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The Cherry Orchard

  • 1999
  • Not Rated
  • 2h 21min
VALUTAZIONE IMDb
6,3/10
732
LA TUA VALUTAZIONE
Alan Bates, Katrin Cartlidge, Michael Gough, Charlotte Rampling, Tushka Bergen, Andrew Howard, and Owen Teale in The Cherry Orchard (1999)
Dramma

Aggiungi una trama nella tua linguaAbandoned by her lover, the aristocratic Madame Lubov Ranevskaya returns to Russia, only to see her fragrant cherry orchard in full bloom: a painful reminder of her dire economic state and t... Leggi tuttoAbandoned by her lover, the aristocratic Madame Lubov Ranevskaya returns to Russia, only to see her fragrant cherry orchard in full bloom: a painful reminder of her dire economic state and the imminent foreclosure of the enviable property.Abandoned by her lover, the aristocratic Madame Lubov Ranevskaya returns to Russia, only to see her fragrant cherry orchard in full bloom: a painful reminder of her dire economic state and the imminent foreclosure of the enviable property.

  • Regia
    • Michael Cacoyannis
  • Sceneggiatura
    • Anton Chekhov
    • Michael Cacoyannis
  • Star
    • Charlotte Rampling
    • Alan Bates
    • Tushka Bergen
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,3/10
    732
    LA TUA VALUTAZIONE
    • Regia
      • Michael Cacoyannis
    • Sceneggiatura
      • Anton Chekhov
      • Michael Cacoyannis
    • Star
      • Charlotte Rampling
      • Alan Bates
      • Tushka Bergen
    • 18Recensioni degli utenti
    • 13Recensioni della critica
    • 56Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 4 vittorie totali

    Foto17

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    Interpreti principali20

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    Charlotte Rampling
    Charlotte Rampling
    • Lubov Andreyevna (Ranevskaya)
    Alan Bates
    Alan Bates
    • Gaev (Leonid Andreyevich)
    Tushka Bergen
    Tushka Bergen
    • Anya
    Frances de la Tour
    Frances de la Tour
    • Charlotta Ivanovna
    Gerard Butler
    Gerard Butler
    • Yasha
    • (as Gerald Butler)
    Andrew Howard
    Andrew Howard
    • Petya Trofimov (Pyotr Sergeyevich)
    Melanie Lynskey
    Melanie Lynskey
    • Dunyasha
    Katrin Cartlidge
    Katrin Cartlidge
    • Varya (Varvara Mihailovna)
    Xander Berkeley
    Xander Berkeley
    • Epihodov
    Michael Gough
    Michael Gough
    • Feers
    Owen Teale
    Owen Teale
    • Lopahin (Yermolai Alexeyevich)
    Ian McNeice
    Ian McNeice
    • Pishchik (Semyon Semyonovich)
    Simeon Viktorov
    Simeon Viktorov
    • Doridanov
    • (as Simeon Victorov)
    Itschak Fintzi
    Itschak Fintzi
    • Stranger
    • (as Itzhak Finzi)
    Ivan Pangelov
    • French Priest
    Ivan Grigoriev
    • Yevstigney
    Margarita Kemalova
    • Yasha's Mother
    Yuli Toshev
    • Auctioneer
    • Regia
      • Michael Cacoyannis
    • Sceneggiatura
      • Anton Chekhov
      • Michael Cacoyannis
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti18

    6,3732
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    10

    Recensioni in evidenza

    5PWNYCNY

    Tedious cinematic experience.

    In this era of gratuitous special effects and uneven, even shoddy, production, one cannot depend on Hollywood to successfully transfer a stage play to the screen. This movie is partially the exception, as the movie amazingly pulls itself together in midstream to become a commendable work of art. The first part of this movie is a cinematic disaster. It's boring, slow, and muddled, with a terrible first ten minutes which is supposed to provide some background information about some of the main characters but which is totally disconnected from the main body of the story itself which takes place in a completely different venue. Then as this movie is heading toward a complete cinematic breakdown it amazingly recovers its strength and vitality and becomes crisp, sharp, focused and coherent, conveying a poignant story about torment and suffering in time of change. From that point on all the performances are great, especially that of Michael Gough, Alan Bates and the beautiful Charlotte Rampling who succeeds in capturing the essence of the woman whose whole world is being turned upside down. But despite the strong finish, that one first has to endure a truly bad start before getting to the good part makes this movie a tedious cinematic experience.
    7fisherforrest

    It's a frustrating way to have to see Chekhov's excellent play.

