Insider - Dietro la verità

"The Insider" in many ways reflects the golden days of American cinematography, where every scene serves a purpose, dialogue is sharp and poignant, and characters and events remain true to their emotions and nature.

The film presents certain questions throughout its duration that are intended to invoke thought in the viewer, and at the same time explores them to unprecedented depths which are by no means native to the film industry. The story is of a quick-paced nature, and demands that the viewer pay the utmost attention to every single line and image presented; it flabbergasts in its unparallelled structure of continuity and coherence to those sentient enough.

After watching this film, it became apparent why Crowe was so reluctant to play the role of Maximus in "Gladiator" after acting the part of Jeffrey Wigand. It appears more or less as if Crowe had been this character in reality, and it really inspires to see that such a talented actor is finally beginning to enjoy the prominence that he deserves.

In the past decades, there has been a progressive decline in the number of intelligent films making it onto the market, but the success of "The Insider" will hopefully serve as a shout-out to all the film companies and directors reluctant to tread on such sensitive ground. This movie could not receive a higher recommendation!

The Insider is the only film I remember having seen where I walked out of the theatre with a headache because of the intensity of the story. Michael Mann is one of few directors who has such an in-depth understanding of both the subject of his film and the nature of that subject, that he is able to portray a realism that is nearly impossible to match.

There is real skill displayed in the way in which the Insider weaves through the aspects of both Bergmann and Wigand's lives. Whereas a lesser director would have thrown the characters at each other in an artificial collision, Mann introduces each character as being average professionals each living in their own respective stable lives. It is only when their chance encounter creates a subtext that could consume them both does the real chemical reaction in the story take place.

Bringing life to these fantastically written characters are two of the most talented 'big-name' character actors of our time, Al Pacino and Russell Crowe. Surprisingly, it is Crowe that drives this film forward, and his portrayal of Wigand is spot-on perfect. His is an honest humanity, both a loving father and a flawed husband who never fully balances his life under the pressure of circumstance. Crowe nails the performance by not hamming-up the character, but rather by understating his personality. This works in that it is the character that is elevated while the actor disappears.

That is not to ignore the excellent work by the remainder of the cast. Pacino's performance is accented and accentuated beautifully by Christopher Plummer's portrayal of Mike Wallace. Most notably are several standout scenes mixing Pacino, Plummer, Philip Baker Hall and Stephen Tobolowsky that ground the underlying tensions of the film fantastically. And the juxtaposition between the cold, hard New York settings and the organic nature of Mississippi further press this film beyond standard non-fiction works.

Easily one of the best dramas of 1999, the Insider is a standout member of that elite club of great historical dramas such as All the President's Men that are few and far between. It is for that audience that appreciates skilled performances meeting skilled direction and restrained, mature writing.

Finally, now here is a movie where everybody seems to agree on the same verdict. It is a very rare occasion that most of the major critics, the Academy and myself all agree on the judgment of the quality of a motion picture. This only goes to say that this film really has to be good. It also goes to show that the best movies are almost always based on true stories. Truth always trumps fiction.

This movie was very well directed and well filmed, but above all it was well acted. Both Crowe and Pacino deliver memorable, believable performances, creating characters for which we can feel for, with whom we can identify. I agree on most of the Oscar Nominations, but I also feel that maybe an Oscar was warranted for best screenplay which is probably the best part of this motion picture.

Thumbs up!

From scene one, this film delivers a long slow burn as the tale of power and corruption unfolds. There is little action, but the film is steeped in an atmosphere of tension and high drama. The direction by Michael Mann is masterful, an object lesson in how to frame shots and let silence, as well as words - and music - work for the story. Al Pacino is once more the great actor of early films such as 'Scarecrow', instead of the theatrical performer of recent films. Russell Crowe shows his solid 'ordinary guy'character as more tortured through losing his family than any of the macho scenes he portrayed in 'Gladiator.' A superb film.

I first wanted to see 'The Insider' because it professed to show the truth behind the lies of the Tobacco Industry. My wife and I saw it and were thoroughly impressed. In fact we've now seen it 5 times (I think, though I may have lost count).

If you go to the movies to be entertained mindlessly, do NOT see this movie, you will bored. This movie is for people who like to think, and who like to receive superior presentation of thought provoking material. The Insider has all that.

The movie gets you thinking about mankind. The obvious problem with human nature is obvious in this movie. The Tobacco companies knowingly selling addictive product, whilst claiming it is not. And then almost, almost but not quite, getting away with ruining an individual's life, an individual who's conscience was pricked by what they had seen.

But then it moves into the CBS drama, where again the hopelessness of mankind in general shines through. The strength of two individuals though manages to win the day, which is what makes this true story so unusual.

I found that (contrary to those who complained of the movies length) every scene that Mann has given us has a reason. A good reason. From the opening scenes depicting an evil far from USA. To the hints as to why we didn't hear anything about the drama when it happened, because the OJ murder story and media frenzy drowned out what should be to us all a much more serious matter.

For me the crowning moment in the film was when Russell Crowe (as Wigand) was about to dig into a hamburger when behind him on TV a newscaster reported findings about him, bad (though unfounded) findings. Crowe put his knife and fork back down in a way that told us all that he had no more appetite, in fact all the will left in him had been violently thrust away, thrust away by the selfish interests of the Tobacco companies.

All in all this is a complete movie that deserved its 7 nominations and should have gotten some awards. The sound was great, as was the camera work. If you love an artistic movie, you will love this one. Crowe is thoroughly believable and has cemented himself as a first rate actor, capable of playing just about any part put his way. Pacino is very well cast, Plummer is a class act, and a host of supporting cast did themselves proud.

What we can't forget about this movie, for all its drama, and for the pointed view it gives us of the nature we bear, its a TRUE STORY. Thats what really makes it shocking. And only those driven to the ends of despair and loneliness such as Wigand and Bergmann were, can really truly realise another fact pointed out in the movie, in the end of it all, we are nothing anyway, so what does it all matter?

See it!