Aggiungi una trama nella tua linguaCI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.CI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.CI5, the British force formed by George Cowley to combat "anarchy, acts of terrorism and crimes against the public," has grown into an international force with agents from around the world.
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Apparently, CI5 is no longer hiring members from the police or armed forces, and has started recruiting at modelling agencies. The plot-lines are ludicrous, the scripts are laughable and the cast, supposedly portraying the dangerous, highly-trained peak of global law enforcement, have all the menace of rice pudding and are about as attractive. A pathetic attempt to relive the original series of "The Professionals", this latest series is totally lacking any drama, suspense, wit or talent. George Cowley would eat this bunch for breakfast.
Whilst not as good as the old series this is considerably better than anything currently showing on British tv.The scripts vary in quality but when they work they are superb.The new CI5 is far more in the mode of the CIA and the new cast and characters are more plausible and free of the "loose cannon" attitudes that reduced the old series to caricature. The cast work hard to breathe life into their characters and the action sequences are superior to most movies(although they were needlessly cut for UK transmission).
This Nineties update of a Seventies show is very enjoyable, although not as good as the original.The new cast take a few episodes to fit into their characters and Edward Woodward,excellent as he is, never matches the inventiveness of Gordon Jackson's Cowley.The first few episodes are very similar to the old series but the new crew develop a different and original style as the series progresses.Later episodes are more in the James Bond mould but boast impressive action sequences and an excellent score by Hywel Maggs and Chris Winter.As with the old series no one watches the Professionals for the writing but the spectacular action and the enjoyable interplay between the characters.
It's not as bad as it could have been.
I was expecting it to be utterly unwatchable, however, surprisingly, it was really not a great deal worse than the original.
I was expecting it to be utterly unwatchable, however, surprisingly, it was really not a great deal worse than the original.
I cannot agree with Jack Yan, l have just seen the New Professionals 2006, and l thought that the stories were good, strong, and very much for the 90's/00. Edward Woodward was very good and was always in command (originally Lewis Collins was earmarked for this role pity it did not happen) Collin Wells and Kal Webber did a great job, a very difficult job as well as everyone compared them to Bodie & Doyle, l think had the series ran longer they would have got better, Miss Backus (Backup in the series) was excellent and had many great parts as did Adrian Irvine... The Storys as l have said were very much for present day, Germ Warfare, Body Parts, Terrorists, and l think on the whole if you look at it in the light of day it stands up very well compared with the original, it's just a pity that they only made such a small number of episodes, but l give it an 8 out of 10
Lo sapevi?
- QuizIndependently made by director David Wickes' own production company, the series failed to sell to a mainstream terrestrial broadcaster in the UK, although it did sell to some European broadcasters. The lack of interest from the UK meant that financially the series was not going to be as lucrative as the producer hoped for. With only thirteen episodes made the series did not have enough stories to sell in syndication to US TV stations either so the series was cancelled.
- ConnessioniFollows I professionals (1977)
- Colonne sonoreThe Professionals
(title theme)
by Laurie Johnson
Arranged by Chris Winter and Hywel Maggs
Produced by David Bainbridge
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