    Michael Cacoyannis seems strangely reluctant to tell this story in a straightforward, understandable fashion. This ridiculously edited film rates a 7 out of 10 only because it does, in its idiosyncratic way, convey something of the story of a Russian woman, of the landed gentry, fallen on hard times, who is desperately seeking to preserve the ownership of her estate, on which is an ancient and beloved cherry orchard. If she is forced to sell, the orchard will be cut down and the estate "developed" into "affordable housing". So what else is new, eh?

    By all, this is the choppiest editing and directing style I have ever encountered. Chekhov's play is certainly not constructed this way. There is no effort to introduce characters in an orderly fashion so that one may get to know who they are, and what their relationships and motivations are. Some of this eventually emerges if you are patient and alert enough, but don't blink! Some of the cast work is excellent. They must have been frustrated, though, if they knew what kind of editing would appear in the final cut.
    5nelsonhodgie

    Another drama about the fading rich

    People leave rooms, enter rooms. Peep through windows. Hide behind doors. Everyone behaves as if they've just lost their best friend. It's all so melodramatic. There's a piano score by Tchaikovsky that plays relentlessly on the soundtrack so as to cue us to the perpetual state of melancholy. A real cheerless meandering stagey bore of a movie. Charlotte Rampling tries hard and Alan Bates looks like he wandered in from another movie.
    jgcorrea

    Negationist aristocracy lives the past while their beautiful trees are axed down

    How should one live? This is the fundamental question in most of Chekhov's works. Here it's openly exposed and discussed. Should the declining aristocratic family attach themselves to the possession of their cherry orchard (a symbolic representative of the grand ornaments of the Russian aristocracy) or should they give in to modern commercialization in order to survive? What is the value of tradition and how many trees should each one os us have? Chekhov does not answer. But he formulates the questions in the most fascinating way. In addition to scholarly speeches about such fundamental dilemmas, the author also takes pleasure in a witty verve, offering us a 'veduta' of high culture and life in style in 19th century Russia. But, as the critic Pierce Inverarity summed up, this is not just a typical nineteenth-century play; its potential topics, questions and answers are relevant to any individual dealing with society and history, anywhere and anytime. However, as universal and moving as it can be on stage, Chekhov's play isn't the stuff of a great movie -- there's simply nothing filmic about it.
    9shicovianista

    Re: I bloody loved it!

    From the previous reviews I gather that this is where the elite meet to bleat. I wish those who are so afflicted by nearly everything in this lovely film could spell a bit better. I have seen several stage versions of this play, and I have read the play, so I was prepared to see the film. I agree with whoever it was who said it would appeal best to those who had seen or read the play and that is true. Not every film is for the popcorn crowd. I loved the atmosphere and that is something you cannot get in a stage play. How can acres of cherry trees in blossom be offensive to anyone? That falling-down hunting lodge seemed just right for that decaying family. The costumes were beautiful. There is not a single character in the story whom anyone could actually like, it's true, but by the end of the story you have been told so many things about them, if you pay attention, you can believe in them, which is better at times than merely being able to 'like' them. I believe Chekhov would have approved it.

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    Trama

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    Lo sapevi?

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    • Quiz
      Glenn Close was the second choice for Ranyevskaya. After Dame Helen Mirren withdrew, she was called to replace her. She was busy with La fortuna di Cookie (1999) at the time, so she refused the part at the last minute.
    • Connessioni
      Version of Sakura no sono (1936)
    • Colonne sonore
      String Quartet No 3
      Composed by Pyotr Ilyich Tchaikovsky

      Performed by Chamber Orchestra Kremlin

      Conducted by Misha Rachlevsky

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    • How long is The Cherry Orchard?
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    Dettagli

    Modifica
    • Data di uscita
      • 12 gennaio 2000 (Francia)
    • Paesi di origine
      • Grecia
      • Francia
      • Cipro
    • Lingue
      • Inglese
      • Francese
    • Celebre anche come
      • Вишнёвый сад
    • Luoghi delle riprese
      • Bulgaria
    • Aziende produttrici
      • Melanda Film Productions
      • Greek Film Centre (GFC)
      • Amanda Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 5.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 135.280 USD
    • Lordo in tutto il mondo
      • 135.280 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 21 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.66 : 1

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