[go: up one dir, main page]

    Calendario delle usciteI migliori 250 filmI film più popolariEsplora film per genereCampione d’incassiOrari e bigliettiNotizie sui filmFilm indiani in evidenza
    Cosa c’è in TV e in streamingLe migliori 250 serieLe serie più popolariEsplora serie per genereNotizie TV
    Cosa guardareTrailer più recentiOriginali IMDbPreferiti IMDbIn evidenza su IMDbGuida all'intrattenimento per la famigliaPodcast IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestival CentralTutti gli eventi
    Nato oggiCelebrità più popolariNotizie sulle celebrità
    Centro assistenzaZona contributoriSondaggi
Per i professionisti del settore
  • Lingua
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista Video
Accedi
  • Completamente supportata
  • English (United States)
    Parzialmente supportata
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usa l'app
  • Il Cast e la Troupe
  • Recensioni degli utenti
  • Quiz
  • Domande frequenti
IMDbPro

Ogni maledetta domenica

Titolo originale: Any Given Sunday
  • 1999
  • R
  • 2h 42min
VALUTAZIONE IMDb
6,9/10
129.195
LA TUA VALUTAZIONE
Cameron Diaz, Al Pacino, James Woods, Dennis Quaid, Jamie Foxx, and LL Cool J in Ogni maledetta domenica (1999)
Commedia darkDrammaSport

Uno sguardo dietro le quinte si sofferma sulle lotte di vita e di morte dei gladiatori moderni e di coloro che li guidano.Uno sguardo dietro le quinte si sofferma sulle lotte di vita e di morte dei gladiatori moderni e di coloro che li guidano.Uno sguardo dietro le quinte si sofferma sulle lotte di vita e di morte dei gladiatori moderni e di coloro che li guidano.

  • Regia
    • Oliver Stone
  • Sceneggiatura
    • Daniel Pyne
    • John Logan
    • Oliver Stone
  • Star
    • Al Pacino
    • Dennis Quaid
    • Cameron Diaz
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,9/10
    129.195
    LA TUA VALUTAZIONE
    • Regia
      • Oliver Stone
    • Sceneggiatura
      • Daniel Pyne
      • John Logan
      • Oliver Stone
    • Star
      • Al Pacino
      • Dennis Quaid
      • Cameron Diaz
    • 499Recensioni degli utenti
    • 112Recensioni della critica
    • 52Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 9 candidature totali

    Video1

    Theatrical Trailer
    Trailer 2:12
    Theatrical Trailer

    Foto69

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 63
    Visualizza poster

    Interpreti principali99+

    Modifica
    Al Pacino
    Al Pacino
    • Tony D'Amato
    Dennis Quaid
    Dennis Quaid
    • Jack 'Cap' Rooney
    Cameron Diaz
    Cameron Diaz
    • Christina Pagniacci
    James Woods
    James Woods
    • Dr. Harvey Mandrake
    Jamie Foxx
    Jamie Foxx
    • Willie Beamen
    LL Cool J
    LL Cool J
    • Julian Washington
    Matthew Modine
    Matthew Modine
    • Dr. Ollie Powers
    Jim Brown
    Jim Brown
    • Montezuma Monroe
    Lawrence Taylor
    Lawrence Taylor
    • Luther 'Shark' Lavay
    Bill Bellamy
    Bill Bellamy
    • Jimmy Sanderson
    Andrew Bryniarski
    Andrew Bryniarski
    • Patrick 'Madman' Kelly
    Lela Rochon
    Lela Rochon
    • Vanessa Struthers
    Lauren Holly
    Lauren Holly
    • Cindy Rooney
    Ann-Margret
    Ann-Margret
    • Margaret Pagniacci
    Aaron Eckhart
    Aaron Eckhart
    • Nick Crozier
    Elizabeth Berkley
    Elizabeth Berkley
    • Mandy Murphy
    Charlton Heston
    Charlton Heston
    • AFFA Football Commissioner
    John C. McGinley
    John C. McGinley
    • Jack Rose
    • Regia
      • Oliver Stone
    • Sceneggiatura
      • Daniel Pyne
      • John Logan
      • Oliver Stone
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti499

    6,9129.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Recensioni in evidenza

    8bkoganbing

    The Business of Sports

    When Oliver Stone isn't flaunting wild conspiracy theories, he actually gets down to the business of making some really good films. And Any Given Sunday is definitely one of those.

