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IMDbPro

Sex Madness

  • 1934
  • Not Rated
  • 57min
VALUTAZIONE IMDb
2,9/10
1034
LA TUA VALUTAZIONE
Sex Madness (1934)
Drama

Aggiungi una trama nella tua linguaThis exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexualit... Leggi tuttoThis exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexuality and drug use.This exploitation film belongs to the social guidance genre of quasi-documentary narratives, which exhort young adults to follow particular moral and social prescriptions related to sexuality and drug use.

  • Regia
    • Dwain Esper
  • Sceneggiatura
    • Joseph Seiden
    • Vincent Valentini
  • Star
    • Vivian McGill
    • Rose Tapley
    • Al Rigali
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    2,9/10
    1034
    LA TUA VALUTAZIONE
    • Regia
      • Dwain Esper
    • Sceneggiatura
      • Joseph Seiden
      • Vincent Valentini
    • Star
      • Vivian McGill
      • Rose Tapley
      • Al Rigali
    • 22Recensioni degli utenti
    • 20Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto4

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster

    Interpreti principali22

    Modifica
    Vivian McGill
    • Millicent Hamilton
    Rose Tapley
    Rose Tapley
    • Mrs. Hamilton
    Al Rigali
    • Mr. Hamilton
    Mark Daniels
    Mark Daniels
    • Wendel Hope
    • (as Stanley Barton)
    Linda Lee Hill
    • Sheila Wayne
    Ruth Edell
    • Mrs. Fay
    Charles Olcott
    • Paul Lorenz
    Ed Redding
    • Dr. Hampton
    Pat Lawrence
    • Tom Lorenz
    Allen Tower
    • Dr. Harris
    • (as Allan Tower)
    Richard Bengali
    • Mr. Maynard
    William Blake
    • Dr. Grenoble
    Frank Howsen
    • Dr. Bayard
    Allan Lee
    • Mr. Winthrop
    Jean Temple
    • Mrs. Winthrop
    Albert Patterson
    • James Winthrop
    Miriam Bilavsky
    • Jane
    Natalie Donet
    • Peggy
    • (as Nathalie Donet)
    • Regia
      • Dwain Esper
    • Sceneggiatura
      • Joseph Seiden
      • Vincent Valentini
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti22

    2,91K
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    Recensioni in evidenza

    rixrex

    Would be considered progressive for its time and not that prudish.

    Actually, most film portrayals of sex and drug use before the Hayes Commission were not timid, and then afterwards (circa 1930) they had to have some sort of moral equation showing the results of such behavior. This film, post 1930, would have fallen under Hayes guidelines, and consequently meets those guidelines, and yet the depiction of immoral behavior, for the time, and the consequences of such are fairly progressive. The whole idea of sex education for young persons, and of exposing the public to the reality of sexual diseases, is something still being tossed around in today's society. This film is on the progressive side of this debate, albeit dated, and those snide commenters who decry this film as being too prudish or preachy have little idea of what was really prudish and preachy in the 1930s. The grand images of that past time as presented by Hollywood are merely that, images. The reality is much less wonderful, and each new generation feels that it is the generation that is the most sophisticated of all. I have no fear that the young generation of 2070 will have a great laugh at our current ways.
    4sddavis63

    They Must Be Told!

    A movie like this has to be judged fairly - and that means being judged by the standards of its era. It tackles a subject that in 1938 would have been taboo to pretty much everyone - the scourge of syphilis, and the associated sexual "looseness" that was seen as its cause. Yes, I know that this is considered an "exploitation" film - one dressed up as an educational film in order to get past censors who would have objected to some of the sexual innuendo contained within it. Still, there is no doubt that at one time syphilis was a major health issue, and so this also comes across as something of a "scare tactic" - a way of warning people to avoid sexual immorality lest they contract the terrible disease. Thus, the words "they must be told!" in the opening credits. The first 20-30 minutes or so jump around a little bit. We see a fair bit of a burlesque show attended by a lot of people, some hints of lesbianism as one girl tries to convince another to spend the night with her, "wild" house parties with couples going off together and assorted shots of those wanting to do battle with the disease and the loose morals at the root of it. It then settles down largely to the story of Millicent - a small town girl who went to New York and caught the disease, then returns home and spreads it to her new husband and their child. The tragic results of the disease are portrayed, and the movie then tries to end on a hopeful note.

