La mia adorabile nemica

This film was a new direction for Natalie Portman. A much more adult role, though she comes to it from the traces of a child in the movie itself. Ann,(Portman) and Susan Sarandon, who plays her newly divorced mother, Adele, travel from a small town in the middle of nowhere to Beverly Hills. There these tortured souls try to come to terms with their new life and their new relationship as Portman's character grows up. Unknowingly at first to Adele, she grows up and becomes a better mother for it.

Ann sees her mother telling her she wants to be an actress, or so she thinks. Adele uses that crutch every time there are problems in their lives. We see their struggle as mother and daughter come to terms between themselves and with being alone, having left their old lives behind.

The acting is top notch from both of them. They seemingly become mother and daughter before your eyes. You can almost feel there is a bond there beyond the actual movie.

Though this movie really doesn't take us to any new ground in these types of films, the fact that the acting is well done, and the story isn't too flawed, let's me recommend it.

I will say however, it will probably go away soon, I don't believe it can have the staying power needed for a huge Christmas season of movies starting in a week or so. See it now before this happens if you like either of these actresses.

Susan Sarandon has amply shown that she is capable of turning her hand to most kinds of rôles and is especially adept at teaming up with youngsters. This is no less so in this film with the prodigious Natalie Portman: the two keep the film interesting when almost everything else is a rather blasé prêt-a-porté production, mostly due to Wayne Wang's rather uninspired directing, as well as a music score that has very little to do with the proceedings and did nothing to fill in any stop-gaps.

The film is saved precisely by the Sarandon-Portman tandem providing an energetic display of a mother, divorced, skidding along frenetically almost hysterically, and her adolescent daughter trying to keep her young head on her shoulders and pointing in the right direction. The result is an interesting clash of personalities, veering from the dramatic to the humorous in a style which is not far from being a `road-movie'. Indeed, frequently, reminiscences of `Thelma and Louis' come to mind as the film unfurls, though `Anywhere but Here' is several rungs lower down on the ladder.

Even so, my vote is slightly higher than the IMDb average. Hopefully we shall be able to enjoy a true drama with these two ladies in the future, but with a more exiguous director – Stephen Daldry, perhaps?

Wayne Wang's direction may be the ingredient which made this film much more impressive to me than "Slums of Beverly Hills", which covers remarkably similar ground. The interplay between Susan Sarandon and Natalie Portman is riveting. Real chemistry there. This film succeeded in bringing me inside the dysfunctional life of these two women without dragging me down into depressed frustration. Susan Sarandon's character hammers at all the nerves which a narcissistic parent is capable of touching in an insecure adolescent. She amazingly manages to do this without coming across as floridly insane or intentionally sadistic. And, Natalie Portman deflects each attack on her character's ego with the resigned grace of an intelligent codependent child, untainted by the smug cynicism of the Natasha Lyonne character in "Slums of Beverly Hills". Portman's character is an adolescent with dignity under stress, an unusual creature in modern films. The film reaches a very satisfying resolution without trying too hard. I highly recommend this film to the viewer who wants to be challenged and entertained.

Natile Portman and Susan Sarandon play off of each other like a symphony in this coming of age story about a young girl, who is sentenced to life as the daughter of one of the nuttest women you will ever encounter. Sarandon has this ability, call it talent if you will, to play some of the most off-beat characters and bring their humanity to forefront of any film she makes. As the mother of this obviously brilliant and muture beyond her years young girl, Sarandon alternates between being the mom and being the child with the ease of a ballet dancer. More importantly she does it with strength and flare without stomping all over Portman's portrayal of the daughter. The question is always asked when we deconstruct the film plot, who changes? This film is certainly about the daughter, but if you look close at the dreams and sacrifices that Mom makes you come to understand that she changes in step with her daughter. I am willing to bet this makes all of us in the audience change also. The hallmark of fine drama

This movie wasn't anything extraordinarily special. Although it was something to warm people's hearts.

The story starts off with Susan Sarandon (Adele August), the kooky mom, and Natalie Portman (Ann August) getting away from their old life in their old town in Boringsville, USA. When you see the expression on Natalie's face when the camera just goes on her, you know that for the rest of the movie you will not be disappointed at any time with her performance. You can see everything in her eyes. As for Susan, she's amazing as well, with so much experience inside herself, she embodies wisdom, and never forgets to have fun with her character. Anyway, they're driving off to start a new life. That's from when they start the story. It's a story of ups and downs between a smart girl and her... well, mom that is a bit... crazy. Mothers and daughters everywhere should see this movie together.

I think the best thing in this picture is the acting, but when you walk out of that theatre after the movie, you will get that Sunday afternoon good feel of cinematic warmness.