Il tredicesimo piano

As the last millennium comes to a close and a new one opens, the science fiction genre seems to have latched onto a brand new narrative format - the cyber/techno thriller, wherein characters are free to wander in and out of virtual reality worlds and are even forced to call into question the validity of the world we have hitherto smugly referred to as "reality."

In 1999 alone, this theme has been explored in "The Matrix", "eXistenZ" and "The Thirteenth Floor." Actually, of the three, this is probably the most intriguing, intelligent and involving, successfully combining the elements of a whodunit with a clever sci-fi tale of a group of characters who drift in and out of a simulated version of Los Angeles in 1937. The plot, though complex, is spun out with coherence and ever-increasing clarity as the layers of information are slowly peeled back to reveal the larger picture. The filmmakers manage to create a sense of unbalance in the audience as we and the characters become more and more unclear as to what is reality and what is a simulation. Because the writers never lose their way, the result is a work of considerable mystery and intrigue.

In terms of art direction and cinematography, the film is a total triumph. The Los Angeles of 1937 the moviemakers have visualized on screen actually has a slight studio backlot, artificial feel to it - perfectly befitting just the kind of world a simulator would create. The photography in these sections also utilizes a slightly off color cast, nicely reflecting the tone found in color pictures of that era.

"The Thirteenth Floor" may not be a very "deep" movie, but it is an honorable addition to a newly formed genre that has not yet had time to ossify in its own conventions. Time alone will tell if filmmakers will be able to expand on this theme or whether, as with most genres, it will fall victim to its own inevitable cliches.

This movie was both critically and financially panned. Why?

Two words. The Matrix.

The Thirteenth Floor is a good movie. No, it's not "The Matrix" all over again, but it wasn't trying to be.

This is what happens when two movies of similar type are released in close proximity. The first one always has a jump-start on the second by means of box office success and pleasant reviews. That's why I think "The Thirteenth Floor" was branded as a bad movie. People had already seen "The Matrix" with it's knock-out special effects, cast and action. They weren't open-minded for a movie on the same genre branch. So The 13th Floor was said to be 'a bland, pale imitation of the Matrix'.

"The Thirteenth Floor" doesn't have a star-studded cast. Yes it's cast is mostly regular supporting players, but they work well with the material. So there's no kung-fu ass kicking scenes, so what! There's great atmosphere, a intriguing story and a real nice plot twist. To me that makes up a very fine movie. So I ask what was so very wrong with "The Thirteenth Floor" that made critics turn away and made it tank at the box office? Really it's people's unwillingness to give a similar movie a chance and instead opting to take the easy route and branding it as a "rip-off". Which is their loss unfortunately.

The Thirteenth Floor,in my opinion,is an underrated SCI FI classic. It ranks with Blade Runner, The Matrix & Dark City as Science Fiction with a brain. Not only does it raise philosophical questions around technology , reality and existence it is also an entertaining noir-thriller with a few twists. Visually it is similar to the films mentioned above (dark neon-soaked landscapes) however the contrast between the modern and the 1930's adds another level to the films beauty. The film is well cast (Gretchen Mol looks stunning)and Craig Bierko carries the film well. It's one of those rare films that crosses quite a few genres - intelligent sci fi - murder mystery - film noir - thriller - love story.If you enjoyed Blade Runner and The Matrix you will certainly like this film.

Seems Christopher Nolan got some inspiration from this Pretty interesting analog to The Matrix. More of a mind bending "what is even real" approach than the action and more religious/philosophical approach of The Matrix. Instead of knowing up front what is real as a viewer, it is not until the end that you get a glimpse of what could even be considered "real".

A small simulation set in 1937 has been created. Our main character discovers that his recently murdered partner (the simulators creator) has been using the simulation before its release for human trial. He also discovers that a message has been left in the system for him to find. A message that promises to ultimately change everything.

I recommend this film to all those who enjoyed eXistenZ etc. Fans of David Lynch will not be disappointed either. If you are a great fan of Lynch, then you will see this as an easy to follow film that has some nice turns and twists without forcing you to pause and rewind or watch again.

The film manages to persuade you of the complex simulated world without spending too much of its budget on special effects, unlike the matrix, which ultimately destroyed itself by its overdone sequels. Great set of actors here too. Ones that deserve the job title "actor" and have many creditations to their name.

I am surprised that this little effort hasn't been more popular since it manages to get a complex story line and make it very easy to follow without becoming bogged down with the characters explaining each scene (ergo the matrix).

Overall, definitely one to watch and one to own.