    This isn't a particularly good movie. It drags at times, but I thought the subject matter was worthwhile, and looked at from the perspective of 1938 it was courageous. One can only go so far with courage alone, though. Eventually, you have to judge whether a movie has quality or not. This one fails on that count.
    2SnoopyStyle

    bad Madness

    It's a public service film against immoral sexuality and the spread of STD like syphilis. This is really bad. It's modeled after Reefer Madness. The acting is bad. The filmmaking is much worst. It is interesting to see the various sexuality being lumped together as bad behavior. There is a creepy old guy who is obviously a rapist. There are loose showgirls throwing a party. There is a suggestion of lesbianism. There is pre-marital sex. There is the casting couch. It's all equally evil. As for camp possibility, it's too long for that. At some point, it gets boring even as an exercise in ridicule.
    4ethylester

    you can't marry if you have syphilis

    At first it was good, but then it got boring. I really loved the burlesque show. It was so great. I wish there were still shows like this now. Men getting turned on by girls in big feathered hats and sequin leotards jumping around with big grins on their faces seem a little less threatening than those who want genitals of women they've never met before shoved in their faces. Sorry to be so graphic, but the movie makes you realize how drastically sex shows have changed.

    That is really the main part of the movie that caught my attention. The film does have valid points about how you shouldn't have a kid if you have syphilis. And you shouldn't have sex if you have it either. However, the whole idea of someone with this disease being forbid by their doctor to get married seemed a little strange to me. Plus the main woman was in cloud nine the whole as if the whole world was either completely wonderful or completely horrible.

    I also thought the point about the "quacks" was interesting because it's harder today to figure out if a doctor is a quack since we have such a high rate of suing for malpractice. A doctor today might push some unnecessary pills on you so that s/he will get some money from the drug company, but they would never go so far as to guarantee you are cured of syphilis and can now freely have sex with people when you actually weren't cured at all. That's just bogus. I'm glad that doesn't happen anymore.

    Watch this movie to see how drastically times have changed but also to educate yourself about this disease. It's the only thing that hasn't changed.
    2zetes

    Syphilis can drive you insane. So can the boredom created by movies like this.

    I dipped into my Mill Creek Cult Classics DVD set this weekend because I was bored. Really, I could have found something better to do (honestly, I was too tired to give anything real my attention). These movies should not really be labeled Cult Classics, but rather "Goofy Old Propaganda Films That Are Mostly Terrible and Which You Don't Really Need to See - Knowing That They Existed Is More Than Enough." I suppose that'd be a bit wordy, though. And it really doesn't help that the quality is abysmal. Obviously, nobody cared enough to preserve these films, but I really wonder what Reefer Madness would look like in high definition. Sex Madness is a pure propaganda film which wants to warn its audience about the dangers of syphilis and other "social diseases." You have to wonder if anyone in 1938 actually plunked down a nickel to see films like this. The film basically consists of a doctor telling a skank that she has contracted syphilis, and what that entails. The authority figures of the film declare that people need to be more honest about sex, but what their honesty amounts to is shouting "keep your damn legs shut or you'll get sores! This is what they look like. Aren't they gross?" Its second piece of advice is probably more helpful: people with syphilis or other VDs need to see a real doctor, and not some quack. I'll bet that, in their embarrassment, the syphilitic would often turn to more discreet, illegal doctors (there's probably some implied abortion there, too). The film is, of course, a total bore, and it looks like crud.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Rejected by the state film censor boards in New York, Pennsylvania and Kansas on its initial release.
    • Blooper
      When Millicent is talking to her landlady, the window in the background falls shut. This distracts the actress, who nearly flubs her line.
    • Citazioni

      Millicent Hamilton: I'm tired. Me for bed.

      Sheila Wayne: Bed? Did you say bed?

      [laughs]

      Sheila Wayne: That's not for relaxin', that's for action!

    • Curiosità sui crediti
      In versions titled "They Must Be Told" all the opening credits, even the title, are preceded by the following explanation: "FOREWORD: Down through the ages has rushed a menace more dangerous than the worst criminal. Syphilis. Let us seize this monster and stamp out forever its horrible influence. Syphilis must no longer play its deadly part in our lives preventing marriages ... breaking up families ... and resulting in innocent offspring born blind, diseased and maimed ... doomed to a life of misery. The subject of syphilis must no longer remain hushed, but must be fought in the open like any other dangerous contagious disease ... humanity must be enlightened! Ignorance must be abolished! Young and old ... rich and poor ... "
    • Connessioni
      Edited into Muchachada nui: Episodio #2.5 (2008)
    • Colonne sonore
      Wedding March
      (uncredited)

      Music by Felix Mendelssohn

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    Dettagli

    Modifica
    • Data di uscita
      • 28 aprile 1938 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Human Wreckage
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Azienda produttrice
      • Cinema Service Corp.
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      57 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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