    It's a difficult perspective for me to write about this movie as my favorite spectator sport is baseball rather than football. But the business end of it is virtually the same. Curiously enough I was in Miami last week and saw the Florida Marlins home opener. They are going through some of the same dealings with the Miami city fathers about a new stadium that you see Cameron Diaz having with Clifton Davis in this film. There's a possibility that Miami will not have its major league baseball franchise soon.

    Cameron Diaz is the young owner of the Miami Sharks professional football team who inherited it from her late father who is described as one of the prominent owners in the sport, a kind of combination of Wellington Mara and George Halas. Her father gave Coach Al Pacino complete latitude to deal with his players, but Cameron is taking George Steinbrenner as her role model.

    Al Pacino joins the ranks of players who have done outstanding portrayals of athletic coaches. It's an honorable tradition going back to Pat O'Brien as Knute Rockne. I'm not sure how Rockne would have done in the era of seven figure salaries, but Pacino is adapting the best way he can.

    When I was a kid in NYC in the fifties following our three major league baseball teams, one of the great constants was Casey Stengel winning that American League pennant for the New York Yankees with Yogi Berra behind the plate. The catcher's job is similar to the quarterback's in football in that he sees the whole game and actually sets the pace in calling the pitches. As Yogi's skills deteriorated over time, Casey could never quite pull the plug on him as the regular catcher. As a result, Elston Howard who would have been a regular on any other team never amassed the statistics that probably would have put him in the Hall of Fame.

    Pacino has that kind of dilemma here. A veteran quarterback in Dennis Quaid and an up and coming talent in Jamie Fox. Quaid's skills are deteriorating, but he has the heart of a warrior which Pacino tells him in my favorite moment in the film. And the lesson Fox learns from Pacino and Quaid is that if the team doesn't respect you, you don't lead winners. And winning is the bottom line.

    There are a whole lot of good performances here in minor roles, the hallmark of a great film. James Woods as the slimy team doctor, Ann-Margret as Cameron Diaz's mother, LL Cool J as a defensive lineman who may have taken one hit too many. And what a casting coup Oliver Stone pulled off in getting Charlton Heston for a small role as the football commissioner. Who better to run professional football than the guy who brought the Ten Commandments down from Mount Sinai.

    I think even non-sports fans can appreciate this film.
    7noralee

    Professional Football Meets Its Match in Oliver Stone

    I thought what a great combo for "Any Given Sunday" - Oliver Stone and professional football -- excess meets its match.

    So I grabbed a chance to go to the movies with my sons. They got a lot more out of the first and third thirds of the movie that are football games, which I couldn't follow at all, knowing zilch about football so I missed any references to significances of plays and strategies and didn't recognize the zillion football players past and present in bit parts, but I got other visual and music references they didn't.

    The football field is explicitly a jungle, with the sounds like an elephant herd crashing. Of course Stone never says or shows once what he can get across 5 times, so the jungle fever point of the primalness of sports as a venue for male violence is accompanied by Native American chants, aboriginal and Asian Indian mystic strains as well. I don't know enough about rap to judge those selections -- I could tell there were lots of lyrics about "niggaz" working for The Man type of thing.

    The second third should have appealed to me as that's when the huge ensemble has personal interactions and we learn all their selfish, dastardly, unpleasant motivations, but I was on sensory overload. Example: Al Pacino as the Old Guard Coach calls in Jamie Foxx as the suddenly first string quarterback (in a terrific performance), for a tête a tête on the pro's of Jazz over Rap, as a metaphor of the old football of finesse (what? all those flashbacks to black & white football games were of a subtle sport?). But when Foxx walks in Pacino has "Ben Hur" playing on a wide-screen TV. As if we didn't get the point Foxx actually says "The old gladiators, huh?" If we still didn't get the point the conversation keeps intercutting with the chariot race. And if we still didn't get the point of any reference in the conversation to racial issues then intercuts to the galley slave scenes from "Ben Hur" THEN on top of that, the NFL commissioner who puts the Bitch Owner in her place for trying to play with the Big Old Guys is none other than Charlton Heston.

