Il bacio della tarantola

When a cheating wife is discovered plotting her husband's death, her oddball daughter commits matricide with the aid of some hairy, eight legged companions. Creepy little thriller is a poor man's "Willard" in which the beguiling Susan (Suzanne Ling - never seen before or again) is remarkably naive to the cruel intentions of various sleazy characters with whom she comes into contact. High on the perv-alert is her nefarious uncle (Mason), the local police chief who's been chasing her tail since puberty, discovers her involvement in a series of unexplained deaths and seeks to protect his political ambitions abetting a cover-up to divert suspicion away from his family. Mason's character is the epitome of ugliness, and his predatory pursuit of the adolescent Ling, is as appealing from a cinematic perspective as it is repulsive from a moral viewpoint.

Intense over acting and varying breeds of comically amateurish supporting performances coupled with laughable set-ups successfully mar what could have potentially been a minor sleeper. Director Munger's casual treatment and unimaginative scene construction display a lack of detail that is evident throughout the film, and it's a shame there's not a more graphic indication of the tarantula's impact on the victims (most seem to succumb to shock and hyper-anxiety, or is that just the quality of the acting?).

"Kiss of the Tarantula" takes a convenient pathway to imagined justice, while the central character's psycho-sexual motivation (which is intimated throughout the film) is never properly explored or connected to her deviant behaviour. As such, Ling's character is little more than a facade, and much of the film's promise as an interesting character study is henceforth unrealised. Perhaps lethally hampered by the lack of budget, whilst there's loads of potential, overall the film just can't carry the weight of expectations.

Susan is a young girl who had always had an fascination with spiders, but her mom didn't like it. After finding out she had planned to kill her father, just to be with his brother. She scares her mother to death by releasing a Tarantula on her. Years have past, Susan now has a big collection of pet Tarantulas, but one night some hoons come into the mortuary where she lives with her father, to steal a coffin and but they kill one of her spiders. Now she what's to take revenge on those who were involved by releasing her pets onto them. But that's one of her worries, as her sly uncle is now trying to put the moves on her.

While searching around in a second hand shop for some unknown films, I came across this little oddity which was called "Kiss of the Tarantula". Well, I liked the look of the front cover of the video case and the synopsis sounded like great b-grade, drive-in 70's feature. Paid my $2 for it, later I watch it that night and I gotta say that this little tale was a fair treat. Not great, but fair is best the way to put it.

This simple-minded low budget horror flick had an innocently sweet tone to it, and you'll definitely be thinking of "Willard" (1971), as they shared definite similarities. Just this time it's the spiders turn. Also it adds a twinkle of "Carrie" (1976) into the equation too. But in that case, it doesn't match the thrills of those particular films. It skewed more towards a glum melodrama actually, with the creepy crawlies playing second fiddle to Susan's troubles with her devious uncle. I guess that's just the way the plot plays out, as it seems to lose interest in the tarantulas, because they don't even pop up in the third act. Though saying that, just the look of a hairy spider makes my skin crawl. But here that wasn't always the case, yeah there are some eerie scenes like a grisly panic caused by the tarantulas in a car and a pulsating air vent scene (..now that was eerie). But these were more provoked by panic and you somewhat laugh because its basically silly watching the spiders crawl all over their initial victims. Nothing is totally horrific about the hysteria laced attacks, but more so... freaky. Mainly for a person who has arachnophobia. Most of the time Susan's either pondering around, caressing with her fingertips and talking to them! Suzanna Ling is rather gorgeous as Susan Bradley and Eric Mason is notable as Walter Bradley. The rest of the amateurish cast, I was surprised, they gave above average performances. Though, there were one or two characters that seem to vanish, after thinking they might have more of a role. The dialogue is stilted and the direction is mostly dour with the exception of a couple lines of added irony, but the minor production to a certain agree still generates a surprise or two that sticks with you. That really goes to the cleverly illustrated climax that effectively packs a killer punch. Backing all that up is an electronic score, which did at times settled the mood, but other times came across as unbalanced with rather odd choices and placement. If your looking for something cheesy, you won't find it here, because it takes itself rather seriously. It does comes across like a TV feature, but still it doesn't hamper proceedings.

A reasonable time waster, but don't expect a whole lot of spider terror.

