Alla fine del secolo, Satana visita New York alla ricerca di una sposa. Spetta a un ex poliziotto che ora gestisce un gruppo di sicurezza d'élite per fermarlo.Alla fine del secolo, Satana visita New York alla ricerca di una sposa. Spetta a un ex poliziotto che ora gestisce un gruppo di sicurezza d'élite per fermarlo.Alla fine del secolo, Satana visita New York alla ricerca di una sposa. Spetta a un ex poliziotto che ora gestisce un gruppo di sicurezza d'élite per fermarlo.
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Recensioni in evidenza
Arnold peaked at the end of the '90s, I guess. He's battled Terminators, Greek gods, bears, alligators, planes, and macho men in fish net clothing. The only choice left is, of course, Satan. So they put together a movie about Satan and gave Arnie the lead.
I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.
Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.
It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).
"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.
Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.
The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.
I think everyone working on this thought it would be much better than it actually is. The script was in development for years and Arnie fought to get it made. It's kind of unfortunate because Arnold gives a fairly decent performance in a film muddled with clichés. Of course, it's hard enough to buy a guy with a body like Arnold being a slob who drinks beer and pizza smoothees for breakfast. Getting someone like Jim Belushi might have seemed more realistic.
Apart from the physicality, Arnold's performance is fine. He cries. He does the emotion scenes well enough - at least well enough to find bearable.
It's the direction that ruins this movie. Peter Hyams is a terrible director and has ruined some very unique films in the past (his most notorious butchering in my opinion was of a 1983 Michael Douglas film called "The Star Chamber" - great premise, awful directing).
"End of Days" is like "Exorcist" meets every supernatural thriller ever made. On top of that, Gabriel Byrne should be more menacing. Robin Tunney should be less butch-looking. The direction shouldn't feel like some low-grade TV commercial - all style, no substance.
Is the movie terrible? No. It's not as bad as everyone made it out to be. But it's pretty much the definition of "mediocre." Do I own it on DVD? Hell yeah. It's an Arnold movie - it's an automatic must-buy. But if you're not a fan of Arnie, I wouldn't recommend it - at all. It pretty much feels like any average made-for-TV scary-flick - with even worse direction.
The only other good aspect of this film was that it brought Axl Rose out of seclusion to record his first original song in seven years with a new incarnation of Guns N' Roses. The song, "Oh My God," didn't do too well with the critics. A bit of a shame, really. I dug it. It also fits the industrial, edgy tone of the film.
As we approach the turn of the millennium, the Devil seeks to fulfill the prophecies about the birth of the Antichrist, looking for a bride in New York. Directed by Peter Hyams, with a script by Andrew W. Marlowe, this film has Arnold Schwarzenegger, Gabriel Byrne and Robin Tunney in the main roles.
One of the last films of the past millennium, it precisely addresses the end of it and the apocalyptic prophecies about that. It's a quite grim film, which puts the audience in suspense from the very beginning. The dark picture helps to amplify these feeling, with the most scenes taking place at night or on foggy or rainy days in New York, depicted like a real and decadent "sin city". The darkest character is undoubtedly the Devil, but the police fighting against him (played by Schwarzenegger) also has to face his own demons: alcohol, deep depression, lack of faith and lack of self-confidence, in a double combat, physical and psychological.
The film has great action scenes which strangely cohabit with several heavier scenes, almost terror. In fact, this is the major flaw of the film: it lives in a permanent dilemma between terror and action, thriller and suspense. We cannot say it's a horror movie or a thriller, or action. It's a mixture of all, which ends up easily displeasing the public looking for just one (particularly the terror lovers, as the film never gets to scare us truly). The climax is very interesting, makes good use of special visual and sound effects, manages to surprise and not be predictable, but some of the effects (the monster) are so "cliché" and far-fetched that destroy what was good.
The work of the actors is fairly good. This film marks the end of a comedy decade in Schwarzenegger's career, and he seems convincing in his role and doesn't make mistakes, giving another proof of versatility. He wanted, truly, show that it's not only a lot of muscles, and he succeeded. Robin Tunney looks a bit bland and hysterical in the role of Christine. Byrne made an interesting devil, very calm and cold, able to boot chills through the simple look. The soundtrack doesn't stand out particularly, with the exception of "Agnus Dei", it's main music, combining incidental chords with small arrangements of Gregorian chant.
One of the last films of the past millennium, it precisely addresses the end of it and the apocalyptic prophecies about that. It's a quite grim film, which puts the audience in suspense from the very beginning. The dark picture helps to amplify these feeling, with the most scenes taking place at night or on foggy or rainy days in New York, depicted like a real and decadent "sin city". The darkest character is undoubtedly the Devil, but the police fighting against him (played by Schwarzenegger) also has to face his own demons: alcohol, deep depression, lack of faith and lack of self-confidence, in a double combat, physical and psychological.
