Milano rovente

Umberto Lenzi made some of the best Italian crime films with films like The Cynic, The Rat and The Fist and Almost Human, and part of the reason why these films were so successful was due to the presence of one of Italy's finest actors - the great Tomas Milian. This film doesn't feature the immense talents of Mr Milian, although it's not all bad news as Lenzi has still managed to put together a pretty damn good little crime thriller. As most of these films take a lot of influence from the masterpiece Dirty Harry, many of them focus on police officers - but this one puts its focus on criminals. The main character is a fruit vendor who makes most of his money through pimping prostitutes. His lucrative racket is interrupted one day when a French drug dealer decides that he wants to go into business with the pimp, using the whores to push his drugs. However, our pimp isn't happy with that, which is a problem as the French drug dealer isn't happy with people saying no to him, and so sets about trying to find ways to force the pimp to work with him.

It has to be said that Milano Rovente is not a spectacular crime flick; especially when compared to Lenzi's other works. However, the film is notable for the way that it doesn't strictly adhere to the rules of the genre, and also for the fact that the interesting story is carried off with panache by a team of decent actors. Antonio Sabato is no Tomas Milian, but he carries the lead role off well in his authoritative role. Lenzi's crime flicks tend to be more violent than the rest of the pack, and this one doesn't disappoint in that respect as it features plenty of brutal scenes. There isn't a lot in the way of car chases, and it has to be said that the tone of the film is largely downtrodden throughout; unlike the majority of these types of films which tend to be largely quite fun to watch. It all boils down to a nice, and rather fitting, conclusion and while I can't say that Milano Rovente is one of the best films of its type - it certainly isn't a bad one, and fans of this sort of film are likely to enjoy it.

"Gang Wars in Milan" is Umberto Lenzi's worthwhile and compelling imitation of "The Godfather" – in Italy during the 1970's this type of films got labeled as the "Poliziottesco" – about the rivalry and battle between Sicilian pimps and French drug dealers. The drug barons are putting severe pressure on the sly and sleazy Salvatore "Toto" Cangemi, who practically has a monopoly over the prostitution network in Milan, to have his hookers sell heroin. The greedy French wolves also demand 70% of the profit, so you can image Toto refuses. The "negotiations" rapidly run out of hand, with some car-bombs left, some drug labs getting destroyed right and a handful of prostitutes being mutilated center, and gradually escalate into a devastating gang war. So, basically, what I've learned from this film is the actual definition of a mafia partnership: they start a war over 20% and when they finally do reach an agreement, all they do is double-crossing each other! "Milano Rovente" isn't the most spectacular of Italian crime epics of the 70's, as there are reasonably few car chases and violent shootouts on display, but it's nevertheless a solidly scripted and professionally acted atmosphere-driven thriller. There are some excellent plot twists to keep you interested throughout and the bit of cruelty (especially towards women) are quite hard to stomach. The film may lack some essential Poliziottesco aspects, like a dazzling soundtrack and ultra-psychopathic characters, but it was definitely a terrific predecessor to Umberto Lenzi's ultimate crime masterpiece "Almost Human".

Antonio Sabato is the perfect mixture of smarm and charisma in the role of Salvatore "Toto" Cangemi. He's a big name in the produce business in Milan, but this is really just a legitimate front for what he really likes to do: run a prostitution ring. His troubles begin when a smooth French criminal, Roger "The Captain" Daverty (Philippe Leroy), starts putting the pressure on Toto to get into drugs. Toto is pretty peeved, especially when The Captain insists on pocketing most of the potential income. This leads to a war between Toto and his fellow Sicilians and the Frenchman and his gang, with some interesting twists and turns along the way.

It's amusing watching an amoral p.o.s. like Toto be the focal point of a solid, if unexceptional, Eurocrime story. You don't like him - he's misogynistic, for one thing - but he remains fairly compelling. In fact, in this yarn there are very few innocents, or characters with genuine rooting interest. Still, it's fun to watch as these not-so-honourable crooks figure out ways to mess with each other. The film has its moments of violence - like acid thrown in a face, or the mutilating of a breast - but in truth is not all that gory. It IS an entertaining exercise in sleaze, and fans of the genre will have cause to be reasonably pleased. It's very nicely shot in widescreen and given an atmospheric score by Carlo Rustichelli.

Sabato is ably supported by a rich gallery of European talent: Leroy as the drug kingpin, Antonio Casagrande as Totos' associate Lino, lovely Carla Romanelli as novice hooker Virginia, Alessandro Sperli as wise American mobster Billy Barone, Franco Fantasia as the Inspector tasked with fighting organized crime, Tano Cimarosa as the victimized Nino Balsamo, and sexy Marisa Mell as Jasmina Sanders, the woman who turns Totos' head.

Noteworthy as the first Eurocrime feature for Umberto Lenzi, who may be better known (at least to some North American viewers) for his horror films of the 80s, like "Cannibal Ferox" and "Nightmare City".

Trashy and politically incorrect, "Gang War in Milan" shows its audience a good time.

Seven out of 10.

Salvatore "Toto" Cangemi(Antonio Sabato) is a sicilian who has made it big in Milan as a crime boss, his area being prostitution. He is approached by a French crime boss know as "Le Capitaine" he wants to go into business with Toto using his hookers to sell his drugs, only problem is the French aren't giving Toto much of an option. He decides against it and this leads to a big gang war, with tit for tat killings and Toto's hooker being beaten and kidnapped. Toto's second in command Lino Carruzzi, proposes getting his American crime boss uncle "Billy Barone" involved, Toto has little option but to agree in order to save his business. Highly un pc film, that denigrates women all over the place, promotes racial stereotypes and its also homophobic, despite this its an entertaining ride, there's even time for Toto to have some liaisons with the mysterious Jasmine (….but underused Marisa Mell). The violence is as you'd expect with Lenzi quite violent with breast slashings galore and even some genital electrocution…nice! Carlo Rustichelli's jazzy score is nice but a little overused.

The storyline is the Italians vs. the French. More accurately, the Italian pimps vs. the French drug pushers. Antonio Sabato stars as Salvatore Cangemi, Milan's biggest pimp who refuses to get in the drug trade with some French gangsters. Ah, a pimp with standards. Of course, this is what makes MILANO difficult. How can one root for a guy who repeatedly degrades/beats women and smacks around people because "the English language annoys him" at a bar? The film is interesting to watch in that it is Umberto Lenzi's first crime/mafia film. Up until this point, Lenzi had done westerns, gladiator films, spy films and a couple of giallo but nothing this focused on Italy's crime element (unless you count KRIMINAL). This comes off as a blue print for his later works. I wonder if Lenzi gauged what audiences liked the most and least from this film and infused them into his next entries. It is a theory that may hold some water because just a year later he would deliver ALMOST HUMAN, his Italian crime classic.