Praise

I'm just not too sure about this film. I loved the book, but somehow the film is just missing something. I think that you are not treated to as much of Gordon's inner thoughts and motivations, and so he comes off as less of a sympathetic character than in the novel. I concede, though, that it would have been quite difficult to achieve some sort of balance in the portrayal of the main protagonists, especially considering that Cynthia is such a dominant, aggressive (albeit sexually) personality.

Despite my misgivings though, the performances are fantastic, especially Sacha Horler as Cynthia.

Probably a common gripe from anyone living in Brisbane is that although the film is set here, it is so obviously not filmed here. I've heard all the stories about budget constraints and what not, but it still irks me (and many others) that a cult brisbane novel was filmed in sydney, no matter how universal its themes.

Loved the book, I've read it many times, but the movie did leave out much of the plot. The book was more sexually charged, less depressing with greater depth. Had some great dark comedic moments though probably greatly exaggerated from McGahan's own experiences.

I lived in Brisbane during the early 90's with my girlfriend at a boarding house in inner city Windsor. A few old alcoholics lived in the rooms above. We were poor uni students so the book takes me back to that time. I can relate to those wasted days of drugs, alcohol, sex and strange nights out in The Valley.

I'd say a lot of Andrew McGahan's novel would be autobiographical as he went to The University of Queensland though dropped out before finishing his Arts Degree. He probably worked at one of the local bottle shops like the RE, Regatta or the Cri, had a sex crazy girlfriend and drank a lot of alcohol and experimented with drugs as you do.

This is a coming of age story that I believe many could relate to from their youth. You must read the novel, it's great.

The term "loser" to an Australian ear has a nasty harsh American stridency to it which seems to absolve the person uttering it from any sympathy for the "loser" in question. Now Gordon and Cynthia are definitely "losers" but at the end of this film we see beauty in an otherwise fairly pathetic pair. Gordon, in his mid-twenties, a country boy who's drifted to the city, works in a bottle store and lives in a once grand but now squalid rooming house occupied by various broken-down old men. He meets Cynthia, a barmaid, at work and for no particular reason they both quit. She moves in with him when her military parents are transferred. Gordon's chief recreation is drinking, and hers is sex, and after a while Gordon is dreading going to bed. Yet something happens between them and affection grows, even though we can see it's hopeless. There is beauty even in a doomed relationship between two misfits.

Quite why their lives have become so aimless is not really explored; both seem to have untraumatic backgrounds and neither is really cut off from their families. Gordon's lost love Rachel appears towards the end but he's lost interest in her, too. Gordon is at home amongst the deros, prematurely old, out of steam, life over before it really got started.

It sounds depressing and it is, but the relationship is tender and warm - a less melodramatic version of "Leaving Las Vegas." The story is set in Brisbane, though apparently not filmed there, and the humid stifling summer atmosphere is well evoked. It doesn't really explain the lack of motivation though.

I don't know who reads these things, but if anybody with any power or clout or interest could please note that this is a great film. Without a doubt much better than THE BLAIR WITCH PROJECT or GO! or any other film you can name from last year's SUNDANCE FILM FESTIVAL.

I was one of the lucky audience members that was exposed to Curan's unique vision. Beauty was found in the most disgusting places.

It's been a year since I've seen this film. A number of my friends have had to read the book (which is available in the US) instead of watching miss Sacha Horler's performance --which apparently won her an award in Australia. Great job!

Please bring this film to America. I don't care if I need to order my own copy... this is not to be missed and, sadly, this entire country has missed out on it.

Thank you for your kind attention.

Like the previous reviewer I read about "Praise's" appearance in our local art theatre (may have been the same showing) and came down to check it out. Like great writing, great film-making successfully journals the trials of everyday human conditions, rather than stringing together cinematic cliches. "Praise" accomplishes this as we immediately believe there are no actors, only we the audience feeling rather voyueristic and nodding with every move Gordon & Cynthia make as if we would have done the same. Unlike many directors, John Curran leaves much to his audience's judgement. I knew I'd watched the great telling of a great story, but also had a sincere appreciation for Curran's respect of our integrity as viewers. I'm left wondering why it took two years for "Praise" to reach Hollywood. Did someone in Australia put it in a bottle and throw it in the ocean toward the United States, drifting toward North America while we were plagued with "Gone in 60 Seconds" and "Mission Impossible 2"? Thank you!