    No one just has a conversation -- everyone shouts, usually at the same time, so I had to close my eyes and I'm not sure if I missed something.

    This is Sunbelt Football of expansion teams where the sport is not a Fall/Winter season - so the women were everywhere in tank tops, cleavage, midriffs bare and hips swinging, even Cameron Diaz as the Bitch Owner. Though all the women are really high priced prostitutes (even usually sweet Lauren Holly is a hardened cold Football Wife).

    What I don't think I missed was Stone's outsize determination to ignore the homo-erotic aspects of male sports violence that "Fight Club" reveled in. Aw come on Stone, not a single gay player in the closet? He crowds the behemoths into locker rooms and showers that can barely contain their bodies--but he's so afraid of showing them in contact that he even at one point has one throw a baby alligator into the shower so they scatter.

    Everyone is criticized-- including the sportscasters, which Stone revels in playing one (I think in general this movie is a show down between Stone and Spike Lee as it takes on more racial issues than he's done in the past). What a coincidence that ESPN is continually bad-mouthed when there's a big legible credit at the end to Turner Sports Network when this is a Time Warner movie and ESPN's a competitor.

    Stone of course goes out of his way to link football with war, to fit into his oeuvre, with battle quotes from Vince Lombardi and some sort of link with Pacino's father dying in WWII that was irrelevant it seemed to me.

    I think this is Dennis Quaid's at least third football movie and in the genre of such movies as "North Dallas 40," "Longest Yard," "Great American Hero," etc. and this joins that pantheon as a terrific football movie.

    The music selections were by Robbie Robertson (with Paul Kelly but I'm not sure which Kelly that is) and he did as seamless a job as he's done for Martin Scorcese. The music credits at the end were impossible to read -- in 3 columns of a vertical font that was like watching the credits on TV - plus the movie continues under the credits so all those who bolted missed the ending.

    Professional football deserves to be Oliver Stoned. But if I never saw any more football that'll be fine with me.

    (originally written 12/27/1999)
    tiffybop

    Loved It!

    I think the movie as a whole was excellent. Oliver Stone did a great job, I felt as though I was inside the screen. The almost 3 hours didn't even feel like it, it felt like watching a Football game on Any Given Sunday. Jamie Foxx did a great job, you loved him at times and hated him at times, and he gave you great reason to do either. And of course Al Pacino was the man as always, playing a coach with heart and blowing you away at the end. Cameron Diaz was the best wicked witch, just a hard-core display of a woman of the millenium. All in all, anyone who thinks this movie had no plot, wasn't paying attention. All you have to do is see the change in the characters throughout the movie, and what the game meant to each one of them: from the owner, to the coach, to the players, to the doctors, to the families. Perfect example is the characters of both Ann Margaret and Lauren Holly. There is a lot of meaning in this movie. Kudos!
    8SeminolePhenom

    What professional football is really like...

    Tony D'Amato(Al Pacino) is the head coach of the Miami Sharks who are owned by the Christina Pagniacci(Cameron Diaz) who is using the Miami Franchise only for profit. Trouble stirs up after long time star quarterback Cap Rooney(Dennis Quaid)is injured along with his back up bringing in third string quarterback Willie Beamen(Jamie Foxx) who becomes the face of the franchise after having great game after great game. The only problem is that he plays only with his head and not with his heart, with an aging team that needs an emotional leader to guide them to victory. Also Starring: James Woods, Matthew Modine, LL Cool J, Bill Bellemy, Lawrence Taylor, Charelton Heston, Aaron Eckhart, and John C. McGinley.

    In a cinema that rarely produces pro football movies, this is the cream of the crop. It captures the reality along with the heroic story of a nobody rising to the top. The movie is humorous, dramatic, and a thriller for all sports fans.

    This is not only one of Oliver Stone's best films but this is also the start of Jamie Foxx's "good" acting career. Forget what the critics said about Collateral or Ray being the beginning for Jamie Foxx. It was Any Given Sunday. Willie Beaman is a complex character and Foxx nailed the part. He was magnificent. He played the part to perfection and out shined the great Al Pacino. The supporting cast was also incredible with great performances from Cameron Diaz, LL Cool J, James Woods, and surprisingly John C. McGinley. It is very rare to find a great dramatic football movie but this is definitely one those small few.

