Aggiungi una trama nella tua linguaAlex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 1 candidatura in totale
Teresa DePriest
- Lana
- (as Therese De Priest)
Recensioni in evidenza
Hit and Runway may at first glance appear to be another one of those movies about struggling screenwriters trying to write a movie. But unlike most of their blockbuster counterparts, this movie is not about the movie that Alex and Elliot are writing, but it is about the friendship that they forge throughout the experiment. Although the screenplay they are writing is not particulary good, the broader movie is able to focus on human nature, and the inexperienced actors are good in delivering timely humor. On the whole, a strong movie and a good career start for up-and-coming director Christopher Livingston. Well Done.
I went to see "Hit and Runway" on the same day I went to see "The Mummy Returns." After enjoying the former, I couldn't even sit through twenty five minutes of the over-produced and under-written "Mummy" sequel. "Hit and Runway" is a true gem--not perfect by any means--but so much more bright and engaging than most of what Hollywood has to offer. It is a "story within a story/odd couple" film. Though not entirely original, it does everything it sets out to do well and with great humor. Anyone who wears glasses, is Jewish, Italian, gay, writing a screenplay, looking for love, interested in how Hollywood works, and/or simply appreciates intelligent, off-beat comedy should enjoy this film. It has the sensibility of "Ben Stiller meets Woody Allen." If any of this sounds good to you, see it.
I have never commented on the IMDB before but felt compelled to do so when getting home from the theater. I was pleasantly surprised and enjoyed this film very much. The writing was clever, the directing excellent and the cast fantastic. I felt the editing may have needed a bit more attention...at a few moments. I don't know the actor Michael Parducci nor have I seen any of his work, but I think he did an amazing job. You really grow to like this "cool Italian guy". I hope to see more of Christopher Livingston's work in the future. Nice job!
The main purpose of this comment is because I was so disappointed by the other review on this site. It completely misses the point of the movie and I would hate for someone to only read that one and then not see the movie. The story is very well put together. It begins with rough, thumbnail (almost stereotypical) characters and you are ready to be put off. Then the story gradually develops and we get to know the two main characters in a full, three dimensional way. Each comes forward through the story line as complete, reasonable, and likable. The message of the movie is presented in a systematic and approachable way, without being in any way obvious or predictable. I can highly recommend this movie to anyone who is halfway sensitive and open to seeing gay people beyond the usual four corners often found in gay pride parades. By the way, if you like this movie, you will really like The Big Eden, probably opening near you soon, if not already.
This movie is a wonderful variant on a traditional movie theme, the romantic comedy. Only in this variation it would be best to call it a relationship comedy. The two protagonists meet and although they are initially uncomfortable around each other, they are forced to work toward a common goal. In doing so they form a relationship. When that relationship ends, we see a parting scene that recalls many great parting scenes of the past.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Lo sapevi?
- QuizWinner - Best screenplay at the 1999 Los Angeles Film Festival.
- BlooperWhen Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty.
- Citazioni
Elliot Springer: It's Hopeless.
Alex Andero: Hopeless is not a word in my vocabulary.
Elliot Springer: I suspect that there are a lot of words that aren't in your vocabulary.
- Curiosità sui creditiRecorded at Audio Paint, NYC If it can be imagined, it can be recorded www.audiopaint.com
- ConnessioniReferenced in Eating Out (2004)
- Colonne sonoreAmerican Dream
Written by Lance McVickar
Performed by Slow Poke - Lance McVickar, Joel Finn & Mark Frankel
Engineered and Arranged by Lance McVickar
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Éxito y pasarela
- Luoghi delle riprese
- Manhattan, New York, New York, Stati Uniti(various exterior shots)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
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