Cannibal Hookers

Well i saw this in the hope to see cannibal hookers, I didn't get that far. If you come across this crap movie DESTROY IT! even if your still in the store, trust me it is for good. The movie is filmed badly, it has horrible acting and the story is so very stupid a group of intoxicated seven year old's could do much better. The gore is soo very bad there is no sex and some how those idiot writers turned the characters into vampires. So spend the $2.50 on a candy bar instead of this movie.

I give it 1 out of 100000000000000000000000000000000000000000

This movie is amazing. It is probably the worst acting, cinematography, sound, and scripting i have EVER seen. Especially amazing are Diana Cruz as the divergent-chested "Carmila" and the woman who plays Hillary's mom. Some highlights of the movie are Lobo's differing forehead makeup, the way all the cannibal hookers look and act, and Sheila Best as the sorority president. ALso hair and makeup are impeccable.

A true cinematic wonder.

I also love the song "Angelfire" featured in the movie. I can't wait to see the other titles featured in the "I WILL DANCE ON YOUR GRAVE" series!!@

I didn't think I'd ever hear myself say that I've seen something so bad that I'm permanently scarred, but this movie could be it. This makes Ed Wood's later films look genius. The whole premise is that these girls are rushing a sorority (forgiving the fact that they're in their early 30's) and told to pretend they're hookers for part of their initiation and some how get mixed up with a group of vampire hookers. I know, you're thinking "hey, that doesn't sound so bad," oh contraire mon frer. This the loose string that tries to hold the plot together (it's harder to find than a virgin in a maternity ward).

The film looks like it was made by a porn company trying to go legit. I think it was shot with a hand held video camera. The acting is wretched (the guy playing Lobo is a complete hack, who is only in the pic because he's the producer). The actresses are not that good looking and don't come close to playing a convincing performance. They even repeated a scene twice in a row (I kid you not, it cut from one scene back to the beginning of the same damn scene).

In sum, I would rather watch a performance of "Robot Monster" done by chimps than sit through this pile of dung again.

Cannibal Hookers isn't the worst film you could imagine. Despite the fact that it starts out in the manner of an 80s poorly shot porn film, it does actually manage to be better than that.

There has been an attempt to produce a storyline, however that has clearly failed.

Whilst the acting is most unnatural, the camera work is dodgy and the script is pure rubbish, the saving grace of this film is the fact that it does break away from conventions of the cannibal sub-genre.

Firstly, these are causcasian, ugly, Californian women who are the cannibals, not Amazonians in grass skirts. Also the most absurd aspect of the plot bridges the gap between the cannibal and vampire genres, a feat, to my knowledge, attempted by no other filmmaker.

In summary, this film is not to be watched in any seriousness. It is, and hopefully was intended to be, a trashy, no budget video release designed for those who find cannibalism, 80s hairstyles and vaseline filtered glamour photography amusing.

My review was written in December 1988 after watching the feature on Hollywood International Pictures video cassette.

Beneath the lurid title "Cannibal Hookers" lies a lurid video, slightly tongue-in-cheek but mainly a gross-out horror pic, lensed on videotape.

Director Donald Farme, whose previous work includes shot-on-video "Demon Queen", ably captures a sleazy milieu wherein two cuties (Amy Waddell, Annette Munro) have to pose as street hooker as part of their sorority initiation for taskmaster Sheila Best. The actual prosties are part of some demonic cult, preying on human flesh, namely their unsuspecting johns.

The extremely gory makeup effects by Bill Barschdorf and Brian Sipe are intensified by the immediacy of video photography, marking this tape for the hardline horror addicts. Coproducer Gary J. Levinon doubles as an on-camera geek named Lobo, whose fight with the cops ends the picture abruptly. Acting and tech credits are a bit ragged.