    Overall, this is one of the greatest sports movies of all time and it is highly enjoyable for adult audiences.

    I highly recommend this movie.
    7Don-102

    A Dizzying, Entertaining Peek Into Pro Football...Stone Style

    Sports movies are tough to make. Creating the essence of the actual event is the toughest. Most films fall short in the editing process of the event or through sheer carelessness and lack of knowledge. ANY GIVEN SUNDAY is somewhat of an exception. It is hard-hitting and bloody like NORTH DALLAS FORTY. It is actually conventional when you think about it, like a warped RUDY. It is a hell of a lot more realistic than say, NECESSARY ROUGHNESS. These are all football films with varying degrees of success (except ROUGHNESS), but Oliver Stone, in his usual over the top way, throws a dizzying, mind-splitting film at us, much like the sport itself. This is why I liked it.

    Oliver Stone began a wicked spell of filmmaking with JFK, evident in its editing style. Fast-paced, black and white mixed with color, documentary-like methods ensued in NATURAL BORN KILLERS, NIXON, and the ghastly U-TURN. Nothing is new here with ANY GIVEN SUNDAY. Football is a battlefield Stone chooses to depict and depict it he does. Even the most ardent fans of the sport do not really know what it is like for a quarterback to drop back and get rid of a piece of pigskin before 11 players maul him. You certainly get the idea watching this.

    Al Pacino is the dried up head coach of the fictional Miami Sharks and he barks out the usual coaching cliches you hear in press conferences after real games. Pacino also seems to be sleep-walking through the picture. At times, he appears drunk even when he is not supposed to be. Cameron Diaz's character, a young chick owner, (yeah right) destroys any credibility the film may have had going in (Even the NFL would have nothing to do with this movie). Her constant bickering is so over-done, you almost feel like hurling much the way Jamie Foxx does every time he enters a game as the team's 3rd string quarterback. Realisticly speaking, this is not a very sane film about football. It is a maniacal celebration of the game. The scenes on the field are the ones I cherished. Beware of the locker room or domestic sequences.

    No one has ever put such energy into football scenes in a film before. He definitely had some good consultants. There are some comical cameos - Johnny Unitas and Dick Butkus play opposing coaches. Lawrence Taylor can actually act a teeny bit and Jim Brown shares the film's best off the field scene with Pacino in a bar. Stone tries to show us how the game has changed. He resonates past glory with quotes from Lombardi, dissolves showing Red "the Galloping Ghost" Grange, and even Unitas handing off to Ameche. TV has changed everything, says the coach, and he is right. It seems to be all about the money nowadays.

    That is the message, but you'll find yourself losing that idea in the lunacy of ANY GIVEN SUNDAY and the bone-crushing, ear-damaging football scenes. They are filmed and cut with such raw intensity, you feel like playing afterwards. This is definitely a film for football fans only unless you like big, sweaty men. Is there a big game at the end that needs to be won? Yes, and this surprised me considering how unconventional Stone usually is. Basically, surrender your senses and thought process to Stone's most entertaining film in quite some time.

    RATING: ***

    Altri elementi simili

    Friday Night Lights
    7,2
    Friday Night Lights
    Wall Street
    7,3
    Wall Street
    Chi non salta bianco è
    6,8
    Chi non salta bianco è
    Le riserve
    6,6
    Le riserve
    Carlito's Way
    7,9
    Carlito's Way
    Il sapore della vittoria - Uniti si vince
    7,8
    Il sapore della vittoria - Uniti si vince
    Comandante
    6,9
    Comandante
    Seduzione pericolosa
    6,8
    Seduzione pericolosa
    Varsity Blues
    6,5
    Varsity Blues
    Il ragazzo e il grande elefante
    5,1
    Il ragazzo e il grande elefante
    Any Given Sunday
    Any Given Sunday
    Nato il quattro luglio
    7,2
    Nato il quattro luglio

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Dennis Quaid's character Cap Rooney's house is really Miami Dolphin quarterback Dan Marino's house.
    • Blooper
      During the playoff game which was played in Dallas, the on-screen scoreboard shows the Miami Sharks on the bottom of the scoreboard which, in American sport, is the usual place for the home team.
    • Citazioni

