8mm - Delitto a luci rosse

When it came out, "8mm" became notorious for its dark and perverted subject matter. Any and all warnings that are given in association with this film are warranted: this is a dark, dark, thriller, and one that revels in a lot of sordid subject matter. How this was never threatened with an NC-17 is beyond me.

Tom Welles (Nicholas Cage) is a well-respected private detective. One day, he gets a call from a recently widowed, and exceedingly wealthy woman named Mrs. Christian (Myra Carter). It seems that when Mrs. Christian was going through her husbands things, she came across a film reel that appears to be a "snuff film" (a "snuff film is where someone is actually murdered on screen, not merely acting like it). Tom is hired to find out if the film is actually real.

Andrew Kevin Walker wrote the suspense hit "Seven," and the two films bear a number of similarities. Both deal with grisly and bizarre subject matter, and take no prisoners when they show it all. But "Seven" had something that "8mm" doesn't: a sense of atmosphere. Try as he might, director Joel Schumaker can't establish an ominous atmosphere, which mutes the film's impact.

The acting varies. Nicholas Cage is effective as Tom Welles, though that's to be expected because this is a role that Cage could play in his sleep. Joaquin Phoenix shines as Max California, the porn star clerk who becomes Tom's sidekick. The rest of the cast is not so great. James Gandolfini is okay as Eddie Poole, but Peter Stormare (Dino Velvet, a mysterious hard-core porn producer), Anthony Heald as Mrs. Christian's lawyer, Daniel Longdale, (looking strikingly similar to Geraldo Rivera) and Catherine Keener (Tom's neurotic wife)are awful.

"8mm" works, but it's not masterpiece. The story is easy to follow, as long as you don't stop to think about how the film gets from one scene to the next. But the final 20 minutes are bad; they're not credible, and everyone acts like they've lost their brains.

"Seven" contained an ingenious twist ending, and while "8mm" doesn't offer that, it takes a few unexpected turns, and the story is not formulaic.

This is a good film, but not a great one. Recommended, if you can get it for cheap.

Every time I think of Joel Schumacher I cringe. Is Batman & Robin really so bad that it makes me want to disregard the rest of his films? He's not a bad director, hell I enjoy some of his work, yet I still cringe when I hear his name. Let's take a look at 8MM, something that is the polar opposite of B&R.

It stars Nic Cage as a private investigator, hired to find out if the content on an 8MM tape found in a safe of a recently deceased millionaire is real. The tape is referred to as a snuff film, which is a pornographic film that ends with the murder of the female. So, already we have ourselves a pretty dark and disturbing film here. Yet, as I watched it I felt that is played it a little too safe.

Upon research you will find out the writer and the director had a falling out over the film. The studio wanted it to be a bit lighter, and the director agreed. While the writer, who also wrote Se7en, wanted to keep the gritty disturbing feel he had originally wrote. The final product is a film that tries to be more hardcore then it actually is.

Nic Cage really seemed to be playing by the numbers here. He is more monotone then usual I thought and didn't really seem invested in his character. Joaquin Phoenix on the other hand immerses himself into this world. Playing the sidekick who is smarter then he looks. The supporting cast also includes James Gandolfini, doing what he does best and Peter Stormare. Both stretch out beyond the page and embody their characters. With Gandolfini, we've seen him do this character before. But with every performance there is just one little thing that makes them all seem different every time.

I was really underwhelmed with this flick. It was a bit longer then it needed to be, just over 2 hours. You go along for the investigative ride and are interested with the story, but at the end you just feel empty. Never connecting with the relationship between the main character and his wife he neglects. Some scenes that were meant to be powerful came off as comedic to me, specifically the "Give me permission to hurt them" bit near the end.

I did enjoy the film, but wanted more. The ingredients were there to make a really good film, but the final product falls a bit flat. It's a rental, or if you are really a big fan of anyone involved . I will say this though, I wouldn't mind if Cage went back to making movies like this instead of the filler he's been cranking out the last few years.

