Aggiungi una trama nella tua linguaA mummy battles a jackal-man in Las Vegas.A mummy battles a jackal-man in Las Vegas.A mummy battles a jackal-man in Las Vegas.
Robert Alan Browne
- Bob
- (as Robert Allen Browne)
Judi Gassel
- Dress Shop Girl
- (as Judy Cassell)
Richard Smedley
- Police Lieutenant
- (non citato nei titoli originali)
Recensioni in evidenza
I should know because he was my father. He was his harshest critic & did not enjoy watching this after it resurfaced on VHS. It is also incorrect that this was the only monster movie he ever made, The Mummy's Curse comes to mind. But I completely disagree with comments by Anthony Eisley that my father was senile during the making of this film! Its true that this film was never finished and sat on the shelf for years. My father went on to write two books, both of which were very well received by critics. He attended many Western Film Festivals as the guest of honor and gave very informative and entertaining speeches about the early days of film-making.
I enjoyed the music. John Carradine comes in after an hour. The princess reminded me of Donna Summer. The sets, cheesy. The jackal mask, probably stolen from The Rockafire Explosion. There wasn't even any nudity. An interminable snore fest which I wish Rifftrax would tackle. So our hero turns into a jackal and the princess comes to life unfortunately so does the guy who was buried with her. The mummy just looks dirty, like he'd been working under a car. There's some grainy footage of Vegas and some sets in a cave and a flashback where curtains are hung over a blank wall to evoke an ancient palace. All mummy movies are the same, but I prefer Hammer movies because at least the actors can articulate.
Star Anthony Eisley once said the director of this film was "quite old and a little bit senile at the time"; yeah but you signed the contract anyway, didn't you Anthony! The story goes that the film was unfinished and sat on a shelf for quite sometime before someone scotch taped the scenes together into something that bore a resemblance to a feature film. That could explain why it begins in the middle with Anthony Eisley as an archaeologist renting a tumbledown house outside Las Vegas with two sarcophagii in his living room. We are told that he saved them both from a plane that was on its way back from Egypt but crashed nearby. The centuries old boxes contain Princess Akanna, a woman put into a deep sleep in ancient Egypt so that she might someday revive and bring the glorious message of the Goddess Isis to a modern world. Along for the ride is her guardian Sirakh, who looks considerably worse than she does after 3,000 years. (Has anyone besides me noticed their names are "Ananka" and "Kharis" re-arranged?) Akanna revives and turns Eisley into a "jackalman" so he can better be her slave. The mask and three fingered paw/hands had been used earlier that year in the Adults Only movie DRACULA THE DIRTY OLD MAN. (Way back in 1960 Boris Karloff said the old monsters were no longer scary. This movie proves him right. There is the inevitable scene of the Mummy and the Jackalman fighting and this scene was shot on location in Las Vegas. Eisley, or his stunt double, and the Mummy do their best to be fierce but people on the street stare at them and laugh!) John Carradine shows up for two scenes to (A.) pick up some quick pocket money and (B.) explain what is going on for everyone who is confused. You will probably stay confused though until the end of the picture where events come to their predictable conclusion even though everything happens with little or no explanation. John Carradine and Anthony Eisley went on to top themselves in modern Poverty Row pictures. Long John starred as THE WIZARD OF MARS and Anthony fought half a giant gorilla (it's a long story!) in THE MIGHTY GORGA.
Take a moment to examine the primary cast of this film, and consider the quality of their bodies of work. Now, understand that this film is far worse than everything accredited to all of them, as extreme and unlikely a possibility as that may seem. Next, be aware that the story concerns a were-dog who muscles-up to a moldering, overweight mummy in a rivalry for the affection of a three-thousand year old Egyptian queen, ressurected by Isis to reinstate the worship of the ancient Gods. Imagine, if you will, all this nonsense taking place amidst the bustle and bright lights of Las Vegas, and you'll begin to have an idea of what you're in for with THE MUMMY AND THE CURSE OF THE JACKALS. Finally, be prepared to pee yourself in an unintended fit of laughter when you watch it
***Oh...and be forewarned...this film might prove injurous or fatal to no-nonsense viewers expecting a straightforward horror picture.
Rates both a one and a ten for different reasons.
***Oh...and be forewarned...this film might prove injurous or fatal to no-nonsense viewers expecting a straightforward horror picture.
Rates both a one and a ten for different reasons.
It was 1969 and the movie THE MUMMY AND THE CURSE OF THE JACKAL was about to premiere in Los Angeles Ca with a hope and a prayer that they could find completion funds to be able to finish the movie. Using a Super 8 camera, the staff and crew as extras, you name it, they were forced to stop filming. The film has sentimental value to me as my dad was one of the extras. It was a real treat to see the movie, since it was the first time I've seen it after all the stories my dad told me about it! That was 38 years ago, and who even knows if any of these people are still alive? I give the movie 5 stars for trying, and God bless all the people that were involved.
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- ConnessioniReferences Dracula (The Dirty Old Man) (1969)
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By what name was The Mummy and the Curse of the Jackals (1969) officially released in India in English?
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