Due fratelli cattolici irlandesi diventano vigilantes e spazzano via la malavita criminale di Boston in nome di Dio.Due fratelli cattolici irlandesi diventano vigilantes e spazzano via la malavita criminale di Boston in nome di Dio.Due fratelli cattolici irlandesi diventano vigilantes e spazzano via la malavita criminale di Boston in nome di Dio.
- Regia
- Sceneggiatura
- Star
Dot-Marie Jones
- Rosengurtle Baumgartener
- (as Dorothy-Marie Jones)
Robert Eaton
- Officer Langley
- (as Robert Vernon Eaton)
Recensioni in evidenza
It took watching a YouTube video of Willem Dafoe talking about it with such affection for me to finally watch it.
Great stuff. Perfect casting. Fun, funny, different. A bit of a "Snatch" (one of my favorites) like tone, but still unique. Had an absolute blast watching it.
Great stuff. Perfect casting. Fun, funny, different. A bit of a "Snatch" (one of my favorites) like tone, but still unique. Had an absolute blast watching it.
9ox95
A fourth year film student with a chip on his/her shoulder will probably tell you that this film is simple, uninspired, derivative, gratuitous..... ignore him/her just like you always do and see this genuinely funny movie. It has an inspired performance by Willem Dafoe and enough new ideas to keep you glued. The social commentary should probably be looked at as more of a plot device than intelligent thought, but I found myself watching this movie repeatedly and enjoying it more the second and third time around. This is definitely a naughty pleasure for the movie enthusiast.
10Ledare
This film had the sad history of being blackballed in the United States due to the incident at Columbine...which is a real shame, because it is a treasure...written and directed by Troy Duffy, Boondocks is set in Boston...it is the story of fraternal twin Irish boys (Connor and Murphy McManus) who work in a meat packing plant...when their friend, Doc, is being stiff armed by the Russian Mafia, the boys and their friends step in to help...and away we go! Two of the most interesting characters in the film are played by veteran actor William Dafoe, and a newcomer to the silver screen, David Della Rocco. Dafoe's character is Paul Smecker, a gay FBI agent specializing in organized crime...Rocco plays an Italian Mafia package boy who is a close friend to the Irish brothers...the central theme of the film is the indifference of good men...Connor and Murphy are not indifferent, and after helping their friend, Doc, the two embark on a crusade to rid the streets of Boston of criminals...with the assistance of their comical and zany friend, Rocco...This film had positive elements on all sides...humor...a moral message...and incredible actors...you will no doubt find yourself repeating the many memorable quotes from the film...I am a woman, and not at all into your typical "shoot 'em up" guy films...this is not another one of those films...it has become an underground "cult" sensation...See it...you will not be disappointed!
Finally got round to watching this and was not dissapointed in the slightest. A bonefied cult classic of a film there's so much on offer here be that the cast which comprised of: Sean Patrick Flanery, Willem Dafoe, Billy Connolly or the now "A lister" Norman Reedus of Walking Dead fame, or even the fantastically stylish and well executed plot of the film it's highly enjoyable. Fitting of many of the films released around the turn of the millennium it possesses that flair and charm which the dawn of 2000 bought with it see for example Snatch which has a fairly similar 'look' to this film and certainly a common charm. The story is full of laughs, highs and lows, dramatic and fantastic action and a surprisingly decent twist which personally upon first viewing wasn't obvious so in all this is a hidden gem of a film that's certainly worth your time. I highly recommend
I've always enjoyed non-linear storytelling. A number of people seem to have picked up on this aspect of the movie and thus dubbed it similar to Pulp Fiction (though no one mentions Reservoir Dogs) when this movie takes non-linear storytelling to a level beyond where Quentin Tarrantino was ever able to go.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
Now, certainly Memento came along afterwards and transformed the entire art of non-linear storytelling. However, Memento uses it to keep the movie watcher guessing until the very end, whereas Boondock Saints puts the pieces on the table, letting you try to put them together, but then will continue handing you pieces until the picture becomes clearer.
Clearly the movie is designed to be over-the-top, both from Williem Dafoe's character to the action sequences themselves. Williem Dafoe makes this movie for me. The plot, which centers on religiously-inspired vigilante justice, has an air of being somewhat cliched, although I would be hard pressed to name another movie which handles it in this matter.
I still fail to see how others consider this movie vacuous and without meaning, when its message about the pitfalls of our current legal system and the need for something that transcends it is quite clear. I thought the ending, in which various people are interviewed about their opinion of the "Saints" and how for some vigilante justice was an incredibly sensitive issue, made this point very clear.
Lo sapevi?
- QuizSir Billy Connolly was so stoked to be playing against type in the role of Il Duce, and having so much fun playing a psycho with guns strapped all over him, that they had to add the large cigar the character incessantly smokes because unless they stuck something in his mouth, he simply couldn't stop smiling.
- BlooperWhen the bar fight scene begins the brothers are telling the Russians some phrases in Russian, which are translated in subtitles. Actually the words that they are saying not only don't respond to the translation, they are mostly made up and make no sense at all.
- Curiosità sui creditiClips of people being interviewed about their opinions on "the saints" are shown while the credits roll.
- Versioni alternativeThe so-called North American widescreen DVD release is cropped from a full-frame version that has aired on Canadian cable television.
- ConnessioniEdited into The Boondock Saints 2 - Il giorno di Ognissanti (2009)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- El quinto infierno
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 44.460 USD
- Fine settimana di apertura Stati Uniti e Canada
- 19.930 USD
- 23 gen 2000
- Lordo in tutto il mondo
- 44.460 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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