VALUTAZIONE IMDb
5,9/10
136
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Frenchwoman accused of the murder of her child's father in an English court, rejects her defence lawyer. At the request of a Frenchman who saved his life during the war, a family solicitor... Leggi tuttoA Frenchwoman accused of the murder of her child's father in an English court, rejects her defence lawyer. At the request of a Frenchman who saved his life during the war, a family solicitor reluctantly takes on the case.A Frenchwoman accused of the murder of her child's father in an English court, rejects her defence lawyer. At the request of a Frenchman who saved his life during the war, a family solicitor reluctantly takes on the case.
- Regia
- Sceneggiatura
- Star
Andrée Debar
- Vicki Martin
- (as Andree Debar)
André Mikhelson
- Santos
- (as Andre Mikhelson)
Félix Clément
- Maire Gimelet
- (as Felix Clement)
Marcel Lupovici
- Valdi
- (as Lupovici)
Recensioni in evidenza
This film soon splits into two parallel narratives; one a rather stolid courtroom drama with an eclectic cast of Britons ranging from Donald Wolfit as the judge to Betty Stockfield as a shifty witness, the other populated largely with French actors and slickly shot by director Edmond Greville following hero John Justin to France in search of evidence exonerating a former resistance heroine.
Based on a novel by Michael Gilbert (originally part of his Inspector Hazelrigg series), the plot is often hard to follow and the final payoff a bit of a letdown, but you keep watching.
Based on a novel by Michael Gilbert (originally part of his Inspector Hazelrigg series), the plot is often hard to follow and the final payoff a bit of a letdown, but you keep watching.
Part murder mystery, part thriller, part courtroom drama- this odd little film has a well-intentioned foot in each of these camps without nailing any particular genre. The unimaginative title doesn't help. That said, it's an enjoyable curiosity shown from time to time on TPTV, and John Justin scrubs up very nicely as our clean-cut English hero among a collection of French and Brit character actors; one of our favourite B-film cockneys of the time, Sydney Tafler, plays an Italian-sounding character who's witness statement is critical to the narrative- delivered in a peculiarly unconvincing French accent. As always, interesting to see who else crops up- the great Donald Wolfit as the judge, and Russell Napier (who is nearly always playing a police inspector), playing - er - a police inspector.
A strange french film that I saw dubbed, from an US source. It begins like a court drama, where a young woman is accused of a murder and claims her innocence. A journalist tries to prove her not guiltiness. And the films curiously becomes from time to time an actionner, with some gunfights sequences. Not a bad feature, but that I will forget in a couple of weeks, or maybe days. I don't know any of the actors, male or female. It may be a sleeper at some moments, so stay tuned if you want to follow the story in an accurate way. The director was a man who made films in different countries: UK, USA and France. His best known feature was LES MAINS D'ORLAC.
This was one of the post war recrimination films that proliferated in the 1950s.A man is found dead in a hotel.The accused woman had the opportunity and the motive to kill him.However as everyone knows that tends to be a sign of innocence.She is arraigned at the Old Bailey in front of that veteran scene stealer Donald Wolfit who plays a garrulous judge,who is going to make the best of his part.Her solicitor,instead of sitting behind counsel at the trial,goes off to France to try and solve the mystery.The problem about this film is that it is continually drifting into flashbacks so it is often difficult to work out a clear continuity of plot.
I saw this film this morning, 5th September 2018, on Talking Pictures which I often watch these days when there is garbage on most other tv channels. It was a long film and I found myself looking at the clock several times to check when it ended.One example of the producers casting British actors so us anglo saxons can understand the script, was " the vital French witness" played by Sidney Tafler who gave testimony just before the jury gave its verdict.Phony French accents were the order of the day when even ignorant French peasants spoke intelligible English.More intelligent producers later would provide English subtitles whenever a non English part was spoken on film, thus providing more verisimilitude, a classic case being Darryl F Zanuck's remarkable "The Longest Day"(1962) which had sequences in French & German.The film seemed long because, as a previous reviewer has said there were too many flashbacks in the Criminal Court sequences. when he played a RAF fighter pilot and I agree with the previous reviewer who wrote continual flashbacks broke the continuity of the scenes.The only previous film in which I had seen the leading man was in Leslie Howard's "The Gentle Sex" (1945) when he played a RAF fighter pilot.I even found myself thinking in schoolboy French what I would have said in their authentic language.The plot was rather contrived by the scriptwriter being merely adequate, henc emy rating of 6/10.
Lo sapevi?
- QuizVeteran extra Aileen Lewis is not only the policewoman standing in the dock behind Andrée Debar, she's also in the public gallery sitting towards the back on the right hand side of the screen.
- BlooperWhen Rumbold is photographed leaving the post office, the photographer is to his right but the photograph shown soon after was clearly taken from his left.
- ConnessioniReferenced in La pazza eredità (1957)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Guilty?
- Luoghi delle riprese
- Beaconsfield Film Studios, Station Road, Beaconsfield, Buckinghamshire, Inghilterra, Regno Unito(studio: made at Beaconsfield Studios)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Proporzioni
- 1.37 : 1
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