Heat of the Sun

Colonial Kenya provides an exotic, fascinating backdrop for this excellent PBS Mystery series. Heat of the Sun is what I call the "kitchen sink" approach to detective fiction, with every crime imaginable--from murder, arson, and drug-running, to blackmail, banditry, and slave trading--perpetrated under the hot African sun. The excellent acting, the palpable romantic chemistry between the two main characters, the hypnotic setting, and the clever, convoluted plots, all combined to make this a memorable viewing experience. Hopefully, we'll be seeing the continuing adventures of Superintendent Tyburn, Emma Fitzgerald, and company, before too long!!

It is hard for me to think of a TV program which I considered to have finished at the right time, the majority no matter how good they are out stay their welcome, while a few go too quickly. However I can honestly say that Heat of the Sun is the most depressing example of the later I have come across in a long time.

This series has its faults: Historical and continuity inaccuracies that only the nick picking would notice, an over sentimental last episode and a few wayward performances. But at its heart this is a decently written and well acted period detective drama. Not only that, compared to almost all of British television's recent detective dramas it is refreshing, both in its unique period setting and the fact that it's detective is for all intense purposes mentally stable.

And so it is for the above reasons that I believe this series deserved more than three episodes. It had places to go and stories still to tell and it is just another example of some of the poor decision making that has been going on at ITV over the last couple of decades! For at the end of the day Waking the Dead is a great series (as to lesser extents so are some of its ITV replicas) but I would have much preferred to have swap a few series of Boyd for a handful or so more episodes of Tyburn and this forgotten and under-appreciated gem of a show.

This series mixes genres and conventions in a most enjoyable way. It has elements of police procedural, hard-boiled detective story, historical mystery, and colonial soap opera. Trevor Eve is fun to watch as Tyburn, the tough, incorruptible British cop who is both repelled and amused by British society in 1930s Nairobi, Kenya, while refusing to become enmeshed in its racism and decadence. The lovely Susannah Harker is under-used as his aviatrix girl friend. The rest of the supporting cast is highly effective. I am not an expert on the period, but the stories give a good flavor of life as it was lived in that place and time.

I really miss this series. Well acted, well shot, high production values, a touch over the top here and there in terms of story and characterization, but all in all a very good mini series.

Trevor Eve does an excellent job of portraying Superintendent Albert Tyburn, a duty bound independent thinker and detective in the Kenyan colonial police force, but he is not there by choice. To find out why you have to watch the series :-)

Some of the other commentators have remarked on some of the details of the series, costuming, props and so forth, but I found the art direction quite thorough, and very convincing when combined with a talented cast and direction. There may be some inaccuracies here and there (note the antenna on the plane), but in general the series does portray the appropriate visuals for both time and setting.

I found the cinematography quite complimentary to the characters and setting. There's a definite feel for a place distant, warm, inviting and full of intrigue all at the same time. The visuals draw you into the series, and appropriately enhance the drama.

If I were to offer any kind of criticism it's that there wasn't enough exposition of Eve's character's background. There're references here and there, and synopsized tidbits, but not much of a good exploration of his military background and general history: We do know he's a man of discipline and high ideals, even when it comes to race. But, be that as it may, much to the director's and Eve's credit they don't portray Tyburn as a racial crusader, but a man who believes in the sovereignty and application of law to all people.

On that note the series does explore racial relations in 1930's Kenya, but doesn't make its primary theme. It's a mystery series, and crimes are committed by people of all shades and stations. Its Tyburn's unfortunate duty to bring justice to Nairobi's malefactors :-)

Part of the series appeal isn't just that it's a period piece, but a series set in Africa with an unlikely and welcome portion of action. It's primarily a mystery series, but not exclusively. Again, to see why you have to watch it :-)

An excellent series that deserves to be reaired.

Do yourselves a favor and rent, buy or check out the series from your local library. You won't be disappointed.

What a wonderful series concept! A streetwise, professional Scotland Yard detective is exiled to decadent Nairobi colonial society in 1931, and charged with enforcing rules among people who have fled England specifically to avoid them. Before he's even started his first day, the tough but idealistic Superintendent Tyburn has managed to subdue three abusive, upper class drunks and haul them to jail on the back of his luggage wagon, only to find that one of them is the nephew of the governor. And that's just the beginning...

Heat of the Sun displays the wonderful British acting and production values that make public television viewers so spoiled. The art direction and costuming are excellent, truly capturing a sense of Kenya in the 1930's, and the actors nail their parts down, especially Trevor Eve as Superintendent Tyburn and Susannah Harker as the independent bush pilot Emma Fitzgerald.

Unfortunately, the production is hobbled by uneven writing and directing, which may help account for why the series never continued beyond three 2-hour stories. The writers introduce far too much plot and not enough character. People talk about themselves instead of showing who they are. In a glorious atmosphere like this one, I want to know more about these people and how they came here - the flaming homosexual, the literate African constable, the Jewish doctor and the Sikh forensics expert - but the script rarely gives more than a shallow glimpse before bolting on to the next plot twist. As a result, the stories often feel flat, like cardboard characters are marching through a mystery novel.

Some of the directors need to go back to film school. The first episode shows no sense of shot size or angle; people are framed way too tightly and the camera often swirls around Tyburn even when someone else is speaking. Shots don't flow together because actors are looking at slightly different angles to the camera. And so on.

But on the whole, the great sense of atmosphere manages to carry this series far above the mundane. I really hope to see a sequel; just nail down the details next time, and this series could be a classic.