      Tony D'Amato: I don't know what to say, really. Three minutes to the biggest battle of our professional lives. All comes down to today, and either, we heal as a team, or we're gonna crumble. Inch by inch, play by play. Until we're finished. We're in hell right now, gentlemen. Believe me. And, we can stay here, get the shit kicked out of us, or we can fight our way back into the light. We can climb outta hell... one inch at a time. Now I can't do it for ya, I'm too old. I look around, I see these young faces and I think, I mean, I've made every wrong choice a middle-aged man can make. I, uh, I've pissed away all my money, believe it or not. I chased off anyone who's ever loved me. And lately, I can't even stand the face I see in the mirror. You know, when you get old, in life, things get taken from you. I mean, that's... that's... that's a part of life. But, you only learn that when you start losin' stuff. You find out life's this game of inches, so is football. Because in either game - life or football - the margin for error is so small. I mean, one half a step too late or too early and you don't quite make it. One half second too slow, too fast and you don't quite catch it. The inches we need are everywhere around us. They're in every break of the game, every minute, every second. On this team we fight for that inch. On this team we tear ourselves and everyone else around us to pieces for that inch. We claw with our fingernails for that inch. Because we know when add up all those inches, that's gonna make the fucking difference between winning and losing! Between living and dying! I'll tell you this, in any fight it's the guy whose willing to die whose gonna win that inch. And I know, if I'm gonna have any life anymore it's because I'm still willing to fight and die for that inch, because that's what living is, the six inches in front of your face. Now I can't make you do it. You've got to look at the guy next to you, look into his eyes. Now I think ya going to see a guy who will go that inch with you. Your gonna see a guy who will sacrifice himself for this team, because he knows when it comes down to it your gonna do the same for him. That's a team, gentlemen, and either, we heal, now, as a team, or we will die as individuals. That's football guys, that's all it is. Now, what are you gonna do?

    • Curiosità sui crediti
      During the end credits, D'Amato accepts an award and tells of his future plans with the league.
    • Versioni alternative
      Alternate television versions of several scenes were filmed.
    • Connessioni
      Edited into Ann-Margret: Från Valsjöbyn till Hollywood (2014)
    • Colonne sonore
      Ghost Dance
      Written by Robbie Robertson and Jim Wilson

      Performed by Robbie Robertson

      Courtesy of Capitol Records

      Under license from EMI-Capitol Music Special Markets

    I più visti

    Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
    Accedi

    Domande frequenti

    • How long is Any Given Sunday?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 7 aprile 2000 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Un domingo cualquiera
    • Luoghi delle riprese
      • Texas Stadium - 2401 E. Airport Freeway, Irving, Texas, Stati Uniti(Dalla Knights Home Ground and Climactic Game)
    • Aziende produttrici
      • Warner Bros.
      • Ixtlan
      • Donners' Company
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 55.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 75.530.832 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 13.584.625 USD
      • 26 dic 1999
    • Lordo in tutto il mondo
      • 100.230.832 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 42 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 2.39 : 1

    Contribuisci a questa pagina

    Suggerisci una modifica o aggiungi i contenuti mancanti
    Cameron Diaz, Al Pacino, James Woods, Dennis Quaid, Jamie Foxx, and LL Cool J in Ogni maledetta domenica (1999)
    Divario superiore
    What is the Japanese language plot outline for Ogni maledetta domenica (1999)?
    Rispondi
    • Visualizza altre lacune di informazioni
    • Ottieni maggiori informazioni sulla partecipazione
    Modifica pagina

    Altre pagine da esplorare

    Visti di recente

    Abilita i cookie del browser per utilizzare questa funzione. Maggiori informazioni.
    Scarica l'app IMDb
    Accedi per avere maggiore accessoAccedi per avere maggiore accesso
    Segui IMDb sui social
    Scarica l'app IMDb
    Per Android e iOS
    Scarica l'app IMDb
    • Aiuto
    • Indice del sito
    • IMDbPro
    • Box Office Mojo
    • Prendi in licenza i dati di IMDb
    • Sala stampa
    • Pubblicità
    • Lavoro
    • Condizioni d'uso
    • Informativa sulla privacy
    • Your Ads Privacy Choices
    IMDb, una società Amazon

    © 1990-2025 by IMDb.com, Inc.