Aggiungi una trama nella tua linguaA soap opera about the ex-pats who lived in Los Barcos. The series focused mainly on the British and their lives, loves and attempts to make a new life for themselves.A soap opera about the ex-pats who lived in Los Barcos. The series focused mainly on the British and their lives, loves and attempts to make a new life for themselves.A soap opera about the ex-pats who lived in Los Barcos. The series focused mainly on the British and their lives, loves and attempts to make a new life for themselves.
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The axing of this show was purely a political decision. The show was doomed from the offset. The BBC pumped loads of money into the show and expected to make immediate profits which was not going to happen no matter how good the show was. As for the show itself. I loved it. It was a little slow to start with but it was a soap opera and for anyone to be able to get to know the characters right away was asking a bit too much. It was to take time and the BBC were not prepared to give it this required time. The most memorable character was of course Marcus (Jesse Birdsall) who fitted the "bad boy" image perfectly. The man with a hard exterior but a soft centre. Most of the actors played their parts magnificently but there were a few exceptions at the start but those actors were soon axed. I'd love to see the whole series again as I can now find myself in a similar position as most of the characters in the show - I'm an expat myself now and socialise with an expat community. It's a pity it was axed just as the show was becoming popular and the plots were becoming more interesting. Thank you BBC :(
Not a bad soap. However, the BBC, in its wisdom, decided to pull the plug when it seemed to be getting off the ground. This decision has always seemed a puzzle when programmes of questionable quality are screened by the same organization. It was sad to lose this programme, and how much public money was thrown away?
Watching recent repeats of Eldorado on cable tv brings back great memories. How many of us looked forward to our twice weekly transportation to the sunshine of Los Barcos? I did. Yes, it had some teething problems. (Tho' looking back, it doesn't seem half as bad as at the time!). And it got better. The storylines and the characters were good, if not always entirely believable. But hey, this is soapland! The Beeb made a big mistake by listening too closely to those telling them that they had a made a big mistake comissioning the programme in the first place, (work that one out!). What say they get back to Los Barcos, pick up where they left off and give us our winter sunshine back?
When in 1992 the BBC decided it needed a second soap to relieve the burden on 'Eastenders' to be the networks solo rival to ITV'S 'Coronation Street' and 'Emmerdale' the novel idea of setting it in the sunnier climes of Spain amongst British ex-pats seemed to give the show a unique selling point. Many shows come and go but the fatal blow to this soap opera may have been the original fanfare with which it was launched. The BBC spent £10,000,000 on preliminary sets and production but upon first glance the hugely anticipated drama seemed to have little in the way of story lines or characterisation. There were production problems with the sound that made the show at times impossible to watch.
The hype that the show had been given and the fact that it was funded by the licence payer meant that the British press leapt upon it and it became a favourite object of derision. Initially encouraging viewing figures tumbled to only 3 million per episode and ten months after its fanfare debut the BBC pulled the plug and cancelled the show.
It is well known that the quality of the show and the viewing figures were climbing towards and the end and that perhaps the show was finally starting to catch on. However, the damage had long been done. The media had slated it and tainted it as a joke and from this there was no return for the BBC. The massively expensive sets were mothballed and are now a museum for intrepid tourists and curious TV fans. The shown came to an end satisfactorily and somewhat gracefully (for otherwise see Crossroads #3) but one can only imagine how devastating it was for the actors (other victims of the shows bad initial production) and we can only estimate how much money was poured down the drain on the massively hyped and massively expensive white elephant.
The hype that the show had been given and the fact that it was funded by the licence payer meant that the British press leapt upon it and it became a favourite object of derision. Initially encouraging viewing figures tumbled to only 3 million per episode and ten months after its fanfare debut the BBC pulled the plug and cancelled the show.
It is well known that the quality of the show and the viewing figures were climbing towards and the end and that perhaps the show was finally starting to catch on. However, the damage had long been done. The media had slated it and tainted it as a joke and from this there was no return for the BBC. The massively expensive sets were mothballed and are now a museum for intrepid tourists and curious TV fans. The shown came to an end satisfactorily and somewhat gracefully (for otherwise see Crossroads #3) but one can only imagine how devastating it was for the actors (other victims of the shows bad initial production) and we can only estimate how much money was poured down the drain on the massively hyped and massively expensive white elephant.