The film has great action scenes which strangely cohabit with several heavier scenes, almost terror. In fact, this is the major flaw of the film: it lives in a permanent dilemma between terror and action, thriller and suspense. We cannot say it's a horror movie or a thriller, or action. It's a mixture of all, which ends up easily displeasing the public looking for just one (particularly the terror lovers, as the film never gets to scare us truly). The climax is very interesting, makes good use of special visual and sound effects, manages to surprise and not be predictable, but some of the effects (the monster) are so "cliché" and far-fetched that destroy what was good.
The work of the actors is fairly good. This film marks the end of a comedy decade in Schwarzenegger's career, and he seems convincing in his role and doesn't make mistakes, giving another proof of versatility. He wanted, truly, show that it's not only a lot of muscles, and he succeeded. Robin Tunney looks a bit bland and hysterical in the role of Christine. Byrne made an interesting devil, very calm and cold, able to boot chills through the simple look. The soundtrack doesn't stand out particularly, with the exception of "Agnus Dei", it's main music, combining incidental chords with small arrangements of Gregorian chant.
END OF DAYS / (1999) **1/2 (out of four)
By Blake French:
"End of Days" is the first movie to seriously argue that "666" the numerical sign of the devil, is actually a 999 upside-down. Since the film was first released in 1999, the movie could not resist to throw in that little contrivance. What can you expect from a movie when its premise is based on the concept that once every thousand years if Satan impregnates a woman during the hour from 11 p.m. to 12 a.m. on the last day of the millennium, she will give birth to the anti-Christ who will bring the world to an end? I am already thinking that the movie is vulnerable to logic (is the time given in Eastern Standard?) and it will make its own limitations at the convenience of plot. "End of Days" is particularly graphic in its use of violence, but never really scares us, even with such a horrifying premise like the end of humanity.
Arnold Schwarzenegger has not made a good movie in a long time. First "Jingle all the Way," then "Batman & Robin," now we have a movie that bounces back and forth between action and concept. There are the standard "action movie scenes," where a person sways from a helicopter in mid air, where a chase scene takes place at incredible heights, where someone grasps to a high window ledge, where a subway train crashes, where a massive fire erupts in Manhattan, and so on. There are also the false shocko moments followed with a sudden burst of loud, startling music: the its just a cat scene, its just another cop scene, its just a dream scene, its just your imagination scene, he's not really dead scene, and its just maggots suddenly growing out of an apple scene. The movie is also bound by philosophy. The action is focused towards Schwarzenegger saving the world, but he cannot do that all by himself, can he? Sure he can, if he can stop Satan (Gabriel Bryne), from impregnating Christine (Robin Tunney), who was born under the religious sign of a passing comet -- and based on her birth twenty years earlier during the sighting of that comet is the chosen mother of Satan's child.
"End of Days" begins with an intriguing, although plausible, premise. The bizarre events that transpire a few days before the end of the millennium immediately inspire our curiosity. The action sequences are also fine, intensified by thrilling music and a fast paced style. The movie opens on a good note, and the remainder of the action sequences are also quite exciting. The scenes also inspire a few questions. Satan kills many people in this movie, people just like the hero, so why doesn't he just finish Arnold Schwarzenegger off like he does with so many other characters. On the other side, Schwarzenegger shoots the devil, who pulls his shirt up so we can see the bullet holes immediately healing. When using a machine-gun, the ammunition flings the Prince of Darkness backward and puts him down before he attacks again. There are simply no rules to abide by here.
"End of Days" does not have a whole lot of explanation; it plays sort of like your run of the mill action picture with the gimmick of the week. There just is not a lot of true involvement or engagement after the premise. We do care about Arnold Swarzzenegger's character, and Gabrial Bryne is an especially convincing Satan. He is devilish, with fiendish appeal, proving that tranquillity is the most terrifying evil. Al Pachino did an equally diabolical job in "The Devils Advocate," but Bryne is even more terrifying. Robin Tunney has nothing to do but exchange shameless subtext with Schwarzenegger's character. ("You're better than everyone else, just remember that." "I don't want to be better or worse, I just want to be normal.") She is more of a plot device than an actual character.
Excellent convincing set designs appear frequently, especially near the end where the characters wander through dark chambers and dim hallways. Cinematography also adds a nice touch to the suspenseful, mysterious atmosphere, all done by the movie's director, Peter Hyams ("The Relic"). It is too bad such good filmmaking does not have a story fit enough to back it up. One more thing I just have to mention: Why do the cops always show up at the end of the movie, after the action is over. I am getting very tired of that.
