Strays

Vin Diesel. He can write, he can direct, and he can act. The movie is a macho man version of a chick flick, and he and a great supporting cast (Joey Dedio in particular) completely pull it off.

Do yourself a favor and read the children's book "The Story of Ferdinand" before you see this movie. It will take all of 5 minutes.

Rick, the main character, has a huge drawing of Ferdinand on the wall of his Bank St. apartment, and the book has had a significant impact on his life (besides the fact that an illustrated bull has been just about the only male role model he has ever had). If you don't know the story, you won't see the (rather obvious) parallels between Ferdinand and Rick, such as: what you look like on the outside doesn't always translate into what you are like on the inside, "life is a matador" and we all know what happens to the bull if he takes the bait and fights, just because you are a bull doesn't mean you have to act like one, and if you make the right choices and stay true to yourself, you can survive and ultimately be happy.

The dialogue between Rick and his posse rings so true that it comes across as unscripted. It's completely natural, as is the acting. The cast genuinely makes you forget that you are watching a movie. Some of the uncensored conversations his friends have amongst themselves are downright hilarious and truthful at the same time. I was genuinely surprised to learn that some of the male cast members had not known each other before auditioning for this movie. The bond between them came across as genuine.

Stereotypes abound, but each and every one is someone most people can relate to knowing or having known. The acting is so good that you forget they are indeed acting and begin to wonder exactly how much of this was drawn from real experiences and conversations. Rick is hot, broke, street-smart and sought after by women who think that getting him into their body will somehow get them into his heart in return. The only problem is that Rick has begun to mature and change, and he is gradually becoming aware of the fact that his life has no real meaning. He has taken care of his body but not his spirit. He desperately wants to show who he really is on the inside, and watching him take each uncertain step towards that goal is poignant.

The blank looks that two of Rick's friend's (Joey Dedio and Valentino Morales) give him when he explodes after hearing them laugh over something truly reprehensible that one has done to his girl, and the pivotal self-realization that Rick experiences as a result of witnessing the callous and clueless responses of his friends is painful to watch, as it should be. Rick, while gradually introspective, is clearly not fully prepared for the regrets and emotional upheaval that true self-examination brings.

Watching Rick make choices that go against everything he (and his life so far) have conditioned him into believing are all that matters combined with the realization that he truly is all on his own, is touching without being sappy. The true extent of his vulnerability becomes apparent in a scene where one of his friends brings up a conversation he and his mother had about Rick. Rick's eyes and face express just how troubled he is over an unresolved situation with his own mother, and it becomes clear to him how this has immobilized him in other areas of his life. He conveys all of this without speaking a single word.

Watching Vin Diesel emote is something most people aren't used to, but he does do it well. Witnessing Rick slowly but surely allow himself to become increasingly emotionally vulnerable and hopeful of the possibilities that may result from doing so, even with an unsure outcome, is moving.

The movie's low budget works entirely in its favor as far as realism goes. Shot entirely on location, everything from Rick's apartment with the bathroom in the hallway to the street scenes around the Bank/11th/Hudson/Bleeker area along with all the West Village locations is a real visual treat. It's Rick's life, and not all prettied up Hollywood style. Rick is a small-time drug dealer, and he doesn't have an unrealistic seven grand a month "Friends" style apartment. Everything on-screen is authentic and real.

I loved it.

STRAYS (or DOORMEN as his script was initially titled) marks the entry of Vin Diesel (AKA Mark Sinclair Vincent) into the film world in a very small budget (under $50,000.), independent 1997 movie he wrote, directed and acted the major role. To appreciate this very realistic, modest, slice of New York life the film presents, it helps to watch the features added to the DVD (the film is released to the public for the first time): interviews with the cast and with Diesel give a sensitive and heartwarming background that enhances the movie experience. Though Diesel studied acting and worked in theater in New York prior to this film, it was not until he made his own film that he captured the attention of the people who make things happen. And now that Vin Diesel is a major Hollywood presence it is fascinating to see this initial opener.