Firstly, this film is hugely under-rated. For those reviewers who call this film a "waste of time" or place it in the "hall of shame", maybe they should go back to watching more obvious and simple films.

8mm focuses on "snuff" movies and follows Nicholas Cage as he ventures into the dark underworld of the pornographic industry. I'm not a great fan of Nicholas Cage (I still wonder how he ever made it as a movie star), but in 8mm felt he redeemed himself from past performances. Other actors in the film put on great performances, notably Joaquin Pheonix, and James Gandolfini (of Sopranos).

What makes the film worth watching though is the emotion, dark imagery and tense moments throughout the film. The storyline too is very well thought out although does have a few holes and untouched areas that may have helped develop the film further. There is no Hollywood ending, forced propaganda, or marketing. What you do get is graphic scenes, moderate violence, and an insight into "snuff" movies (which really is quite disturbing).

Having said that this movie is not for the faint hearted, so if you're a "puppy-dogs and ice-cream" kind of person I'd suggest watching something else. If however, you feel you will be able to stomach such a film then prepare yourself for a moving film, which will leave you feeling that little bit darker at the end.

I highly recommend this film. 8/10

I'll never forget first seeing this film in the theater. When I heard that this film was written by the same writer as "Seven", I expected a truly sick and twisted film. Now don't get me wrong, this most certainly is a sick and twisted film, but it wasn't nearly as graphic as I expected. Maybe that is due to this film having a different director, but nonetheless the film wasn't as graphic as I'd expected. With that said, and having watched this film a number of times, I still wouldn't recommend this film to everyone. If you like thrillers and can handle the subject of pornography and "snuff" films, then you should definitely give this film a chance.

I'm a little surprised that this film has such a low rating on IMDB. I can see why someone wouldn't like it, but I can't see why it would have such a low rating. I would assume that most viewers couldn't handle the subject and therefore gave the film a low rating.

All of the actors involved in this film did a very good job. Nicholas Cage was great as always (sometimes a little over-acting, but most of the time he was great). James Gandolfini, Joaquin Phoenix, Peter Storemare, Anthony Heald, Catherine Keener, and the rest of the supporting cast all pulled off solid performances.

Joel Schumacher really needs to stick with films like this. He really does a great job with thriller/drama type films (and needs to steer clear of certain super-hero films). Joel did a great job with this film and I look forward to his next work.

The only complaint I have about the film is the music. There were some times were the music was perfect or tolerable, but there were others where it was just horrible and detracted from the film. Some of the music in the film was too bizarre and didn't fit with the film.

Like I said, I wouldn't recommend this to everyone, but I thought this was an excellent film. I hope you enjoy the film. Thanks for reading,

-Chris

I walked into the movie theater last Friday not expecting at all what I was about to see. I'd heard about it, thought "Oh, another Seven". Same screenwriter, but I was way off track. I can stomach a lot, having no problem stuffing down popcorn during very graphic scenes. In 8MM, my coke had trouble going down. 8MM did not have consistent gory/violent scenes, but the way the movie was made made you fill in the blanks of what the makers of the movie could not screen. And if you pay attention and immerse yourself, you fill in more blanks than you really think you could, or want. As Max put it: "the devil changes you." The perversity and deep rottenness of the human minds displayed in 8MM is what disturbs you. Then you realize, that "snuff"-movies are real, that there are individuals twisted enough to endorse/enjoy/take part in it. And worst of all, that these individuals don't look like monsters, they're perhaps just overweight nearsighted men who look like your dad, your son, your brother, even yourself. And if you don't look out,(no matter how secluded you think you are in your suburban home, with a wife, a daughter, and a dog named Shep) you dive into the pit of perversion and rottenness as well, finding no way out. In conclusion: excellent music, acting very sufficient, the plot: a must see. Just don't bring popcorn, and prepare to walk out of the movie theatre disturbed, asking questions, and a little bit more suspicious of those walking around you, and yourself.