By Blake French:
"End of Days" is the first movie to seriously argue that "666" the numerical sign of the devil, is actually a 999 upside-down. Since the film was first released in 1999, the movie could not resist to throw in that little contrivance. What can you expect from a movie when its premise is based on the concept that once every thousand years if Satan impregnates a woman during the hour from 11 p.m. to 12 a.m. on the last day of the millennium, she will give birth to the anti-Christ who will bring the world to an end? I am already thinking that the movie is vulnerable to logic (is the time given in Eastern Standard?) and it will make its own limitations at the convenience of plot. "End of Days" is particularly graphic in its use of violence, but never really scares us, even with such a horrifying premise like the end of humanity.
Arnold Schwarzenegger has not made a good movie in a long time. First "Jingle all the Way," then "Batman & Robin," now we have a movie that bounces back and forth between action and concept. There are the standard "action movie scenes," where a person sways from a helicopter in mid air, where a chase scene takes place at incredible heights, where someone grasps to a high window ledge, where a subway train crashes, where a massive fire erupts in Manhattan, and so on. There are also the false shocko moments followed with a sudden burst of loud, startling music: the its just a cat scene, its just another cop scene, its just a dream scene, its just your imagination scene, he's not really dead scene, and its just maggots suddenly growing out of an apple scene. The movie is also bound by philosophy. The action is focused towards Schwarzenegger saving the world, but he cannot do that all by himself, can he? Sure he can, if he can stop Satan (Gabriel Bryne), from impregnating Christine (Robin Tunney), who was born under the religious sign of a passing comet -- and based on her birth twenty years earlier during the sighting of that comet is the chosen mother of Satan's child.
"End of Days" begins with an intriguing, although plausible, premise. The bizarre events that transpire a few days before the end of the millennium immediately inspire our curiosity. The action sequences are also fine, intensified by thrilling music and a fast paced style. The movie opens on a good note, and the remainder of the action sequences are also quite exciting. The scenes also inspire a few questions. Satan kills many people in this movie, people just like the hero, so why doesn't he just finish Arnold Schwarzenegger off like he does with so many other characters. On the other side, Schwarzenegger shoots the devil, who pulls his shirt up so we can see the bullet holes immediately healing. When using a machine-gun, the ammunition flings the Prince of Darkness backward and puts him down before he attacks again. There are simply no rules to abide by here.
"End of Days" does not have a whole lot of explanation; it plays sort of like your run of the mill action picture with the gimmick of the week. There just is not a lot of true involvement or engagement after the premise. We do care about Arnold Swarzzenegger's character, and Gabrial Bryne is an especially convincing Satan. He is devilish, with fiendish appeal, proving that tranquillity is the most terrifying evil. Al Pachino did an equally diabolical job in "The Devils Advocate," but Bryne is even more terrifying. Robin Tunney has nothing to do but exchange shameless subtext with Schwarzenegger's character. ("You're better than everyone else, just remember that." "I don't want to be better or worse, I just want to be normal.") She is more of a plot device than an actual character.
Excellent convincing set designs appear frequently, especially near the end where the characters wander through dark chambers and dim hallways. Cinematography also adds a nice touch to the suspenseful, mysterious atmosphere, all done by the movie's director, Peter Hyams ("The Relic"). It is too bad such good filmmaking does not have a story fit enough to back it up. One more thing I just have to mention: Why do the cops always show up at the end of the movie, after the action is over. I am getting very tired of that.
End of Days is a good movie with a very different storyline and a good cast,with a very strong performance from the always brilliant Arnold Schwarzenegger.I expected this movie to be an action packed movie with an Armageddon type of theme to it,and I wasn't disappointed,but I really didn't expect it to be scary,there are actually some very frightening scenes in this movie,mainly any of Gabriel Byrne's scenes,and its a lot scarier than some of the ridiculous horror movie you would see today that aren't at all frightening.The movie is very unpredictable,and I was surprised it got such bad reviews,I really enjoyed it,it certainly wasn't perfect,but it didn't deserve any Razzie nominations.Arnold Schwarzenegger did a fantastic performance,Gabriel Byrne was very creepy and believable,and Peter Hyams did a great job directing this movie,it looked beautiful,none of them deserved Razzie nominations.Its certainly not Arnold Schwarzenegger's finest film,but fans of the actor will get a great kick out of this movie.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
As the world reaches the year 2000,the Devil (Gabriel Byrne) is in search of Christine York (Robin Tunney) to make her his bride,its not up to police officer Jericho Cane (Arnold Schwarzengger) to keep her safe.
The 1999 movie "End of Days" from writer Andrew W. Marlowe and director Peter Hyams is definitely a noteworthy addition to Arnold Schwarzenegger's impressive movie career, especially since it is a nice change of genre for the action star.
