Il mio West

Shot in the Apennines mountains in central Italy, by Italian Box Office breaker Piraccioni and his friend Veronesi, this 'comedy'- of- sorts makes us crave for the days of REAL spaghetti-westerns... Apparently Bowie wanted to 'have fun' and "work with Harvey Keitel, an actor I very much admire...". Unfortunately he/they chose a bummer. This is no "Once upon a time in the West" by 'maestro' Sergio Leone. Egos clashed a few times, and , worst of all, the outcome of this Eurotrash venture is soggy stuff. Such good taste as a musician (Bowie) doesn't guarantee the same when it comes to choosing a script. I hope he enjoyed the Italian cuisine, at least! p.s. Mr Keitel, on the other hand, has a shoddy 'track record' too, with the exception of a handful of 'stand out' films and roles... thank God he hasn't learned to sing!

Leonardo Pieraccioni is a nice, handsome man who made some successful comedy (romantic)movies in Italy, targeting the 20-30 years middle class womans. No gross matters, no sex , no curse language , I would to say no humor and no fun but it is just my opinion.

This time he make an attemp with a spaghetti comedy western and failed miserably. The plot is absurd and amateurish, the actors (pretty goods) were wasted in a crappy plot with just some glimpses . Do you want to enjoy yourself a Italian comedy? Do you want to see a spaghetti western? Simple make another choice: From Sergio Leone to Ugo Tognazzi,Bud Spencer e Terence Hill . Speaking to Tuscany ' commedians ,I would suggest Alessadro Benvenuti (prior 2000)and the early Benigni.

Several of the comments here show negative response to what I feel is really a kind of tribute film to the great Sergio Leone. This film could easily have been Parmesan cheese atop the fabulous westerns Leone and Clint Eastwood created, but I think it keeps a good blend with the genre. Yes, the main character, Doc, is speaking in Italian and English is dubbed in. But that's a big part of the charm of all "foreign" films, especially the spaghetti westerns. And having spent my childhood in Oklahoma, I thought Bowie's psychotic bad man accent was surprisingly good (although I think Dwight Yoakam would have made a better casting choice). The soundtrack, likewise, could have come off as a pale substitute for Morricone's memorable scores. I thought the choice of the Marley's reggaeesque tune was more than suitable, especially since one of the "bad guy" characters was Rastafarian - one of many colorful additions that, in my view, bring nice flavors to the genre.

My only complaint after seeing the film once is that it's too short. If it were expanded to include more about Keitel's character and his earlier relationship with Bowie's, the climactic scene could have carried more punch - maybe not along the lines of the Bronson/Fonda gunfight in Once Upon a Time in the West, but richer character development would definitely have added more suspense and contributed to bringing a well-worn genre into the 21st century.

I don't think anyone who is a true fan of spaghetti westerns would be disappointed in spending 95 minutes with a tastefully created, colorful, quirky film like this.

Aging gunfighter Harvey Kietel returns to his family after twenty years, to find his wife dead and his only son a pacifist doctor. He's soon followed by degenerate hick David Bowie, who wants his chance to best Kietel and won't take "No" for an answer.

The first half of this tender-hearted, politically correct Italian western (the first in awhile) is pretty syrupy, but alright as long as you're not expecting a rip-roaring spaghetti western. Harvey Kietel is as excellent as always and the location photography pretty good.

Things get weird in the second half, when a scenery-chewing Bowie and his motley crew arrive to begin a vigil outside Kietel's house. Here he's quite amusing, talking with the same fake southern accent he used for his cameo appearance in Twin Peaks: Fire Walk With Me and even getting a chance to strum his guitar and sing, that is until he bashes it over the head of another character.

I couldn't help but like it.

"You got a nice little town here... GREAT PLACE TO DIE!" Spoken with what could be the worst British/Southern/Western accent ever recorded, psychopath gunfighter Jack Sikora (Bowie) tries to draw out retired gunfighter Johnny Lowen (Keitel). This is not a comedy, though I understand why someone would try to pass it off as one- it IS funny to see Bowie try to act 'old west'. But, as with the 'fair catch' call in football, you have to indicate you are a comedy before the movie is released and then make moves to indicate you are a comedy. That didn't happen here, though I suspect audience response (in the US, anyway) caused those responsible for the movie to re-think their strategy and throw the comedy label on it. Oh, it is a comedy, in fact I've gotten hours of comedic enjoyment out of it already. Making sound bites from Bowie's western phrases has been a hoot (or as he might say, 'a hut'). But once you see it, you'll know that it's more of a train-wreck than an attempt at humor. "This ain't a bad dream, Johnny, it's really me", says Jack/Bowie. Indeed.