The Boys

While you watch this surprisingly short film, again, you are reminded, it's not quality, not quantity, and The Boys is a jarringly intense masterpiece of scenes, that seem handpicked, as they are all potent, with some truly claustrophobic moments. One reason, evidently stands out: David Wenham, as one of three ex cons, good for nothing brothers, who's just got out of the nick. The telling of this story moves back and forth, so don't try and think, just enjoy this blessed experience of high calibre acting, Lynette Curran up there with Wenham, as the much suffering mother, while Toni Collette relishes in a role in what you would call her most sexiest, as Wenham's loud mouthed girlfriend. This is basically a domestic drama, but the film's magic, is in how the story's utilized, so tight knit, a no holed drama, which is at times, is so confrontingly real, especially in Wenham's performance. The fantastic Another Hayes plays the weak, unhinged, patsy sort of brother, kind of reminding you a bit of him, in Suburban Mayhem, where he also played a, good for nothing loser. John Polson, seems the most together brother, you so want him to get his life on track, and leave with his girlfriend, sugar mummy, of higher class, but, his brothers mean too much to him. The film with it's dark music scores, and fade outs, that work perfectly for this film, mirrors real life, with an all too realness, in a chilling, engrossing watch, that sadly runs shorter than you want it too, it's last scene, memorably scarring. One Oz movie experience, which again does us proud, joining that section of fine Oz films.

This movie is not entertainment and should be approached with caution. That said, it is a powerful insight into how a certain strata of society lives. You see the boredom and hopelessness and the effect it has on the individual and the family.

The strength of the movie lies in the control and stillness of the main character. This is not a man you want to meet, let alone upset.

You don't often see acting like this in movies. It puts the academy awards into perspective. So said Roger Ebert in his review in Once Were Warriors. And the same applies here. David Wenham is simply jaw droppingly good in his portrayal of an unhinged, resentful and cold hearted man who sets out on a mission, intentional or not, to drive away anyone even remotely close to him. He has nothing but calculated cruelty in his words and his actions, only wanting to drop everyone to a lower level than him and give him power. Power that masks his deep insecurity and self loathing. It is simply the best acting performance I have seen in an Australian movie. Every supporting character is equally as engaging, especially John Polson as his clueless brother. Funny how a small movie mainly set in one house and based on a stage play stays with you far longer than a big budget Hollywood pic. Sometimes all you need is interesting characters and a strong script to make its mark. You will be glued to the screen from start to finish.

What a Movie...this movie was impacting, and left a sour taste in my mouth. Brett Sprague was an extremely nasty piece of works. David Wenham brought the character of Brett to life so brilliantly. I was in fear of this character, and what was the most frightening aspect was that this character felt real... not a "Freddy Kruger" type of unbelievable scary character, but a TRUE nightmare... there are people like Brett out there in the world, and that was what was so frightening for me. This movie had a tremendous sense of fear and danger throughout. Every performance was outstanding, especially those of David Wenham, Toni Collette and Lynette Curran. The women in the film sensed the imminent danger, but the brothers were just hopelessly and dangerously in awe of their brother, Brett. This is Australian film making at its best, and I would like to commend our film industry with taking risks, and encouraging our artists to continue to make wonderfully original and creative films. Congratulations to all concerned.

Some years ago in the western suburbs of Sydney there was a particularly nasty rape and killing of a young nurse on her way home from work carried out by two brothers and their friend. The incident became known as the Anita Cobby case and although the killers were caught and convicted, its reverberations still continue in the NSW criminal justice system. This film, from Gordon Graham's play, is not a recounting of the Cobby case, but attempts to answer the question: what sort of people could have perpetrated such a crime? The answer given here, in a coldly clinical examination, is a domineering psychopath and his two compliant brothers brought up in a family where the women are treated as mere conveniences.

David Wenham, more usually associated with pleasant off-beat characters like Diver Dan in the TV series "Sea Change", plays the evil Brett, who has just done time for assault, and is back home manipulating his family and girlfriend. Despite the fact he spends most of his time sitting around drinking beer, everyone is afraid of him. He has the happy knack of being able to inspire fear just by looking at someone and lowering his voice. It is a remarkably powerful performance. Toni Collette as Brett's girlfriend Michelle is able to give us some insight into why an apparently sane (if insecure) woman would want Brett - it's the buzz of his badness that attracts.

Being derived from a play, there is drama here, but because the approach is also rather clinical, it does feel a bit like looking at cockroaches through a magnifying lens. It's hard to feel much empathy with Brett - whatever made him what he is, he's pretty nasty and permanent incarceration seems to be the best option. If there is any chance of redemption it is not evident here. The other brothers Glen and Stevie are not so bad (though Stevie has a violent streak), but easily led, or bullied. In other circumstances they would not have committed such a crime. So in the end it is down to Brett and we don't even get a hint as to why he is as he is. He does tell us "we are all gods" by which he means we are all responsible for what we do. In his case he's happy to be a murdering psychopath. So look out.