Gli immortali Connor e Duncan MacLeod devono unire le forze contro Kell, un immortale malvagio che è diventato troppo forte per essere affrontato da solo.Gli immortali Connor e Duncan MacLeod devono unire le forze contro Kell, un immortale malvagio che è diventato troppo forte per essere affrontato da solo.Gli immortali Connor e Duncan MacLeod devono unire le forze contro Kell, un immortale malvagio che è diventato troppo forte per essere affrontato da solo.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Lachlan
- (as Edge)
Recensioni in evidenza
Adrian Pual really shines and gets to show his skill. He is a great martial artist and does help with setting up the fight scenes. Donnie Yen is awesome and is a good match for Adrian. Chris Lambert does a good job, he is the original Highlander. You can see his age showing through, like the rest of us he is only mortal, it happens.
If you are a fan of the series you may be a little saddened with the small parts Methos and Joe(Peter Wingfield and Jim Byrnes) got. I would have liked to see Methos come to life, maybe even a fight scene with one of Kells' followers. Joe has some screen time, but more would have added that much more to the story.
All in all, I love this movie. Even with its faults, hey were only mortals!
The series is it's own storyline, always was. It changed many of the 'established facts' of the original movie to better suit a long running series, rather than a 2 hr film. More or less, the original movie was set late in the 'game', when there were only a handful of the immortals left. The Gathering was near. In the series, the gathering isn't nearing, it's more of a legend. The number of immortals is large (Duncan does quite a bit of thinning, but still there are more), and new ones are being created all the time. This 'game' may run forever. This idea is well suited for a series, something that can last for many many many episodes. You can't string the audience along with 6 immortals for 8 seasons, it would be boring.
Taking the film for what it is, it's all right. I wasn't overly impressed, but it wasn't as annoying or repulsive as 2 and 3. Duncan was a more important character than Connor in the series. Connor was mainly there to introduce the series, and give the pilot a boost. He was really a minor character. In the series, immortals had very complex relationships, and sometimes working together for years. This was in the first movie, but in a more guarded, limited capacity. Ramirez implied he was going to move on once Connor was ready to make his own in the world, and Castagir hadn't seen Connor in 100 years, it being 200 years since they spent any time together. Not as chummy, but not 100% cold shoulder either.
The film works hard to explain differences in the life of Connor from first movie to series/last movie, doing a pretty good job, it does seem rushed, and a little contrived, but it worked. Like most Sci-Fi/Fantasy stories, the more they try to explain 'how things work' the deeper and deeper they dig themselves into a hole. This creates one of the silliest or most confusion elements of the story: transference of Quickening. Which annoyed many viewers.
Overall, for a fan of the series, this should be an enjoyable film. For fans of the original film, it may be disappointing. Personally, I am holding out for a movie version of a rumored screenplay: a biopic of Juan Sanchez Villalobos Ramirez, that Spanish Peacock!!! (Maybe Connery can be talked into it, but I won't hold my breath)
"Highlander" is a superb and woefully underrated fantasy adventure released in 1986. A high-concept swashbuckler, the film followed the notion that throughout history, a race of immortals have slowly risen- their everlasting life often the result of a traumatic original "death." Now undying, these figures have lived among us for centuries. But it comes at a cost- immortals are destined to eternal battle, only able to be killed through decapitation. Once one is slayed, their powers, memories and abilities are absorbed by the victor through a mysterious transfer known as "the quickening." In the end, there can be only one, and the last remaining immortal will be bestowed with "the gift"- an enigmatic ability that goes largely unexplained throughout the series. However, should the gift be bestowed upon one with a treacherous heart, it may very well spell a dark future for the world...
Part of the issue with the "Highlander" universe is that by virtue of the story, it's not a concept that supports the idea of a franchise. It's a one-off adventure. A self-contained tale with a distinct beginning and end. And through trying to endlessly sequalize the franchise with follow- ups, spin-offs and even animated series, it leads to an ever-growing level of contrivance and convolution. And nowhere is that more apparent than in 2000's "Highlander: Endgame."
An attempt to close the gap between the outstanding original film and the admittedly fun television franchise, we follow original movie hero Connor (Christopher Lambert) and television series lead Duncan (Adrian Paul) MacLeod, two immortals born in the Scottish Highlands centuries ago. Connor has grown cold and disconnected, as an evil immortal from his past called Jacob Kell (Bruce Payne) has been following him through the ages, and has began killing off those he holds dearest. Duncan soon learns of this treacherous villain, and of another revelation- an immortal who was once his own wife (Lisa Barbuscia) is one Kell's most devout followers. And so, our two immortal protagonists must band together to try and stop this deadly threat... but at what cost?
To give what little credit is due, there is a bit of fun to be had from time to time. Adrian Paul seems to be having an absolute blast, and there's a handful of entertaining flashback sequences to his adventures with Connor throughout the ages. It is these scenes where Lambert also is able to loosen up, and the two share a nice chemistry. It's also great fun seeing Martial Arts superstar Donnie Yen in one of his earlier American roles as one of Kell's followers. And a few of the new concepts introduced, while half-baked, are intriguing enough for long-time series fans and help expand the universe a bit.
