VALUTAZIONE IMDb
7,6/10
20.620
LA TUA VALUTAZIONE
Nella fredda Lapponia finlandese, sotto l'eterno sole di mezzanotte, due ardenti amanti si ritrovano dopo un lungo periodo separati, governati da un potente ed eloquente motivo circolare int... Leggi tuttoNella fredda Lapponia finlandese, sotto l'eterno sole di mezzanotte, due ardenti amanti si ritrovano dopo un lungo periodo separati, governati da un potente ed eloquente motivo circolare intessuto di destino, fede e amore.Nella fredda Lapponia finlandese, sotto l'eterno sole di mezzanotte, due ardenti amanti si ritrovano dopo un lungo periodo separati, governati da un potente ed eloquente motivo circolare intessuto di destino, fede e amore.
- Regia
- Sceneggiatura
- Star
- Premi
- 14 vittorie e 8 candidature totali
Fele Martínez
- Otto
- (as Fele Martinez)
Kristel Díaz
- Ana
- (as Kristel Diaz)
Jaroslaw Bielski
- Álvaro Midelman
- (as Jaroslaw Bielski)
María Isasi
- Dependienta
- (as Maria Isasi-Isasmendi)
Ángela Castilla
- Casera pensión
- (as Angela Castilla)
Recensioni in evidenza
10hanzap
For people who do not like Medems work, it will be hard to watch and boring. If you liked any of his other films you will love it. Otherwise you will have to sit and be patient to let Medem touch you. Everyone will recognize some parts his own falling in love, or his relationship with his parents. Medem describes all this in a poetic and heartbreaking way, edited in multiple viewpoints. If you can open up yourself on these subjects, this film will make you think over your own life, love and parents. It is also nice to see that this film fits exactly between "Tierra" and "Sex and Lucia", Medems other masterpieces made before and after this movie. Absolutely great stuff.
"Lovers Of The Arctic Circle" When "Map Of The Human Heart" is one of my favorite movies, I can't fault this film for almost stealing the entire concept. A Spanish language film about two children who meet at school and fall in love with each other. Through the years, the two manage to carry out a sexual relationship even as their respective parents marry each other and outside forces try to separate them. The rest of the film is nearly a scene by scene recreation of 1993's "Map". But I stress that I liked this film. Cinematographer Gonzalo F. Berridi and Director Julio Medem make a very specific effort to make their film visually memorable. Some of the shots on display here are breathtaking. Leads Najwa Nimri and Fele Martinez do a wonderful job as the two lovers. Their scenes of courtship are fascinating to watch and Medem sharply chooses to show both sides of the story. By understanding the two perspectives on this plot, the film is that much more satisfying. I enjoyed this story. I applaud the effort the filmmakers made to not tell this story in any way I might have suspected. It's a slippery slope when it comes to melodramatic romance, yet the film is graceful and competent. ---------------- 8
It's really difficult to understand European cinema after watching thousands of American-Big Studio films.
At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.
And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).
It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.
The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.
It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.
Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.
At least that's what looks clearly apparent when I read many of the comments in imdb. But for some of us, who are in contact with a different way of making films, this one excels at the visual poetry from the very start.
And from a cinematographer's point of view, as a real jewel in filmmaking. What Los Amantes is about, is love, and only that. The way this story is portrayed is quite original, in a way some directors have tried and done pretty good jobs (Alejandro González Iñárritu, for instance, in his two films: Amores Perros and 21 Grams). It's a compelling way to explain simple things in reverse. Thoughts, and internal processes are not directly understood or apparent to the viewer. Medem demands his audience to think (remember Abre los Ojos).
It's really sad to think that linear and flat plots that only demand to sit and watch are what most people see as good films. When something catches them out of balance, sometimes they refuse to stay tuned and think.
The revelation, as is with this film, comes at the very end. And it deserves a second session to go through the small details -which are plenty in Medem's work.
