Radio Killer

'Outside Ozona', an off-beat dark comedy/thriller directed by J.S. Cardone, is a little gem, brightened by a cast of established Hollywood actors. The story involves a serial killer, pursued by agent Lucy Webb (in a role reminiscent of Frances McDormand, in 'Fargo'), but it is really a character study of a group of people whose lives will be changed forever by the killer, during one eventful night.

Standouts in the large cast include Taj Mahal, as a burned-out deejay at a country music station, who switches the playlist to rhythm and blues, and ruminates about life; Robert Forster, portraying a good-hearted trucker dealing with loneliness following the death of his wife; Kevin Pollack and Penelope Ann Miller (who is EXCELLENT!), as an unemployed circus clown and his dancer/hooker girlfriend; and Sherilyn Fenn (cast WAY against type!), as a shrewish, materialistic woman travelling with her sister to visit their father. As each character's story unfolds, you are drawn into a rich, involving tale of humor, melancholy, and a touch of the macabre!

The film is very well-paced, and will hold your attention, throughout, and the explosive climax is both exciting and emotionally satisfying!

Take a drive down the highway 'Outside Ozona'...you'll enjoy the trip!

I liked this movie because of it's excellent character development. All except the serial killer were interesting people. However, the main protagonist was the least developed character, and that weakened the whole film. The converging story lines maintained interest for the most part, other than a couple overlong stories that were nothing more than padding. The last scene in the radio station was totally unnecessary. Acting was above average, and the desert locations felt right. When the characters eventually meet their destiny, it is handled far better than many mainstream movies. A little script tightening, and more development of the killer would have improved what is already an above average film. - MERK

It is a truly offbeat dream-poem of a movie about the loneliness of the open prairie roads on the graveyard shift. The plot winds together several seemingly unrelated storylines united by the fact that all the characters listen to the same two-bit radio station, and seem headed for a common fate. The tension occurs because a serial killer is roaming the highways among the usual losers, misfits, daffodils and lonely hearts.

It's not quite a great movie because it tried to dominate the entire experience with murky tone and forlorn bluesy dialogue, and that is a difficult meal to concoct without grinding it all to cornball mush. The movie is the cinematic equivalent of a sad saxophone wail, and while it had some great moments, that type of mood is sometimes best left to the sax, because expressing it in dialogue can ring false and corny (the Sherilyn Fenn character was an unrealisticly shallow and cardboard cliche, for example).

On the other hand, if you have a taste for the offbeat, you may really enjoy this collection of anecdotes and vignettes. Because of a "this is my song, and I'm going to sing it my way" attitude, it's more interesting than a lot of big budget studio pictures.

A very eclectic cast

A not-so-creepy tale of travelers in the night in the middle of nowheresville around the junction of Oklahoma, New Mexico and Texas. Eventually each character will cross paths with one another. In the meantime there's a serial killer out there, too. Robert Forster just did not have a big enough role in this or else maybe it coulda had a chance to better than it is. Taj Mahal as the DJ was excellent, however; his role really helped make this worth watching. Overall it did not pack enough punch and may not be that memorable in the long run. It failed to impress me that much and I will not be in a hurry to ever see it again.

5.3 / 10 Stars

--Zoooma, a Kat Pirate Screener

This movie is like a rural version of Pulp Fiction, where several subplots are drawn together at the end. It's interesting and moves along well, complete with serial killer, stripper, armed robber, budding romances, and a cool DJ. If you liked the kind of subplot dialogues in Pulp Fiction, you'll like this one.