However, any fun to be had stops with these limited and highly infrequent sequences. The script courtesy Joel Soisson is a fundamental mess. As is standard with the film franchise, continuity is thrown right out the window, with the film constantly and consistently contradicting not only previous films, but even elements from the television series. Many scenes feel forced and abrupt, and there's no real sense of pacing to be had. It's both jarring and boring all at once, causing you to check out almost instantly and never look back.
Performances outside of Paul are routinely foul and never connect with the audience. While he is given the occasional light-hearted flashback, Lambert is otherwise settled with dreary material as a man hollow from his loses, and comes off as all too bland. A real shame given how powerful he was earlier in the franchise. Barbuscia is just flat as a pancake, lacking charisma or emotion in what is merely a substandard love interest. And Payne. My god, Payne. The man doesn't chew the scenery... he swallows it whole. Alternatingly shouting and whispering his lines on a whim and over-emphasizing words at random, Payne is just a horrible joy to behold. Seriously, dude. Ease up on the caffeine!
But at least the action is good, right? Nope! Director Doug Aarniokoski seems in over his head, with the entire film imploding around him. He has no sense of style or scope, and his direction lacks basic composition and flow. Shot after piled on shot are all just bland and often uninspired, relying on first-year film-student logic, with little thought or effort. Key moments in the film lack dramatic weight or impact as a result of the haphazard staging. And even the action comes off as boring, with an over-reliance on static wide shots mixed with hilariously misjudged uses of visual effects and slow-motion. I can only assume at least once, the camera crew was confusingly told: "Well if we put the one camera somewhere vaguely over on the one side of the room... and then put another one at the other end of the room facing the opposite direction and maybe with a different lens, we can kinda cut between them and make a scene, I think? That's how directing works, right?"
The really hilarious thing though is two rather amusing side-notes to the film. First, even though it's still a mess, the DVD release has an unfinished workprint available as a special feature, with the intent of showing the audience how much a movie can change during production. And the kicker? The workprint, even in its unfinished state is a significantly better film that the final version! And the second: even the trailer was incompetent, being comprised mostly of fake footage created specifically to sell the film without being in it!
If you have to use fake footage to get people into the theater, you know your film is a mess. And so, "Highlander: Endgame" gets a very bad 3 out of 10.
I stated this in a comment I posted on IMDB.com's "Highlander The Series" section and I will state it here. Christopher Lambert is the superior actor to Adrian Paul. Not only that, but I prefer Lambert's Connor MacLeod to Paul's Duncan MacCleod. I found Connor to be an everyman character, while Paul was an over the top, over manly character. Adrian Paul is so over hunky with that muscular body and pony-tail, that he is unintentionally hilarious. Paul looks like one of those male models spoofed in the movie ZOOLANDER. Come on, the guy looks like a male stripper that should be named "Rico" or something. Guys like Adrian Paul, Antonio Banderas and Lorenzo Lamas are so over hunky that they are all unintentionally hilarious. I know the ladies love Paul, but I found I could relate to Lambert/Connor far more then I could ever relate to Paul/Duncan. Connor was an everyman with a sense of humour, and yet at the same time he came across as well cultured and as well traveled as you would expect an immortal man to be. Duncan was an otherworldy and unreal character with little sense of humour. Duncan was too dark, too brooding. And yes I did find it insulting that the focus of the movie series moved to Duncan. To hell with Duncan, Connor is the real Highlander. I like the TV show, it's very well made and has far better writing and stories then Highlander II-IV ever had. But I wish the TV show revolved around Connor instead of Duncan, if it did it would have been more then a cult favorite. If the TV show was about Connor then it would have really been something on the scale of X-Files or Star Trek. Too bad it had to be about the over the top Duncan.
Long live Connor MacLeod!! The TRUE Highlander!!!!
Lo sapevi?
- QuizFor the scene in the cemetery where Duncan and Connnor meet following the events at the Sanctuary, they originally spoke French because both Paul and Lambert are fluent. During post-production, it was decided to switch the language to Scots Gaelic.
- BlooperIn the flashback that begins "Kildare, Ireland 1712" a fuss is made over the rogues exacting a toll on Kate's carriage "by order of the King". While Connor, Duncan and even Kate's party are aware that the "King's decree" is a fake, it seems strange that no one mentions the most obvious proof of this: the reigning monarch in 1712 was Queen Anne.
- Citazioni
Methos: You know a little about Buddhist monks. Some of them come to cherish life so much that to step on an insect or harm a blade of grass becomes a violation of their creed, so the place themsleves under an extreme form of protective custody, a sanctuary of sorts. Well, for an Immortal who comes to abhor the bloodshed, there's a similar solution - a way to be removed from the game forever. Though the price is unimaginably high, but you are, for all practical purposes, protected from the violence within you.
- Versioni alternativeThe original theatrical cut has been issued on DVD in Sweden, Denmark, Finland, Norway and Germany. It is also included as a bonus DVD on the Dutch DVD release incorrectly labeled as "Earlier full-length cut 100 min."
- ConnessioniFeatured in The Cutting Edge: The Magic of Movie Editing (2004)
- Colonne sonoreBonny Portmore
Performed by Jennifer McNeil
Arranged and produced by Stephen Graziano
Recorded and mixed by Jeff Vaughn
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Highlander: Scontro finale
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 25.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 12.811.858 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.067.331 USD
- 3 set 2000
- Lordo in tutto il mondo
- 15.843.608 USD
- Tempo di esecuzione
- 1h 27min(87 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1