It's a long film... some argue. What is a long film when everything is like a whirlpool that draws you in? I don't think this is a long film. Me and many of my friends have pored through it many, many times. So many, in fact, that we had to throw away the original video. A pity, because it was in it's original widescreen version, not as the recently issued dvd that's been murderously cropped.
Whatever it is what you like to see, take a look at this film. It can open a lot of possibilities to widen your taste, and your approach to "long" films.
"Lovers of the Artic Circle (Los Amantes del Círculo Polar)" was basically "Next Stop Wonderland" crossed with "Map of the Human Heart" about a couple who fall in love as children and continue star-crossed throughout their lives.
The critics decried the theme of coincidence but it does in fact happen, so it was sweet here.
And yes they are both easy on the eyes and maybe that it's in Spanish makes them seem even more romantic.
I liked that the parents were real people who have problems and lives and grow and change.
The story line goes from each's perspective in flashbacks and current, illuminating thoughts and motivations, which seems to be a trend in movie-making.
Quite beautiful cinematography.
(originally written 5/2/1999)
The critics decried the theme of coincidence but it does in fact happen, so it was sweet here.
And yes they are both easy on the eyes and maybe that it's in Spanish makes them seem even more romantic.
I liked that the parents were real people who have problems and lives and grow and change.
The story line goes from each's perspective in flashbacks and current, illuminating thoughts and motivations, which seems to be a trend in movie-making.
Quite beautiful cinematography.
(originally written 5/2/1999)
And this one does. The names of the protagonists are palindromes, Otto and Ana.
Life may be a palindrome. There is much talk of circles. The beginning of the movie may be the end.
Coincidences abound. Missed chances, never more exemplified than by the two lovers sitting unaware of each other in a cafe and moving along on another path for a while.
Haunting images of caribou, planes crashing, red buses, accidents that may or may not be happening. Newspaper headlines that could cover many similar events.
Destiny. Can we create our own? Is there just one soulmate out there for each of us? How does this movie end? All unknowns.
I was challenged, uplifted and mystified. Technically, the subtitles were very poor in places - white on white, frustrating.
Musically, very sombre, rather unnecessary. Children Ana and Otto beautiful, understated.
7 out of 10.
Life may be a palindrome. There is much talk of circles. The beginning of the movie may be the end.
Coincidences abound. Missed chances, never more exemplified than by the two lovers sitting unaware of each other in a cafe and moving along on another path for a while.
Haunting images of caribou, planes crashing, red buses, accidents that may or may not be happening. Newspaper headlines that could cover many similar events.
Destiny. Can we create our own? Is there just one soulmate out there for each of us? How does this movie end? All unknowns.
I was challenged, uplifted and mystified. Technically, the subtitles were very poor in places - white on white, frustrating.
Musically, very sombre, rather unnecessary. Children Ana and Otto beautiful, understated.
7 out of 10.
Lo sapevi?
- QuizWhen asked where the idea for the movie came from, Julio Medem said that he started thinking about it after getting divorced, because it was the first time he experienced heartbreak and wanted to write a movie about the love as the most powerful force, something that never ends and it's forever between two people.
- BlooperOtto jumps from his plane at 66°33"40' North, 02°55"05' East. These are the geographic coordinates that Ana wrote on her letter to Otto, to mark the location where she was staying in Finland (Rovaniemi). But if he really would have used these coordinates he would have jumped right into the Atlantic Ocean. The (almost) correct location of the cottage where Ana was staying is 66°33"40' North, 25°55"05' East. That is also the same location that the old Otto points out on his map when he and Ana meet each other for the first time in his apartment in Rovaniemi.
- Colonne sonoreSinitaivas
Written by Josef Rixner, Lauri Jauhiainen, George de Godzinsky
Performed by Olavi Virta and Harmony Sisters
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 317.422 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.697 USD
- 11 apr 1999
- Lordo in tutto il mondo
- 357.549 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Proporzioni
- 2.35 : 1
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