The plot is simple enough: Rick (Diesel) is a minor drug dealer who also works as a bouncer with his buddy Tony (F. Valentino Morales), and hangs with Fred (Joey Dedio) and his 'brother' (Mike Epps, in his first role in film). The guys live mainly for easy sex and camaraderie - all of the have been raised by mothers without knowing their fathers (thus, are 'strays'). As Rick matures he grows tired of his shallow lifestyle, misses the connection with his mother he never developed, and is prime bait for a relationship. Into his life steps Heather (Suzanne Lanza), a wholesome Midwestern girl, the two have a mutual attraction, but as their courtship dance progresses Heather disapproves of Rick's at times gang-like behavior and his drug dealing. They come together in an extended park bench conversation (excellent writing) during which they realize they each have repairs to do on their previous lives before they can enter a serious relationship.

One aspect of this little film that makes it a cut above the many others like it is the quality of natural acting Diesel draws from his cast: uncredited female actors who provide the sex interest for the men are variably excellent, and Morales, Dedio and Lanza are particularly strong in their commitment to ensemble acting. The script is fairly strong, though the barrage of expletives becomes tiresome after a while. Yet in the end, Diesel establishes his skills as a serious actor and as a fine director and writer, and for the chance to see one of Hollywood's major talents in his nascent stage, this film is well worth watching. Grady Harp

Strays is brutally honest and... beautifully executed. It uses harsh words and harsher actions to portray a lifestyle that is real and not sugar coated for the audience. It does not apologize for this but instead asks us to understand the truth being portrayed. A war without blood would not be accurate. These lives without the brutal language would be false and would strip the movie of its commitment to honesty.

The acting, directing, and writing in this movie was done with absolute attention to detail. I deeply enjoyed this movie. It was fresh and new and at times so real and raw I felt like a voyeur. Rick's life unfolds before us and we are taken along on a journey through his emotional awakening. Gracefully it allows us to experience the lives of its characters without judgment.

This in turn gives us the freedom to feel and grow along with them. It evokes emotion and dialogue and is in my opinion a great work of art.

'Strays' is breakout film for Vin Diesel - after years struggling as an actor going from audition to audition and still not getting any parts, Vin Diesel wrote, directed and starred in his own movie that finally gave him a role in Steven Spielberg's 'Saving Private Ryan' and from there the star was in the making. Although Vin Diesel is best known for portraying one dimensional meat heads and action heroes he has later shown that he got some more acting chops in such films like 'Find My Guilty' or 'Boiler Room', but 'Strays' was were it all started. Don't expect anything on Woody Allen level, but here Vin showing off his acting skills, and his directing skills is not very off. Although 'Strays' starts bit slow, it manages to build up interest in first half an hour (too long, some might say), but we are still left with an hour and ten minutes worth well paced story with characters we start to care about enough to stick to the end.

Vin Diesel followed one other muscular Hollywood legend's path and wrote his own starring role. Vin's effort never reached far in popularity and it never become classic, but with that little film he managed to create another example how one can build his own success.

This film also left me guessing what kind of Vin Diesel the world would know if he would kept directing (he obviously had some talent for that) and writing, rather than going on to play in all those silly triple X and Fast and Furious movies.

Sometimes the combination of good writing, good direction and good casting collides into a great movie. Writer/Director Vin Diesel stars as Rick, the emotional center to a very strong ensemble of acquired family. The older brother who is finally facing the future, Rick tries to develop a new life while still taking care of his circle of strays. He rebels from his sex-filled nights against Salvatore, a womanizing freeloader and his drug-providing past with Fred, his not so bright cousin. Their unending loyalty keeps the "family" strong, even when he falls in love with a midwestern outsider, Heather. Perceptive and extremely witty writing keeps the pace throughout the film, and his chemistry with Fred, played beautifully by Joey Dedio, is worth the price of the ticket alone.