Prima ti sposo, poi ti rovino

George Clooney stars as a self-loving whiter than white toothed lawyer who is becoming bored with his never-ending success. A challenge comes in the shapely form of Marilyn Rexroth (Catherine Zeta Jones) who wants to marry (or preferably divorce) her way to riches. With Clooney hired to represent her soon to be ex husband, he inevitably falls for the gold diggers charms.

Directed by the Coen brothers, a directorial team who have helmed oddball comedies such as 'Fargo' and 'O Brother, Where Art Thou?' this is the team's first branch in to a high profile Hollywood film. Clooney, as the sharp suited lawyer, is excellent. Like Cary Grant or David Niven, Clooney is able to mock himself without compensating his screen appeal. Catherine Zeta Jones as the money hungry Marilyn is as sexy as her character demands from the scripted page. However, despite the quick fire dialogue, Intolerable Cruelty is simply not as funny as it thinks, it's cynical message of love and money taking away the romantic push it needs to place it in the league of the Tracy/Hepburn films the movie aspires to. Clooney's character also suffers from an over enthusiastic plot that later drives his character to attempt to commit a crime that totally contradicts the audiences perception of him. A battle of the sexes comedy that has sex appeal but no romance, Intolerable Cruelty is a film that reaches for the golden age of Hollywood but only touches the bronze.

I saw it recently for the second time, and even though the huge holes in the plot are still there, I liked it much more than the first time. Thinking of the holes, Coens are very talented artists - perhaps we, the audiences are supposed to be smarter than Miles Massey (George Clooney - perfectly cast) - the very successful, always victorious divorce attorney for the rich and famous? Massey is the author of unbreakable "Massey's Pre - Nup" but he is so bored and restless than maybe he is waiting for someone who would be able to break it? Enters cool and sensual Marylin Rexroth (who looks exactly like Catherine Zeta-Jones), the woman who is after "wealth, independence, and freedom" and who "eats the men like Massey for breakfast" with the glass of French red wine Château Margot, 1954. Thus starts the game of wills, wits and desires with twists in every turn. Some of them are surprising and clever, some - predictable. "Intolerable Cruelty" may not be the best Coens' film but it is enjoyable, stylish, and funny. At least two scenes closer to the end of the movie are absolutely hilarious.

I doubt that there are two more strikingly attractive actors in movies today than George Clooney and Catherine Zeta-Jones. Zeta-Jones, in particular, has the kind of classic beauty that puts her right up there with the great screen legends of all time, women like Ingrid Bergman, Natalie Wood and Audrey Hepburn, who, with their ravishing good looks and photogenic quality, came to define the ideal of female pulchritude in their time.

Credit the Coen Brothers, who made `Intolerable Cruelty,' with having the good sense to know what they had in these two stars and for exploiting it to the full. They have allowed the actors to play off their good looks, most especially Ms. Zeta-Jones, portraying an icy gold-digger who specializes in marrying rich men with the express purpose of taking them for everything they've got once the marriage is ended. Clooney is the first-rate divorce lawyer who finally meets his match when he falls under the spell of this strangely bewitching woman.

The major joy in `Intolerable Cruelty' comes from watching these two tremendously attractive stars go at one another – be it in lust, passion or anger. Miles and Marylin are both seasoned game-players and world-class manipulators who know how to get the better of the hapless victims who stumble headlong into their paths. Unfortunately, the film itself never lives up to its promise of becoming a slashing satire on the mores of our divorce-happy society. The main reason for this is that the script often shoots too low in its tone, opting for an overly broad, slapstick approach when a slyer, subtler style is what's really called for. It's not that `Intolerable Cruelty' doesn't provide its fair share of laughs; it's just that we feel there should be a whole lot more of them given the pedigree of the film's makers and the high-powered acting of its amazingly gifted cast.

In addition to Clooney and Zeta-Jones – who hit all the right notes in their playing off one another – the lineup also includes Geoffrey Rush, Billy Bob Thornton, Edward Herrmann, Richard Jenkins and Cedric the Entertainer, who steals the few scenes he's in with his manic interpretation of a private investigator who specializes in capturing wayward spouses in compromising positions.

Perhaps, `Intolerable Cruelty,' for all its moments of mirth and fun, simply doesn't go far enough into the realm of outrageousness to make the concept really work. The Coen Brothers, who have proven themselves masters of the absurd in the past, for some reason seem to be holding back in this film, going for the easy laugh and the easy sentiment when what we really want is for them to cut loose and go for the jugular (as Danny De Vito did with similar material in `The War of the Roses' so many years ago). Maybe Miles and Marylin need to be a little more nasty, a trifle more cutthroat in their demeanor to bring it all to life.

`Intolerable Cruelty' offers some hearty chuckles and some definite eye-candy in the person of Ms. Zeta-Jones, but, when all is said and done, the film is mainly just promises and not enough delivery.

I am amazed at the lack of true movie knowledge that is displayed in these boards sometimes. If I had to guess at the age of the writers of bad reviews this particular movie has garnered in the reviews preceding mine, I would say at best 18. Not a single one of these unknowing boobs remembers Cary Grant, nor the fast-talking zany comedies like Bringing up Baby, and again nor the romance comedies of Hepburn & Tracy.

The Coen Brothers like to do re-hashes, ie. Miller's Crossing/Blood Simple/Big Lebowski are their different takes on film noir. And now they made an amusing film of a different era again. Sexiness/chemistry does not mean bare flesh, nor does action or cursing make a modern classic. The one fault of the Coen's in making this movie was a lack of close-ups - a dead giveaway for what they were trying to achieve.

At best, this is a funny romantic black comedy, with witty dialogue. At worst, it is absurdist black comedy.

I wouldn't have commented, except that I read too many reviews that mislead potential movie watchers.

This movie is exactly what it portents to be. A good comedy.

It's not a classic, but well worth your time. You'll enjoy it.

Clooney is excellent, and CZJ is the perfect counterpart. Plenty of recognizable names that seem to enjoy being involved, without the need to have huge billings...

Too bad these other reviewers can't just appreciate a fun movie. Don't pass on this movie, you'll be missing some good entertainment.