Jerome

Jerome, a clever, and taut indie featuring wonderful perfomances has at it's core a basic corollary: The ideal of 'freedom' can vary greatly within each of us and therefore the price paid for that freedom. The film paints the portrait of a burnt-out welder who one day decides to change his life, literally walk away from family and friends in pursuit of a festering dream. It's a symbolic jouney that can't help but be frought with peril and take him unexpected directions. Jerome is not the name of the said protagonist, but rather a small artists alcove in the middle of the Arizona desert the film's anti-hero, Wade Hampton, has uprooted his life for. It's a place he knows only through a postcard and once the free-spirited, drifter Jane shows up, Wade's seemingly straight-forward itinerary begins to buckle. Jerome is refreshingly introspective, given its familiar subject matter. Wade's pursuit is marked by such innocense and singleness of purpose, his conviction in his dream so total, that he succeeds in blocking out the inherent emptiness of such a quest. Beautifully photographed, Jerome is a thoughtful, stylistic and understated piece of filmmaking, a road trip into the core of everyday human dissatisfaction where the route is seldom straight and the destination is never the final stop. It is the road less traveled and assuredly a road worth taking.

As a crew member on this film, I have a slightly biased view of this movie. When I saw it at the screening for cast and crew, I was VERY impressed with how it turned out. It should definitely make a film career for Wendie Malick who until now has only truly enjoyed a television career.

Well, Pray for a distributer to buy it and put it into the local film houses..You won't be disappointed.

This is a great film that is reminiscent of films of the 70s with that laid-back, let-the-film- unfold sort of style. The lead character, Wade Hampton, makes an impromptu decision that changes his life and we are brought along with him as he just tries to figure out how to get to Point B. Since he didn't plan ahead, we take the journey with him as he sees how things tend to unravel without a plan. But he sticks to his beliefs and, ultimately, ends up accomplishing what he set out to do, in one way or another. The film isn't in a rush to show the next big turn of events or twist; it concentrates on telling Wade's story and is done in a fashion that pulls the viewer into his life. It's as contemplative as Wade is throughout the film and that's why it works so well.

I viewed this late one night on Sundance Channel and was at first intrigued at the photography. Impressive colors and angles. It held your interest and set the mood of the long long roads in the mid-west that lead to nowhere. But eventually, something has to happen. To this viewer, it didn't. Drew Pillsbury, playing the drifter, out to find something else in his life other than a job and family responsibility, seemed to draw your attention, but then really didn't take you anywhere. Close up after close up of his rugged face with almost the same look on it. "What's happening?" seemed to be the look he had.

Unfortunately he runs into this plain Jane who seems to only have one expression on her face. Hard to describe just what she was trying to convey. Wendy Malick, as Jane, was rather predictable in her performance. A bit over acted at times, this viewer was so glad to see her hit the dirt after shooting an innocent victim attempting to help her fix her car. Only good part of the movie to me. Then it's all down hill from there.

Writers /Directors, David Elton and Thomas Johnston made a good attempt to tell the story, but it could have used some drastic cutting and change of leading lady. I love evil leading ladies, Nicole Kidman in MALICE, but this one didn't have the oomph to me. Sorry.

Some films claim to be "independent" but really aren't. They just use the term to capitalize on a marketing niche. Jerome is the real deal. The tone and style of this compelling film is reminiscent of a time when movies were more than poor excuses to market video games and burger franchises. Any film buff or student of filmmaking owes it to themselves to search for this one and take a look at the kind of movie that actually deserves the "independent" label. The story really pulls you in and does so without giving away too much too soon. You have to watch and listen and in the end you are rewarded for doing so. You'll find yourself thinking about this movie for days after you've seen it, especially if you have ever worked at a job that you hated, and who hasn't? There are amazing performances by the leads, Drew Pillsbury and Wendie Malick. Malick, who is on "Just Shoot Me" and was in "Dream On", takes a walk on the wild side and she's never been better. She usually plays glamour types, but here she is down and dirty in a part that is a complete 180 from any of her tv roles. Pillsbury has the tougher acting job since he plays a quiet, misunderstood man who can't quite express himself. It's his performance that gives the film such an emotional yet humorous feel. I was lucky to see this film at the AFI Film Festival in Los Angeles last year and I recently saw that is it finally getting a small release in theaters. It's a cool, darkly funny little movie and it's really worth seeking out.