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Anyone who has spent time in the American punk underground will find many points of reference in SLC Punk. The film is an amazingly realistic portrayal of the suburban punk subculture. All the issues are here: poseurs, sell outs, authenticity, straight edge, rebellion, boredom...and of course the perennial problem of whether mods and punks can get along! I can't recommend this gem strongly enough.

It was a joy to watch this film and see myself and my wife. There we were watching the movie on one of our countless movie channels on our huge cable account while we ate popcorn in bed and she knitted. We were both hard core alternative kids in our youth and somehow ended up living in a high rent condo in Seattle with corporate jobs. The movie pretty much tells the story of every true intelligent punk. Why do you ask? Well, because those of us that were so hard core, were also into CHANGE. And the only way to change the world, is to live IN it. Be a part of it. We laughed at the end when we realized we were both just like the lead character. Anarchy is great for your youth. But anarchy for life is not going to lead you anywhere if you still want to LIVE. Rather, you need to get INSIDE the world to turn it inside out.

Bravo. Wonderful little film. High marks.

Matthew Lillard - what a surprise! I have always found him to be annoying, but in this film he was likeable and quite clever. "Stevo" is the blue-haired punk son of silly, over-hippified parents who went from mohawk to a more low-key look after graduation. He is obviously not stupid. He uses his audience-addressing monologues to amuse us and let us know exactly what's up, instead of merely whining at us or grinning and nudging us with his elbow. The kid is downright charming. And I appreciate the fact that he actually gets along with his parents, even while fighting against what they want. It's refreshing. I am in his age group (in the movie - 80's teenager) but I am not familiar with punk lifestyle, and now I feel like I have been exposed to something I've always found interesting, but never delved into before. Stevo goes through a bunch of changes and realizations, and by the end decides that you can "F--k stuff up more from within the system that outside it". And that being rebellious comes from inside, and not from your haircolor (even though blue hair is still cool). Great message, neat movie. Recommended.

I saw this movie for the first time tonight and I must admit, I wasn't expecting much but it left me almost crying in the end, and recommending it to all of my family and friends. I don't claim to know what the 80s punk scene was like, especially in Utah, but regardless of whether punk life was portrayed correctly or not in this movie (I think most of you who bitch about that aspect wouldn't know anyway), it was written extremely well and the acting was just incredible.

I did not expect much from this movie and was pleasantly surprised, and having been to Salt Lake City a few times, I was particularly amused. I was there in 1980, at the outset of the decade in which the movie takes place. That visit turned out to be the one and only time I set foot in a disco club. It is a good thing I didn't run into Stevo and Bob, the twin protagonists of "SLC Punk!" They would have kicked my butt because they hate mods, hippies and rednecks. Whether or not to pound on a disco-goer wouldn't even be a question. At one point, Bob asks a British punk band's lead singer why he would never come back to SLC. "Too bleeding violent," says the bruised singer. "Thank you!" says Bob.

Stevo and Bob are anarchists. Not philosophical anarchists like Kropotkin, Goodman and Goldman (Peter, Paul and Emma), but more like Leon Czolgosz, the guy who assassinated President William McKinley. Except Czolgosz had more direction in his life. Aside from throwing darts at pictures of President Ronald Reagan, Stevo and Bob just get drunk and high. Correction, only Stevo smokes grass while "Heroin" Bob is ironically nicknamed because he is afraid of needles and anything stronger than booze.

The story is picaresque in both senses of the term: it is about a couple of semi-likeable rogues, and it is less a story than a series of vignettes. I thought that each vignette more or less stood on its own, but there is something of an overarching theme, too. These young men grow up physically if not emotionally. Though angry and feeling not a little betrayed by society, they can't be Salt Lake City punks for the rest of their lives, or can they? The narrator, Stevo, is haunted by the fear that he or Bob or both of them might be the worst thing there is: a poser, a phony punk.

This movie also features one of my favorite under-rated actresses, Annabeth Gish, as Trish who runs a head shop. Bob sells himself to her for thirty-six dollars. As decadent as that might seem, there turns out to be something sweet about it, much to Stevo's disgust!

Like wearing a blue-green mohawk, "SLC Punk!" might not be for everyone, but I mainly enjoyed it. My favorite scene is the one in which Stevo's parents sit him down and try to get him to go to Harvard. What a scathing satire on my self-righteous and self-satisfied boomer generation!