Like Crossroads and Triangle, Eldorado became a byword in the 90s for bad TV programmes. In a way particularly early on this is probably true. The first episodes of the show were not good. A lot of the cast were inexperienced actors (or indeed non actors before this show) and there were issues with sound and video quality as they were shooting in real physical buildings and not indoor sets built inside a studio. This meant everything echoed a lot and quite often the lighting was a bit dark. As a British soap, albeit set and shot in Spain they also had the strange idea of the foreign characters speaking in their native language. Realistic - yes, but difficult for a show going out in an English speaking country, particularly as these bits of dialogue were also not subtitled!
Some of the early storylines were fairly awful to watch. That in particular of middle aged Bunny Charleson coming back to Spain with his 17 year old wife Fizz - it was just uncomfortable! Poor Kathy Pitkin who played Fizz bore the brunt of a lot of the criticism from the British press. True, she wasn't the best actress, but looking at it now she's no worse than a lot of current young British soap stars and given more of a chance I think she would have grown into the role and improved. Its very telling Eldorado is her one and only acting credit to this day.
As ratings went down and vitriol from the press continued the producer left and the replacement immediately set about removing many of the poorer actors, stopping the foreign language sections, rounding out characters better, adding better storylines and improving production techniques. These actions vastly improved the show and ratings began to go up.
The favourite and probably best characters and storylines came from those of playboy Marcus Tandy (with his enormous mobile phone and Renault Alpine) and his girlfriend, runaway stable hand Pilar. Washed up club singer Trish (Polly Perkins) and her good friend bar owner Joy had great chemistry and also got some quite dramatic and dark storylines for a 7pm soap opera.
For completeness of soap character archetypes you had the seemingly "cosy" Lockhead family, nosy neighbour Olive King, the very sophisticated Leduc family where the parents had their open marriage, as well as an actual Spanish family who had a few secrets of their own, including a very well done gay relationship storyline which was handled quite sensitively and was unusual for UK TV at the time.
Unfortunately all the improvements couldn't save the show as new BBC One director Alan Yentob made axing the show his first task in his then new role. The final episode sailed out into the sunset quite literally almost a year to the day the first episode was shown.
Looking back, yes the show had its problems early on but they were well on the way to being fixed, and towards the end Eldorado was getting what these days would be considered extremely healthy ratings - up to 10 million. I wonder if almost 30 years on if things had been different and the show had continued what would it be like now? I guess we will never know. I was a teenager when it was first on, and am now in my 40s. I enjoyed it then, and having re-watched it more recently I still enjoy it.
Some of the early storylines were fairly awful to watch. That in particular of middle aged Bunny Charleson coming back to Spain with his 17 year old wife Fizz - it was just uncomfortable! Poor Kathy Pitkin who played Fizz bore the brunt of a lot of the criticism from the British press. True, she wasn't the best actress, but looking at it now she's no worse than a lot of current young British soap stars and given more of a chance I think she would have grown into the role and improved. Its very telling Eldorado is her one and only acting credit to this day.
As ratings went down and vitriol from the press continued the producer left and the replacement immediately set about removing many of the poorer actors, stopping the foreign language sections, rounding out characters better, adding better storylines and improving production techniques. These actions vastly improved the show and ratings began to go up.
The favourite and probably best characters and storylines came from those of playboy Marcus Tandy (with his enormous mobile phone and Renault Alpine) and his girlfriend, runaway stable hand Pilar. Washed up club singer Trish (Polly Perkins) and her good friend bar owner Joy had great chemistry and also got some quite dramatic and dark storylines for a 7pm soap opera.
For completeness of soap character archetypes you had the seemingly "cosy" Lockhead family, nosy neighbour Olive King, the very sophisticated Leduc family where the parents had their open marriage, as well as an actual Spanish family who had a few secrets of their own, including a very well done gay relationship storyline which was handled quite sensitively and was unusual for UK TV at the time.
Unfortunately all the improvements couldn't save the show as new BBC One director Alan Yentob made axing the show his first task in his then new role. The final episode sailed out into the sunset quite literally almost a year to the day the first episode was shown.
Looking back, yes the show had its problems early on but they were well on the way to being fixed, and towards the end Eldorado was getting what these days would be considered extremely healthy ratings - up to 10 million. I wonder if almost 30 years on if things had been different and the show had continued what would it be like now? I guess we will never know. I was a teenager when it was first on, and am now in my 40s. I enjoyed it then, and having re-watched it more recently I still enjoy it.
Lo sapevi?
- QuizThe BBC spent two million pounds to build the set.
- ConnessioniFeatured in 100 Greatest TV Moments from Hell (2000)
- Colonne sonoreWhen You Go Away
Performed by Johnny Griggs [final episode only]
Composed by Simon May
[series theme tune]
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