Sweet Jane

This is something I would've wanted to see when I was a teenager.

The extraordinary relationship between the two could've gone on forever.

The love in this film isn't the usual, but a strange mix of affection and pity. Still making a great Romeo&Julie -touch to it. Its like Holy Matrimony(1994) done much deeper.

There are flaws, of course. Joseph Gordon-Levitt has been one of my favorite young actors, but I couldn't totally handle his acting in this film without drawing connections to the 3rd Rock´from the Sun. But somehow these flaws, like the old-fashioned dubbing in the end, just make the loneliness of the two greater.

More than anything else, this movie is about the relationship that can form between two people who are somehow flawed. The fact that it takes place against a backdrop of AIDS/drug addiction seems to be largely secondary. The movie depicts a drug addict (who happens to be HIV positive) and her relationship with a 15-year old boy who is in the throes of full-blown AIDS. The audience can see that both characters are in very similar points of their life, albeit for somewhat different reasons.

Samantha Mathis plays "Jane", a junkie prostitute who starts out incapable of accepting or giving love to another human being. As the story unfolds, we learn that she came from a good family, went to college, and has had support throughout her life. But, she fell through the cracks, and ended up in a desperate situation. Joseph Gordon-Levitt plays Tony, whose background is quite different. His brother and mother both died when he was younger, and his father has been incarcerated for most of Tony's life. Tony comes off as rough and uneducated. But, the audience really feels for him, as he's not just some street hoodlum... he's simply a victim of his circumstances.

The movie focuses on the give and take relationship that Jane and Tony have. Sometimes Tony is the strong one, helping Jane to see the weight of her decisions (her heroin abuse and prostitution). Other times, Jane takes on the role of a mother figure for Tony, helping a scared boy through a very rough time. Together, they seem to make a positive difference in each other's lives.

I gave the movie a rating of 7. Samantha Mathis really does an excellent job communicating both the desperation and the depth of love Jane is capable of. Gordon-Levitt does equally well showing us that Tony's intentions are honorable, but sometimes suffer the after being filtered through of the lack of opportunities he's been forced to deal with in his lifetime. Both of them show how human companionship can infuse even the most desperate of people with hope and warmth.

This movie is well worth your viewing time.

Joseph Gordon-Levitt and Samantha Mathis performed outstandingly as the main characters in this totally realistic movie. Having witnessed the HIV, drug, prostitute scene for real because of a "wild" family member, I can relate to the hurt, rejection and fears portrayed. I watched this because I'm a fan of McNamara, but Joseph won my heart for his acting ability as well did Samantha. This should be a must see for all drug users. I gave it a 10.

Like many films that address sensitive topics, it might be challenging to connect with the characters during the initial part of the movie due to the seemingly self-imposed challenges they face. Character development factors largely propel the narrative.

Additionally, unfortunately, this movie may be challenging for sensitive viewers due to its portrayal of serious topics like drug use and AIDS/HIV. However, if one can approach the film with a degree of detachment from these elements, it offers a compelling emotional roller coaster.

In the grand scheme of things, this film serves as a reminder to appreciate the love and life we possess while they are within our grasp and to recognize that our existance may not be as challenging as we may sometimes percieve it to be.

This is another showcase of the truly talented actor Joseph Gordon-Levitt at a young age.

Maybe it's just that it was made in 1997, or maybe whoever managed to get this up to a 7 has a soft spot for kids with AIDS. But really people, the maniacal laughter & mayhem during the withdrawal scene? Did you not see that coming? I'm surprised there was no baby crawling across the ceiling and sickboy addressing the camera. The acting was fine, sure. But to me this is just one example of a movie from a time when situations and subject matter could pass for cinematic language. Things happen, but that's it. There's no glue or motive that can be detected on screen, allowing the subject matter to use pre-existing emotional connections to furthur the plot, without the script doing it like it's supposed to.