Oddly enough, I think I've only seen "End of Days" three times since 1999, with the most recent being just now here in 2022. But I will say that this movie is very enjoyable and entertaining, and I like that there is much more to the storyline than just having Arnold beat up a bunch of henchmen while getting to the final showdown against whomever wronged him at the end of the movie. So thumbs up to writer Andrew W. Marlowe for the script and storyline in "End of Days". You should keep in mind that this movie is heavy set with a religious theme, just as a heads up.
Visually then "End of Days" is a good movie, lots of great special effects, which were necessary for a fantasy horror movie of this caliber.
I will say that the leading roles of Arnold Schwarzenegger (playing Jericho) and Gabriel Byrne (playing The Man) were interesting casting choices, but they worked out quite well. It was refreshing to see Schwarzenegger in a movie such as "End of Days". And needless to say that the charismatic Gabriel Byrne was just phenomenally well-cast for his role. The movie also have the likes of Udo Kier, Rod Steiger and Luciano Miele on the cast list. Good acting performances from all involved in the movie helped bring the movie to life in a believable manner on the screen.
"End of Days" is a movie that is very much watchable and enjoyable today, 23 years after it was initially released. If you enjoy Arnold Schwarzenegger movies, and haven't already seen "End of Days", then this is definitely a movie I will recommend you track down and watch. It is a way more dark and gritty movie than Schwarzenegger usually starred in.
My rating of "End of Days" lands on a seven out of ten stars.
Oddly enough, I think I've only seen "End of Days" three times since 1999, with the most recent being just now here in 2022. But I will say that this movie is very enjoyable and entertaining, and I like that there is much more to the storyline than just having Arnold beat up a bunch of henchmen while getting to the final showdown against whomever wronged him at the end of the movie. So thumbs up to writer Andrew W. Marlowe for the script and storyline in "End of Days". You should keep in mind that this movie is heavy set with a religious theme, just as a heads up.
Visually then "End of Days" is a good movie, lots of great special effects, which were necessary for a fantasy horror movie of this caliber.
I will say that the leading roles of Arnold Schwarzenegger (playing Jericho) and Gabriel Byrne (playing The Man) were interesting casting choices, but they worked out quite well. It was refreshing to see Schwarzenegger in a movie such as "End of Days". And needless to say that the charismatic Gabriel Byrne was just phenomenally well-cast for his role. The movie also have the likes of Udo Kier, Rod Steiger and Luciano Miele on the cast list. Good acting performances from all involved in the movie helped bring the movie to life in a believable manner on the screen.
"End of Days" is a movie that is very much watchable and enjoyable today, 23 years after it was initially released. If you enjoy Arnold Schwarzenegger movies, and haven't already seen "End of Days", then this is definitely a movie I will recommend you track down and watch. It is a way more dark and gritty movie than Schwarzenegger usually starred in.
My rating of "End of Days" lands on a seven out of ten stars.
Lo sapevi?
- QuizArnold Schwarzenegger's first film since Batman & Robin (1997). The reason for the gap was because of his heart surgery after playing Mr Freeze; the studios were anxious about whether or not they could insure him, and despite attempts to convince them he was in perfect health, he couldn't get any work until Giorni contati (1999). Even then, he was amazed when insurance people and executives from Universal came to the set just to watch him, to see if he was still up to the action scenes. They asked Schwarzenegger if he enjoyed this kind of punishment, but he said he was used to it. After the first week of shooting, the insurance guys backed off and not long after, the film offers started rolling in again.
- BlooperAlthough we see Satan move into a new body in the film, he goes to great lengths to protect his current one. This is because he's put a lot of effort into this one - he tells Christina that this is the face she's seen all her life, for instance.
- Curiosità sui creditiArnie's old body-building friend, Franco Columbu, is credited as a utility stuntman, under the name Dr Franco-Columbo.
- Versioni alternativeAllegedly, test screening versions of the film had the following alternate scenes:
- on the train sequence, before Satan leaps across the carriages, he points and says "Jericho, I will cast you down like my Father did to me at the beginning of time". This was in the test screening, but cut in the final version;
- Jericho impales himself on the statue of the angel, and is believed to be dead, but then opens his eyes and pushes himself off of the sword. His wound is miraculously healed, and then he and Christine walk out of the church.
- Colonne sonoreLittle Yurt on the Prairie
Written by David Hoffner & Kongar-ol Ondar
Published by Fields of Autumn Publishing & Tuva Much Music
Performed by Kongar-ol Ondar (as Ondar)
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Special Products
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- What exactly did Jericho mean when he called Satan a "choir boy"?
- Why did it have to be Christine York to be the mother or Satan's child? Couldn't it have been anyone?
- Who released Satan from Hell?
Dettagli
Botteghino
- Budget
- 100.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 66.889.043 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.523.595 USD
- 28 nov 1999
- Lordo in tutto il mondo
- 211.989.043 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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