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6,4/10
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LA TUA VALUTAZIONE
Xavier Lombard è un investigatore privato stanco del mondo in esilio a Londra. Un vecchio amico della polizia di Parigi gli chiede aiutare ai genitori di un uomo scomparso. Subito si ritrova... Leggi tuttoXavier Lombard è un investigatore privato stanco del mondo in esilio a Londra. Un vecchio amico della polizia di Parigi gli chiede aiutare ai genitori di un uomo scomparso. Subito si ritrova nel regno della schiavitù sessuale dei bambini.Xavier Lombard è un investigatore privato stanco del mondo in esilio a Londra. Un vecchio amico della polizia di Parigi gli chiede aiutare ai genitori di un uomo scomparso. Subito si ritrova nel regno della schiavitù sessuale dei bambini.
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Auteuil is magnificent as the French loner who has somehow become a lost soul among the shadows of London's West End. The private detective, who discovers the cracks in his own life though an investigation that leads him through the seedy underworld of the child prostitution trade, takes us through the shoking stages of his discovery with much suspense. One of the best modern detective stories to have been filmed in London for many years and a film that deserves much better attention than it got when first released.
Daniel Auteil is perfectly cast for this role as a sleazy detective trying to escape a tragic past. Sure there are some cliche elements in the story but hey, isn't that why we come to see this sort of movie? The subject matter is grim and I was left wondering about the still-gorgeous Natassia Kinski's role in the story. I felt her character never really went anywhere. The twist at the end was really fairly predictable but nevertheless at its best this movie reminded me of Chinatown.
Violence, abuse, psychological drama, and sexual predation are real, and they're portrayed shockingly here, as is appropriate. Be warned. It makes you want to become an activist or a vigilante. Where was the law? Where were the other tradtional protectors? Can it ever be prevented and will it ever end?
Firstly, I quite enjoyed The Lost Son. I have never seen any of the films that Daniel Auteuil had been in before, so I did not go in with any preconceptions.
He was pretty good, despite his English being a bit hard to understand on occasion. It was nice to have a mix between his English and his native French when he spoke to friends from his homeland.
The story itself is a bit convoluted, but that really doesnt matter. It changes focus half way through and really is not about finding "The Lost Son", but really about his own personal revenge against the vile people who deal in the child sex industry.
I enjoyed the music by Goran Bregovic a lot, and am going to track down more of his work.
A solid 8 out of 10.
He was pretty good, despite his English being a bit hard to understand on occasion. It was nice to have a mix between his English and his native French when he spoke to friends from his homeland.
The story itself is a bit convoluted, but that really doesnt matter. It changes focus half way through and really is not about finding "The Lost Son", but really about his own personal revenge against the vile people who deal in the child sex industry.
I enjoyed the music by Goran Bregovic a lot, and am going to track down more of his work.
A solid 8 out of 10.
It is interesting that "8MM," with a plot so similar, came out the same year. I found this film more interesting and believable and far less dark and stomach-turning. It is well-filmed and acted with some interesting locations. The tension is well-metered. I enjoyed the colorfulness of the filming. The cosmopolitan/European flavor lends a great deal. I enjoyed the music as well. I would see this film again with a friend.
Lo sapevi?
- QuizAfter 45 features in his native language, this is Daniel Auteuil's first English speaking role.
- BlooperLombard picks up a Walther PPK pistol with the magazine removed. He cycles the slide and then inserts the magazine. Although it appears he was charging the weapon, all he has done is ensure the gun is not loaded (there may be rounds in the mag, but there is no round in the chamber).
- ConnessioniFeatures Dornröschen (1922)
- Colonne sonore100% Pure Love
Written by Teddy Douglas, Jay Steinhour, Tommy Davis, Crystal Waters
Performed by Crystal Waters
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- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione1 ora 42 minuti
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- 1.85 : 1
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By what name was Il figlio perduto (1999) officially released in Canada in English?
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