. Once it's off a piece of paper, it involves human beings. For instance, she yells at a screenwriter for writing things he doesn't believe in for the studio. I suppose he could quit -- and if he were a brave soul who didn't care about working or money, he could. But most people aren't brave souls and most people can't get along without money. Why not write what you believe in and hand the studio the dreck? That way you can make a living while working to live your best life.

In The Fountainhead, the main character sticks to his beliefs and loses jobs because he won't adhere to the design the client wants. Okay, but it was his business, he wasn't working for someone else. He stuck to his beliefs and found people who bought into them. That's what artists do. The screenwriter would have found a market for his script as well, if he wasn't dead from starvation by then. In The Fountainhead, Howard Roark doesn't have a side job, but most people like Howard Roark probably do.

The film sports excellent production values, capturing the '50s beautifully. There are a couple of faux pas -- in one, Frank makes reference to "King of Kings," the silent version, emphasizing that it was the REAL King of Kings. This indicates there was another, but there wasn't until some years later. Also at one point Nathaniel offers to call his wife a cab. It's New York City. You don't call for cabs. Minor points both.

Helen Mirren is always worth seeing. You'll have to make up your own mind about Rand.