Eran trece

I just watched this film on DVD--it is in the new Charlie Chan box set on the disc with CC in Shanghai. It has English subtitles also. There is a scene where Charlie Chan is getting ready to board the boat to San Francisco. His wife and son are seeing him off at the dock. His wife speaks with to him in Japanese and at the end says "sayonara" to him (he answers in Spanish, of course. I guess back then they assumed that people would not know the difference between Japanese and Chinese!! By the way, another disc in the set, The Black Camel has a reading from the script of Charlie Chan's Chance, using still photos as a background. It is the complete script and since this is another lost Chan film, this might be the only was to see it

A Spanish version of Charlie Chan 'Charlie Chan Carries on' survives. Made for the Latin American & Spain's audiences while the English version seem lost but who knows if it can be found. A group of American tourists travelling around the world & one of them is murdered & the suspect is among those tourists. Arbo, from Spain, is no Werner Oland but plays the hero detective quite convincing. Is good to mention the actress who plays the gangster's wife, one of the suspects, was from Puerto Rico & gives a sweet performance. But wonder who played Chan's wife, Japanese but for me an unknown actress.

This Spanish version of the 1931 Charlie Chan film, "Charlie Chan Carries On" was fair to poor.....closer to poor because Charlie didn't show up in the film until it was over half over. I've never seen that in any of the English-speaking Chan films. He's always front-and-center.

This movie wasn't horrible but it was boring for several fairly-long stretches. It just isn't the same without Chan, and he's only in on screen in about 33 percent of the movie.

I had no trouble with Manuel Arbo's "take" on Chan. He's a little more subdued than Warner Oland or Sidney Toler but very comparable. His proverbs were fun and profound, as always. He was fine. The rest of the cast was so-so and a bit dated and silly with romance angles, gangster angles and an assortment of characters all of whom look guilty, of course.

As he did in some other episodes, Chan traps the murderer in the end with a clever scheme. The subtitles were easy to read but, as one reviewer said, this is more of a curiosity piece than anything else. It's for very, very hard-line Chan fans only. This was a bit boring even for me, and I love Charlie Chan films.

One of the few Chan movies to actually be based on one of the original novels this is essentially the start of the series of movies that many people know and love so well. The story was later shortened and reused as Charlie Chan's Murder Cruise. This was shot at the same time as an alternate Spanish version of the now lost Charlie Chan Carries On, and is an excellent take on the great detective.

The plot begins in London where a friend of Chan's, an Inspector Duff, is called in to investigate the murder of one of a travel group touring the world. It transpires that one of the group is not who they say they are and is out for revenge of a past wrong. Two more murders follow as the group continues the tour, but still there is no sign of the killer. When events in China put another member of the party in danger, Duff is forced to act and he races to Hawaii to see his old friend Charlie Chan to ask his help with the case before the party leaves. While visiting Chan in his office Duff is shot down. Chan feeling an obligation to his fallen friend tells the medics who rush Duff to the hospital to tell his friend that "Charlie Chan carries on". Chan joins the party as they board a ship for San Fransisco, vowing to either solve the murder by the time they arrive or retire if he hasn't. (The appearance of Chan is half way into the movie, and its the point at which Murder Cruise begins).

This is a really good little movie and its understandable why a series sprang from it. Even though Chan doesn't show up for a good while into the proceeding, he hangs over the film since Duff is constantly quoting things that his friend Chan might say. The mystery is tightly plotted and keeps you on the edge of your seat. Its so well done that I didn't mind not seeing Chan in action and found myself actually wishing for a series of films with Inspector Duff of Scotland Yard.

Manuel Arbó is a great Chan. A very physical actor he moves and does things that Warner Oland , and the other actor's playing Chan rarely did, he got on his knees to detect, rifles through drawers and actually does hands on investigating. Chan is also a very clearly two men. Outwardly he is the quiet font of Chinese wisdom that most people feel they can under estimate. Inwardly and when he is in the hunt he is a man of action who knows what has to be done and how to do it. Watch how he searches a room, or in the final reel sets the trap for the killer. He moves in a way that none of the other Chans ever did. He is not just a man of words, but a man of action who is very clearly in control of what is going on. Arbo is made to look physically like Oland, no doubt to use shots from the other version, however there is something more commanding about his presence. You are very aware of his presence in a scene, even when he is on the out skirts of it. I would love to have seen how the series would have played out had Arbo been allowed to play the detective. (Perhaps what makes this film so great is that it doesn't follow the the pattern of the series).

This is a movie to search out. If you can find it somewhere by all means do see it. There is an English subtitled version floating around if you don't speak Spanish (This may carry the English translation of the title They Were Thirteen). Even if you are not a Charlie Chan fan this is just a really good mystery. This is the sort of thing that people don't make any more, it feels like a movie you'll want to curl up with on a dark a stormy night.

I've held out for a long time not seeing this in the hope that the original Warner Oland version would be unearthed somewhere … no such luck, as yet! So is this surviving simultaneous Spanish language version any good then? Well, it's OK in it's own right, a bit stagey but I still missed Oland in what would have been his first Chan effort. Films 3-5 also remain lost.

A man on a world tour with a group of shifty fellow travellers with fishy attitudes is murdered in a hotel room in London, and of course Scotland Yard hasn't got an answer to all of the clues presented. Two murders later and 41 minutes in we all get to Honolulu where Charlie Chan carries on where his British Inspector friend was forced to leave off. Manuel Arbo was passable as Charlie, with plenty of killer aphorisms up his sleeve – "Man not fool until he does something foolish" – but he appeared very melodramatic and I wearied a bit of his grimacing. The rest of the suspects, er cast were intense stereotypes – unwary people might wonder at the simplicity of it all, but isn't everybody and everything on the planet a stereotype? It followed the usual rules, so if you know your Charlie Chan format you can whittle the suspects down to a final two or three, or one if you're lucky. Charlie, as he did many times later cheated by applying subterfuge over deductive reasoning in his unmasking of the dastard but I could see that coming as well.

Overall well worth it to a Chan completist, OK for Golden Age aficionados, so I enjoyed it on both levels but I did warn you if you hate either genre.