I would guess that this uninspiring little film was probably inspired by Stephen King's book 'Carrie', and possibly even Brian De Palma's film adaptation, as while this film was released in the same year; I'm sure that there was more than enough time to write the script and make the film with what was left of it. Spiders are common throughout horror cinema, and big tarantulas are a fear of many people. Adding to this theme is the tried and tested formula of a young female outcast getting her revenge...so really, there's not many excuses for this film not being better. Kiss of the Tarantula hasn't gone on to achieve much acclaim and it's rather unknown, which doesn't surprise me at all. The film focuses on a young girl who likes spiders. Her mother doesn't share this arachnid appreciation, however, and after continually telling her daughter off for playing with spiders, the young girl decides that enough is enough and ends up putting a spider in her mother's bed, which leads to a heart attack. Some years later, the girl is still disturbed; and decides to use the spiders to get revenge on her current enemies.

The fact that this film was shot on a low budget is clearly shown through the use of the spiders; as it can't have cost much to round a few up for filming, and this is pretty much all the film has in terms of horror imagery. The spiders are about enough to pull it through, but the film is otherwise lacking; and I find it hard to believe that everyone except the central character is scared of them. The plots surrounding the spiders isn't too interesting either, with only the idea of the young girl being an outcast for her 'hobby' and a plot involving her uncle and her mother having an affair providing distraction from the central theme. The fact that the film is set in a funeral home is a positive element, as mortuaries often provide an interesting location for horror films, and that works well here. As you might expect given the type of film, the acting is largely diabolical, and I'm not surprised that this was the only film role for Suzanna Ling. Director Chris Munger never made another film after this one also, and overall; Kiss of the Tarantula is almost worth seeing, but you wouldn't be missing anything by not watching it.

1975's "Kiss of the Tarantula" may have been easily overlooked in its day as a low budget drive-in quickie, but in recent years is gaining momentum as a cult item. As a two time solo feature on Pittsburgh's Chiller Theater (Nov 22 1980 and Aug 6 1983), I was familiar with it at the time but had long forgotten the details, not surprisingly. The only horror film shot in Columbus, Georgia, it didn't do the kind of business it was expected to, a cast of local unknowns with one Hollywood import, Eric Mason, a TV veteran cast as town sheriff Walter Bradley and uncle of teenage Susan (Suzanne Ling), whose father John (Victor French lookalike Herman Wallner) is a mortician, one reason why she's been shunned by classmates and branded as weird. A more understandable reason is her total devotion to her pet tarantulas, enabling her to kill her abusive and unloving mother, who was plotting with Walter to murder her husband, his own brother. This knowledge is also known to Susan, who grows into pretty womanhood with her uncle's unwanted advances becoming more creepy over time. After classmates accidentally kill one spider in her home, she sets the others loose on them in a parked car at the drive-in (double billing "Dirty Harry" and "Magnum Force"), unable to get out of their vehicle before fatally succumbing. The two people who suspect the truth soon meet their dooms, the first in claustrophobic fashion, the other strangled by the brutal sheriff who knows his niece is responsible but still desires her for himself. The climax is certainly fitting, but leaves the viewer feeling rather empty, no characters to identify with or root for. The central figure of Susan is never developed to any likable degree, glimpses of remorse not enough to register beyond the surface. This is the critical lack preventing audience sympathy for her, unlike better known protagonists such as Willard or Carrie. The film pretty much ends with Susan unsuspected and free to continue, with all her enemies dead, yet this provides no satisfaction for the audience, left only with the pervasiveness of unease. In that way the picture does succeed in its modest approach and rural atmosphere, pretty much the definition of a cult film.

In the distinctly 70s tradition of films such as WILLARD, HOLY Wednesday, STANLEY, and JENNIFER; THE SNAKE GODDESS, this unspectacular independent non-chiller concerns a strange, spider-loving girl who dispatches her little 8-legged friends on killing missions...vengeance against folks who've treated her badly. Lovely Suzanna Ling, apparently in her only film appearance, is quite appealing. Her performance isn't exactly award-winning, but she shows potential, and one wonders what she may have accomplished had she not opted for instant retirement following KISS OF THE TARANTULA(it's hard to blame her, however).

It's very likely that you've seen this whole idea brought on before, and with better results(actually, I can't think of a time when it might have been done more poorly). Even as 70s-era drive-in fodder goes, this is a weak, ordinary film devoid of surprises or anything resembling quality craftsmanship.

An obscurity, moreless, and justifiably so. 3.5/10